love poems for her

XXXVIII

Give to imagination some pure light
In human form to fix it, or you shame
The devils with that hideous human game: —
Imagination urging appetite!
Thus fallen have earth's greatest Gogmagogs,
Who dazzle us, whom we can not revere:
Imagination is the charioteer
That, in default of better, drives the hogs.
So, therefore, my dear Lady, let me love!
My soul is arrowy to the light in you.
You know me that I never can renew
The bond that woman broke: what would you have?

XXXIII

" In Paris, at the Louvre, there have I seen
The sumptuously-feathered angel pierce
Prone Lucifer, descending. Looked he fierce,
Showing the fight a fair one? Too serene!
The young Pharsalians did not disarray
Less willingly their locks of floating silk:
That suckling mouth of his, upon the milk
Of heaven might still be feasting through the fray.
Oh, Raphael! when men the Fiend do fight,
They conquer not upon such easy terms.
Half serpent in the struggle grow these worms.

XXXII

Full faith I have she holds that rarest gift
To beauty, Common Sense. To see her lie
With her fair visage an inverted sky
Bloom-covered, while the underlids uplift,
Would almost wreck the faith; but when her mouth
(Can it kiss sweetly? sweetly!) would address
The inner me that thirsts for her no less,
And has so long been languishing in drouth,
I feel that I am matched; that I am man!
One restless corner of my heart or head,
That holds a dying something never dead,

XXXI

This golden head has wit in it. I live
Again, and a far higher life, near her.
Some women like a young philosopher;
Perchance because he is diminutive.
For woman's manly god must not exceed
Proportions of the natural nursing size.
Great poets and great sages draw no prize
With women: but the little lap-dog breed,
Who can be hugged, or on a mantel-piece
Perched up for adoration, these obtain
Her homage. And of this we men are vain?

XXVIII

I must be flattered. The imperious
Desire speaks out. Lady, I am content
To play with you the game of Sentiment,
And with you enter on paths perilous;
But if across your beauty I throw light,
To make it threefold, it must be all mine.
First secret; then avowed. For I must shine
Envied, — I, lessened in my proper sight!
Be watchful of your beauty, Lady dear!
How much hangs on that lamp you cannot tell.
Most earnestly I pray you, tend it well:

XXVII

Distraction is the panacea, Sir!
I hear my oracle of Medicine say.
Doctor! that same specific yesterday
I tried, and the result will not deter
A second trial. Is the devil's line
Of golden hair, or raven black, composed?
And does a cheek, like any sea-shell rosed,
Or clear as widowed sky, seem most divine?
No matter, so I taste forgetfulness.
And if the devil snare me, body and mind,
Here gratefully I score: — he seemid kind,
When not a soul would comfort my distress!

XXVI

Love ere he bleeds, an eagle in high skies,
Has earth beneath his wings: from reddened eve
He views the rosy dawn. In vain they weave
The fatal web below while far he flies.
But when the arrow strikes him, there's a change.
He moves but in the track of his spent pain,
Whose red drops are the links of a harsh chain,
Binding him to the ground, with narrow range.
A subtle serpent then has Love become.
I had the eagle in my bosom erst:
Henceforward with the serpent I am cursed.

XXV

You like not that French novel? Tell me why.
You think it quite unnatural. Let us see.
The actors are, it seems, the usual three:
Husband, and wife, and lover. She — but fie!
In England we'll not hear of it. Edmond,
The lover, her devout chagrin doth share;
Blanc-mange and absinthe are his penitent fare,
Till his pale aspect makes her over-fond:
So, to preclude fresh sin, he tries rosbif.
Meantime the husband is no more abused:
Auguste forgives her ere the tear is used.

XXIV

The misery is greater, as I live!
To know her flesh so pure, so keen her sense,
That she does penance now for no offence,
Save against Love. The less can I forgive!
The less can I forgive, though I adore
That cruel lovely pallor which surrounds
Her footsteps; and the low vibrating sounds
That come on me, as from a magic shore.
Low are they, but most subtle to find out
The shrinking soul. Madam, 'tis understood
When women play upon their womanhood;

XXII

What may the woman labour to confess?
There is about her mouth a nervous twitch.
'Tis something to be told, or hidden: — which?
I get a glimpse of hell in this mild guess.
She has desires of touch, as if to feel
That all the household things are things she knew.
She stops before the glass. What sight in view?
A face that seems the latest to reveal!
For she turns from it hastily, and tossed
Irresolute, steals shadow-like to where
I stand; and wavering pale before me there,