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Modern Love XXXVIII Give to Imagination

Give to imagination some pure light
In human form to fix it, or you shame
The devils with that hideous human game:
Imagination urging appetite!
Thus fallen have earth's greatest Gogmagogs,
Who dazzle us, whom we can not revere:
Imagination is the charioteer
That, in default of better, drives the hogs.
So, therefore, my dear Lady, let me love!
My soul is arrowy to the light in you.
You know me that I never can renew
The bond that woman broke: what would you have?
'Tis Love, or Vileness! not a choice between,

Modern Love XXX What Are We First

What are we first? First, animals; and next
Intelligences at a leap; on whom
Pale lies the distant shadow of the tomb,
And all that draweth on the tomb for text.
Into which state comes Love, the crowning sun:
Beneath whose light the shadow loses form.
We are the lords of life, and life is warm.
Intelligence and instinct now are one.
But nature says: 'My children most they seem
When they least know me: therefore I decree
That they shall suffer.' Swift doth young Love flee,
And we stand wakened, shivering from our dream.

Modern Love XXVI Love Ere He Bleeds

Love ere he bleeds, an eagle in high skies,
Has earth beneath his wings: from reddened eve
He views the rosy dawn. In vain they weave
The fatal web below while far he flies.
But when the arrow strikes him, there's a change.
He moves but in the track of his spent pain,
Whose red drops are the links of a harsh chain,
Binding him to the ground, with narrow range.
A subtle serpent then has Love become.
I had the eagle in my bosom erst:
Henceforward with the serpent I am cursed.
I can interpret where the mouth is dumb.

Modern Love XVII At Dinner She Is Hostess

At dinner, she is hostess, I am host.
Went the feast ever cheerfuller? She keeps
The Topic over intellectual deeps
In buoyancy afloat. They see no ghost.
With sparkling surface-eyes we ply the ball:
It is in truth a most contagious game:
HIDING THE SKELETON, shall be its name.
Such play as this the devils might appal!
But here's the greater wonder; in that we,
Enamoured of an acting nought can tire,
Each other, like true hypocrites, admire;
Warm-lighted looks, Love's ephemerioe,
Shoot gaily o'er the dishes and the wine.

Modern Love XLVII We Saw the Swallows

We saw the swallows gathering in the sky,
And in the osier-isle we heard them noise.
We had not to look back on summer joys,
Or forward to a summer of bright dye:
But in the largeness of the evening earth
Our spirits grew as we went side by side.
The hour became her husband and my bride.
Love that had robbed us so, thus blessed our dearth!
The pilgrims of the year waxed very loud
In multitudinous chatterings, as the flood
Full brown came from the West, and like pale blood
Expanded to the upper crimson cloud.

Modern Love XLIV They Say That Pity

They say, that Pity in Love's service dwells,
A porter at the rosy temple's gate.
I missed him going: but it is my fate
To come upon him now beside his wells;
Whereby I know that I Love's temple leave,
And that the purple doors have closed behind.
Poor soul! if in those early days unkind,
Thy power to sting had been but power to grieve,
We now might with an equal spirit meet,
And not be matched like innocence and vice.
She for the Temple's worship has paid price,
And takes the coin of Pity as a cheat.

Modern Love XLIII Mark Where the Pressing Wind

Mark where the pressing wind shoots javelin-like,
Its skeleton shadow on the broad-backed wave!
Here is a fitting spot to dig Love's grave;
Here where the ponderous breakers plunge and strike,
And dart their hissing tongues high up the sand:
In hearing of the ocean, and in sight
Of those ribbed wind-streaks running into white.
If I the death of Love had deeply planned,
I never could have made it half so sure,
As by the unblest kisses which upbraid
The full-waked sense; or failing that, degrade!

Modern Love XLII I Am to Follow Her

I am to follow her. There is much grace
In woman when thus bent on martyrdom.
They think that dignity of soul may come,
Perchance, with dignity of body. Base!
But I was taken by that air of cold
And statuesque sedateness, when she said
'I'm going'; lit a taper, bowed her head,
And went, as with the stride of Pallas bold.
Fleshly indifference horrible! The hands
Of Time now signal: O, she's safe from me!
Within those secret walls what do I see
Where first she set the taper down she stands:

Modern Love XL I Bade My Lady Think

I bade my Lady think what she might mean.
Know I my meaning, I? Can I love one,
And yet be jealous of another? None
Commits such folly. Terrible Love, I ween,
Has might, even dead, half sighing to upheave
The lightless seas of selfishness amain:
Seas that in a man's heart have no rain
To fall and still them. Peace can I achieve,
By turning to this fountain-source of woe,
This woman, who's to Love as fire to wood?
She breathed the violet breath of maidenhood
Against my kisses once! but I say, No!

Modern Love XIX No State Is Enviable

No state is enviable. To the luck alone
Of some few favoured men I would put claim.
I bleed, but her who wounds I will not blame.
Have I not felt her heart as 'twere my own
Beat thro' me? could I hurt her? heaven and hell!
But I could hurt her cruelly! Can I let
My Love's old time-piece to another set,
Swear it can't stop, and must for ever swell?
Sure, that's one way Love drifts into the mart
Where goat-legged buyers throng. I see not plain:--
My meaning is, it must not be again.
Great God! the maddest gambler throws his heart.