love

BY the road, near her father’s dwelling,
There groweth a hawthorn tree:
Its blossoms are fair and fragrant
As the love that I cast from me.
It is all a-bloom this morning
In the sunny silentness,
And grows by the roadside, radiant
As a bride in her bridal dress.

But ah me! at sight of its blossoms
No pleasant memories start:
I see but the thorns beneath them—
And the thorns they pierce my heart.

After these vernal rains

That we so warmly sought,
Dear wife, see how our plains

With blessings sweet are fraught!
We cast our distant gaze

Far in the misty blue;
Here gentle love still strays,

Here dwells still rapture true.

Thou seest whither go

Yon pair of pigeons white,
Where swelling violets blow

Round sunny foliage bright.
'Twas there we gather'd first

A nosegay as we roved;
There into flame first burst

The passion that we proved.

A week ago; only a little week:
it seems so much much longer, though that day
is every morning still my yesterday;
as all my life 'twill be my yesterday,
for all my life is morrow to my love.
Oh fortunate morrow! Oh sweet happy love!

A week ago; and I am almost glad
to have him now gone for this little while,
that I may think of him and tell myself
what to be his means, now that I am his,
and know if mine is love enough for him,
and make myself believe it all is true.

XI
Belovèd, those who moan of love's brief day
Shall find but little grace with me, I guess,
Who know too well this passion's tenderness
To deem that it shall lightly pass away,
A moment's interlude in life's dull play;
Though many loves have lingered to distress,
So shall not ours, sweet Lady, ne'ertheless,
But deepen with us till both heads be grey.
For perfect love is like a fair green plant,
That fades not with its blossoms, but lives on,

I've wearied of so many things
Adored in youthful days;
Music no more my spirit wings,
E'en when Master play.
For stage and screen I have no heart,
Great paintings leave me cold;
Alas! I've lost the love of Art
That raptured me of old.

Only my love of books is left,
Yet that begins to pall;
And if of it I am bereft,
I'll read no more at all.
Then when I am too frail to walk
I'll sit out in the sun,
And there with Nature I will talk . . .
Last friend and dearest one.

Blessings in abundance come
To the bride and to her groom ;
May the bed and this short night
Know the fulness of delight !
Pleasure many here attend ye,
And, ere long, a boy love send ye,
Curled and comely, and so trim,
Maids in time may ravish him.
Thus a dew of graces fall
On ye both ; good-night to all.

1
They that in play can do the thing they would,
Having an instinct throned in reason's place,
--And every perfect action hath the grace
Of indolence or thoughtless hardihood--
These are the best: yet be there workmen good
Who lose in earnestness control of face,
Or reckon means, and rapt in effort base
Reach to their end by steps well understood.
Me whom thou sawest of late strive with the pains
Of one who spends his strength to rule his nerve,
--Even as a painter breathlessly who stains

ALL singers have shadows
That follow like fears,
But I know a singer
Who never saw tears;
A gay love—a green love—
Delightsome—divine:
The Spring is that singer—
An old love of mine!

All players have shadows,
And into the play
Old sorrows will saunter—
Old sorrows will stay.
But here is a player
Whose speech is divine:
The Spring is that player—
An old love of mine!

All singers grow heavy:

She is sixty. She lives
the greatest love of her life.

She walks arm-in-arm with her dear one,
her hair streams in the wind.
Her dear one says:
"You have hair like pearls."

Her children say:
"Old fool."


Translated from the Polish by Czeslaw Milosz and Leonard Nathan

Anonymous Submission

IF of us two might only one be glad,
Pain I’d pursue, and struggle to be sad.
If of us two one only might be great,
Safely obscure I’d triumph in my fate.
O Soul more dear than mine! if of us two
One only might love God, it should be you.