mirror

I perceive the world as a playground
Where dawn and dusk appear in eternal rounds
In His Universal form is a plaything the throne of Solomon
The miracles of the Messiah seem so ordinary in my eyes
Without name I cannot comprehend any form
Illusionary but is the identity of all objects
My anguish envelopes the entire desert
Silently flows the river in front of my floods
Ask not what separation has done to me
Just see your poise when I come in front of you
Truly you say that I am egotistical and proud

Here is a voice that soundeth low and far
And lyric­voice of wind among the pines,
Where the untroubled, glimmering waters are,
And sunlight seldom shines.

Elusive shadows linger shyly here,
And wood-flowers blow, like pale, sweet spirit-bloom,
And white, slim birches whisper, mirrored clear
In the pool's lucent gloom.

Here Pan might pipe, or wandering dryad kneel
To view her loveliness beside the brim,
Or laughing wood-nymphs from the byways steal
To dance around its rim.

By love are blest the gods on high,
Frail man becomes a deity
When love to him is given;
'Tis love that makes the heavens shine
With hues more radiant, more divine,
And turns dull earth to heaven!

In Pyrrha's rear (so poets sang
In ages past and gone),
The world from rocky fragments sprang--
Mankind from lifeless stone.

Their soul was but a thing of night,
Like stone and rock their heart;
The flaming torch of heaven so bright
Its glow could ne'er impart.

...


England, with all thy faults, I love thee still--
My country! and, while yet a nook is left
Where English minds and manners may be found,
Shall be constrain'd to love thee. Though thy clime
Be fickle, and thy year most part deform'd
With dripping rains, or wither'd by a frost,
I would not yet exchange thy sullen skies,
And fields without a flow'r, for warmer France
With all her vines; nor for Ausonia's groves
Of golden fruitage, and her myrtle bow'rs.

...


Thou know'st my praise of nature most sincere,
And that my raptures are not conjur'd up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
Has slacken'd to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration, feeding at the eye,
And still unsated, dwelt upon the scene.
Thence with what pleasure have we just discern'd
The distant plough slow moving, and beside

Under what withering leprous light
The very grass as hair is grey,
Grass in the cracks of the paven courts
Of gods we graved but yesterday.
Senate, republic, empire, all
We leaned our backs on like a wall
And blessed as stron as strong and blamed as stolid--
Can it be these that waver and fall?
And what is this like a ghost returning,
A dream grown strong in the strong daylight?
The all-forsaken, the unforgotten,
The ever-behind and out of sight.

One of those men who can be a car salesman or a tourist from Syracuse or a hired assassin.
-- John D. MacDonald

You would not recognize me.
Mine is the face which blooms in
The dank mirrors of washrooms
As you grope for the light switch.

My eyes have the expression
Of the cold eyes of statues
Watching their pigeons return
From the feed you have scattered,

And I stand on my corner
With the same marble patience.
If I move at all, it is
At the same pace precisely

The time has come for us to become madmen in your chain, to
burst our bonds and become estranged from all;
To yield up our souls, no more to bear the disgrace of such a
soul, to set fire to our house, and run like fire to the tavern.
Until we ferment, we shall not escape from this vat of the
world- how then shall we become intimate with the lip of that
flagon and bowl?
Listen to the words from a madman: do not suppose that we
become true men until we die.
It is necessary that we should become more inverted than the

I shall tell you in rhyme how, once on a time,
Three tailors tramped up to the inn Ingleheim,
On the Rhine, lovely Rhine;
They were broke, but the worst of it all, they were curst
With that malady common to tailors--a thirst
For wine, lots of wine.

"Sweet host," quoth the three, "we're hard up as can be,
Yet skilled in the practice of cunning are we,
On the Rhine, genial Rhine;
And we pledge you we will impart you that skill
Right quickly and fully, providing you'll fill

my mother pushed my sister out of the apartment door with an empty
suitcase because she kept threatening to run away my sister was sick of me
getting the best of everything the bathrobe with the pink stripes instead of
the red the soft middle piece of bread while she got the crust I was sick with
asthma and she thought this made me a favorite

I wanted to be like the girl in the made-for-tv movie Maybe I'll Come Home
in the Spring which was supposed to make you not want to run away but it