Old Pardon, the Son of Reprieve

You never heard tell of the story?
Well, now, I can hardly believe!
Never heard of the honour and glory
Of Pardon, the son of Reprieve?
But maybe you're only a Johnnie
And don't know a horse from a hoe?
Well, well, don't get angry, my sonny,
But, really, a young un should know.
They bred him out back on the "Never",
His mother was Mameluke breed.
To the front -- and then stay there - was ever
The root of the Mameluke creed.
He seemed to inherit their wiry


Old Men Complaining

First Old Man
He threw his crutched stick down: there came
Into his face the anger flame,
And he spoke viciously of one
Who thwarted him—his son’s son.
He turned his head away.—“I hate
Absurdity of language, prate
From growing fellows. We’d not stay
About the house the whole of a day
When we were young,
Keeping no job and giving tongue!
“Not us in troth! We would not come
For bit or sup, but stay from home
If we gave answers, or we’d creep
Back to the house, and in we’d peep


Oh, For a Bowl of Fat Canary

Oh, for a bowl of fat Canary,
Rich Palermo, sparkling Sherry,
Some nectar else, from Juno's dairy;
Oh, these draughts would make us merry!

Oh, for a wench (I deal in faces,
And in other daintier things);
Tickled am I with her embraces,
Fine dancing in such fairy rings.

Oh, for a plump fat leg of mutton,
Veal, lamb, capon, pig, and coney;
None is happy but a glutton,
None an ass but who want money.

Wines indeed and girls are good,
But brave victuals feast the blood;


Ode in Honour

Evening is part of the jig-saw truth of her,
ply-wood ply-flesh, her insolent reply
blinding the ace with a straight shot to centre,
the woman's a delicate devil in twenty places
blander and blonder, tinder tenderly
setting the smiles on fire in men's faces.

On any evening gets you ready for dark
swathes and saves you for the magic carpet
spirits you anywhere anytime anyhow
over the bridges the tunnels the hills the foothills
the pools lakes oceans cataracts crystal floes


Now List To My Morning's Romanza


NOW list to my morning's romanza--I tell the signs of the Answerer;
To the cities and farms I sing, as they spread in the sunshine before
me.

A young man comes to me bearing a message from his brother;
How shall the young man know the whether and when of his brother?
Tell him to send me the signs.

And I stand before the young man face to face, and take his right
hand in my left hand, and his left hand in my right hand,


No Sunday Chicken

I could have sold him up because
His rent was long past due;
And Grimes, my lawyer, said it was
The proper thing to do:
But how could I be so inhuman?
And me a gentle-woman.

Yet I am poor as chapel mouse,
Pinching to make ends meet,
And have to let my little house
To buy enough to eat:
Why, even now to keep agoing
I have to take in sewing.

Sylvester is a widowed man,
Clerk in a hardware store;
I guess he does the best he can


Natural Theology

Primitive

I ate my fill of a whale that died
And stranded after a month at sea. . . .
There is a pain in my inside.
Why have the Gods afflicted me?
Ow! I am purged till I am a wraith!
Wow! I am sick till I cannot see!
What is the sense of Religion and Faith:
Look how the Gods have afflicted me!


Pagan

How can the skin of rat or mouse hold
Anything more than a harmless flea?. . .
The burning plague has taken my household.
Why have my Gods afflicted me?


my friend, the parking lot attendant

—he's a dandy
—small moustache
—usually sucking on a cigar

he tends to lean into cars as he
transacts business

first time I met him, he said,
"hey! ya gonna make a
killin'?"

"maybe," I answered.

next meeting it was:
"hey, Ramrod! what's
happening?"

"very little," I told
him.

next time I had my girlfriend with me
and he just
grinned.

next time I was
alone.

"hey," he asked, "where's the young
chick?"


My Fathers, The Baltic

Along the strand stones,
busted shells, wood scraps,
bottle tops, dimpled
and stainless beer cans.
Something began here
a century ago,
a nameless disaster,
perhaps a voyage
to the lost continent
where I was born.
Now the cold winds
of March dimple
the gray, incoming
waves. I kneel
on the wet earth
looking for a sign,
maybe an old coin,
an amulet
against storms,
and find my face
blackened in a pool
of oil and water.


Mulholland's Contract

The fear was on the cattle, for the gale was on the sea,
An' the pens broke up on the lower deck an' let the creatures free --
An' the lights went out on the lower deck, an' no one near but me.

I had been singin' to them to keep 'em quiet there,
For the lower deck is the dangerousest, requirin' constant care,
An' give to me as the strongest man, though used to drink and swear.

I see my chance was certain of bein' horned or trod,
For the lower deck was packed with steers thicker'n peas in a pod,


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