moon

When my eyes are weeds,
And my lips are petals, spinning
Down the wind that has beginning
Where the crumpled beeches start
In a fringe of salty reeds;
When my arms are elder-bushes,
And the rangy lilac pushes
Upward, upward through my heart;

Summer, do your worst!
Light your tinsel moon, and call on
Your performing stars to fall on
Headlong through your paper sky;
Nevermore shall I be cursed
By a flushed and amorous slattern,
With her dusty laces' pattern

This trumpeter of nothingness, employed
To keep our reason dull and null and void.
This man of wind and froth and flux will sell
The wares of any who reward him well.
Praising whatever he is paid to praise,
He hunts for ever-newer, smarter ways
To make the gilt seen gold; the shoddy, silk;
To cheat us legally; to bluff and bilk
By methods which no jury can prevent
Because the law's not broken, only bent.

This mind for hire, this mental prostitute
Can tell the half-lie hardest to refute;

[Dedicated to Frank Harris, editor of Vanity Fair]

On the black night, beneath the winter moon,
I clothed me in the limbs of Codia,
Swooning my soul out into her red throat,
So that the glimmer of our skins, the tune
Og our ripe rythm, seemed the hideous play
Of death-worms crawling on a corpse,afloat
With life that takes its thirst
Only from things accurst.

Closer than Clodia's clasp, Death had me down
To his black heart, and fed upon my breath,
So that we seemed a stilness -whiter than

The palace with revolving doors was mine
And three of us went up its steps
To the tall room whose walls were made
Of the furred eyes of moths.

One only went within -
Atameros the Greek;
With steps that slid along the floor
He slipped inside and closed the door.

Whilst Williamson took off his boots,
Produced three large synthetic mandrake roots
And softly musicked Home Sweet Home
Upon his dirty pocket-comb.

Within the room a metal thread
Uncoiled to greet Atameros;

THE CURTAIN rose—the play began—
The limelight on the gay garbs shone;
Yet carelessly I gazed upon
The painted players, maid and man,
As one with idle eyes who sees
The marble figures on a frieze.
Long lark-notes clear the first act close,
So the soprano: then a hush—
The tenor, tender as a thrush;
Then loud and high the chorus rose,
Till, with a sudden rush and strong,
It ended in a storm of song.

The curtain fell—the music died—
The lights grew bright, revealing there

Under the day-long sun there is life and mirth
In the working earth,
And the wonderful moon shines bright
Through the soft spring night,
The innocent flowers in the limitless woods are springing
Far and away
With the sound and the perfume of May,
And ever up from the south the happy birds are winging,
The waters glitter and leap and play
While the grey hawk soars.

But far in an open glade of the forest set
Where the rapid plunges and roars,

With how sad steps, O Moon, thou climb'st the skies!
How silently, and with how wan a face!
What! may it be that even in heavenly place
That busy archer his sharp arrows tries?
Sure, if that long-with-love-acquainted eyes
Can judge of love, thou feel'st a lover's case:
I read it in thy looks; thy languished grace,
To me that feel the like, thy state descries.
Then even of fellowship, O Moon, tell me,
Is constant love deemed there but want of wit?
Are beauties there as proud as here they be?

With how sad steps, O Moon, thou climb'st the skies!
How silently, and with how wan a face!
What, may it be that even in heav'nly place
That busy archer his sharp arrows tries!
Sure, if that long-with love-acquainted eyes
Can judge of love, thou feel'st a lover's case,
I read it in thy looks; thy languish'd grace
To me, that feel the like, thy state descries.
Then, ev'n of fellowship, O Moon, tell me,
Is constant love deem'd there but want of wit?

Thy shadow, Earth, from Pole to Central Sea,
Now steals along upon the Moon's meek shine
In even monochrome and curving line
Of imperturbable serenity.

How shall I link such sun-cast symmetry
With the torn troubled form I know as thine,
That profile, placid as a brow divine,
With continents of moil and misery?

And can immense Mortality but throw
So small a shade, and Heaven's high human scheme
Be hemmed within the coasts yon arc implies?

Is such the stellar gauge of earthly show,

At night Chinamen jump
on Asia with a thump
while in our willful way
we, in secret, play

affectionate games and bruise
our knees like China's shoes.

The birds push apples through
grass the moon turns blue,

these apples roll beneath
our buttocks like a heath

full of Chinese thrushes
flushed from China's bushes.

As we love at night
birds sing out of sight,

Chinese rhythms beat
through us in our heat,

the apples and the birds