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Aurora Borealis

    A crystallization of color spreads from the upper regions of the dark sky towards the trembling nipples of the waves. The feathering fringes of clouds fade behind pillars of green light. Transparent curtains tremble every-where. In the arctic temple, the hidden Samson of light shakes the moon-green pillars of the night.
    Color these crystals with sudden blood; it is dawn, or else the last consumptive saliva of the dying day. Heartless hard light!

August

When my eyes are weeds,
And my lips are petals, spinning
Down the wind that has beginning
Where the crumpled beeches start
In a fringe of salty reeds;
When my arms are elder-bushes,
And the rangy lilac pushes
Upward, upward through my heart;

Summer, do your worst!
Light your tinsel moon, and call on
Your performing stars to fall on
Headlong through your paper sky;
Nevermore shall I be cursed
By a flushed and amorous slattern,
With her dusty laces' pattern
Trailing, as she straggles by.

Attack On The Ad-Man

This trumpeter of nothingness, employed
To keep our reason dull and null and void.
This man of wind and froth and flux will sell
The wares of any who reward him well.
Praising whatever he is paid to praise,
He hunts for ever-newer, smarter ways
To make the gilt seen gold; the shoddy, silk;
To cheat us legally; to bluff and bilk
By methods which no jury can prevent
Because the law's not broken, only bent.

This mind for hire, this mental prostitute
Can tell the half-lie hardest to refute;
Knows how to hide an inconvenient fact

Athor and Asar

[Dedicated to Frank Harris, editor of Vanity Fair]

On the black night, beneath the winter moon,
I clothed me in the limbs of Codia,
Swooning my soul out into her red throat,
So that the glimmer of our skins, the tune
Og our ripe rythm, seemed the hideous play
Of death-worms crawling on a corpse,afloat
With life that takes its thirst
Only from things accurst.

Closer than Clodia's clasp, Death had me down
To his black heart, and fed upon my breath,
So that we seemed a stilness -whiter than

Atameros

The palace with revolving doors was mine
And three of us went up its steps
To the tall room whose walls were made
Of the furred eyes of moths.

One only went within -
Atameros the Greek;
With steps that slid along the floor
He slipped inside and closed the door.

Whilst Williamson took off his boots,
Produced three large synthetic mandrake roots
And softly musicked Home Sweet Home
Upon his dirty pocket-comb.

Within the room a metal thread
Uncoiled to greet Atameros;
He placed his bowler-hat upon its head

At the Opera

THE CURTAIN rose—the play began—
The limelight on the gay garbs shone;
Yet carelessly I gazed upon
The painted players, maid and man,
As one with idle eyes who sees
The marble figures on a frieze.
Long lark-notes clear the first act close,
So the soprano: then a hush—
The tenor, tender as a thrush;
Then loud and high the chorus rose,
Till, with a sudden rush and strong,
It ended in a storm of song.

The curtain fell—the music died—
The lights grew bright, revealing there

At the Long Sault May, 1660

Under the day-long sun there is life and mirth
In the working earth,
And the wonderful moon shines bright
Through the soft spring night,
The innocent flowers in the limitless woods are springing
Far and away
With the sound and the perfume of May,
And ever up from the south the happy birds are winging,
The waters glitter and leap and play
While the grey hawk soars.

But far in an open glade of the forest set
Where the rapid plunges and roars,

At Night Chinamen Jump

At night Chinamen jump
on Asia with a thump
while in our willful way
we, in secret, play

affectionate games and bruise
our knees like China's shoes.

The birds push apples through
grass the moon turns blue,

these apples roll beneath
our buttocks like a heath

full of Chinese thrushes
flushed from China's bushes.

As we love at night
birds sing out of sight,

Chinese rhythms beat
through us in our heat,

the apples and the birds
move us like soft words,

we couple in the grace

At Midnight Hour

At midnight hour I went, not willingly,

A little, little boy, yon churchyard past,
To Father Vicar's house; the stars on high

On all around their beauteous radiance cast,

At midnight hour.

And when, in journeying o'er the path of life,

My love I follow'd, as she onward moved,
With stars and northern lights o'er head in strife,

Going and coming, perfect bliss I proved

At midnight hour.

Until at length the full moon, lustre-fraught,

Burst thro' the gloom wherein she was enshrined;

At Bordj-an-Nus

El Arabi! El Arabi! Burn in thy brilliance, mine own!
O Beautiful! O Barbarous! Seductive as a serpent is
That poises head and hood, and makes his body tremble to the drone
Of tom-tom and of cymbal wooed by love's assassin sorceries!
El Arabi! El Arabi!
The moon is down; we are alone;
May not our mouths meet, madden, mix, melt in the starlight of a kiss?
El Arabi!

There by the palms, the desert's edge, I drew thee to my heart and held
Thy shy slim beauty for a splendid second; and fell moaning back,