Sonnet XLIII While From the Dizzy Precipice

While from the dizzy precipice I gaze,
The world receding from my pensive eyes,
High o'er my head the tyrant eagle flies,
Cloth'd in the sinking sun's transcendent blaze!
The meek-ey'd moon, 'midst clouds of amber plays
As o'er the purpling plains of light she hies,
Till the last stream of living lustre dies,
And the cool concave owns her temper'd rays!
So shall this glowing, palpitating soul,
Welcome returning Reason's placid beam,
While o'er my breast the waves Lethean roll,
To calm rebellious Fancy's fev'rish dream;


Sonnet XIII Letters and Lines

To the Shadow

Letters and lines we see are soon defac'd,
Metals do waste and fret with canker's rust,
The diamond shall once consume to dust,
And freshest colors with foul stains disgrac'd;
Paper and ink can paint but naked words,
To write with blood of force offends the sight;
And if with tears I find them all too light,
And sighs and signs a silly hope affotds,
O sweetest shadow, how thou serv'st my turn,
Which still shalt be, as long as there is sun,
Nor, whilst the world is, never shalt be done,


Sonnet VIII

If your eyes were not the color of the moon,
of a day full [here, interrupted by the baby waking -- continued about 26
hours later ]
of a day full of clay, and work, and fire,
if even held-in you did not move in agile grace like the air,
if you were not an amber week,

not the yellow moment
when autumn climbs up through the vines;
if you were not that bread the fragrant moon
kneads, sprinkling its flour across the sky,

oh, my dearest, I could not love you so!
But when I hold you I hold everything that is --


Sonnet VII

To me, a pilgrim on that journey bound
Whose stations Beauty's bright examples are,
As of a silken city famed afar
Over the sands for wealth and holy ground,
Came the report of one -- a woman crowned
With all perfection, blemishless and high,
As the full moon amid the moonlit sky,
With the world's praise and wonder clad around.
And I who held this notion of success:
To leave no form of Nature's loveliness
Unworshipped, if glad eyes have access there, --
Beyond all earthly bounds have made my goal


Sonnet VI Is It to Love

Is it to love, to fix the tender gaze,
To hide the timid blush, and steal away;
To shun the busy world, and waste the day
In some rude mountain's solitary maze?
Is it to chant one name in ceaseless lays,
To hear no words that other tongues can say,
To watch the pale moon's melancholy ray,
To chide in fondness, and in folly praise?
Is it to pour th' involuntary sigh,
To dream of bliss, and wake new pangs to prove;
To talk, in fancy, with the speaking eye,
Then start with jealousy, and wildly rove;


Sonnet to the Moon

The glitt'ring colours of the day are fled;
Come, melancholy orb! that dwell'st with night,
Come! and o'er earth thy wand'ring lustre shed,
Thy deepest shadow, and thy softest light;
To me congenial is the gloomy grove,
When with faint light the sloping uplands shine;
That gloom, those pensive rays alike I love,
Whose sadness seems in sympathy with mine!
But most for this, pale orb! thy beams are dear,
For this, benignant orb! I hail thee most:
That while I pour the unavailing tear,


Sonnet to the Moon

Now every leaf, though colorless, burns bright
With disembodied and celestial light,
And drops without a movement or a sound
A pillar of darkness to the shifting ground.

The lucent, thin, and alcoholic flame
Runs in the stubble with a nervous aim,
But, when the eye pursues, will point with fire
Each single stubble-tip and strain no higher.

O triple goddess! Contemplate my plight!
Opacity, my fate! Change, my delight!
The yellow tom-cat, sunk in shifting fur,
Changes and dreams, a phosphorescent blur.


Sonnet On Hearing The Dies Irae Sung In The Sistine Chapel

Nay, Lord, not thus! white lilies in the spring,
Sad olive-groves, or silver-breasted dove,
Teach me more clearly of Thy life and love
Than terrors of red flame and thundering.
The hillside vines dear memories of Thee bring:
A bird at evening flying to its nest
Tells me of One who had no place of rest:
I think it is of Thee the sparrows sing.
Come rather on some autumn afternoon,
When red and brown are burnished on the leaves,
And the fields echo to the gleaner's song,
Come when the splendid fulness of the moon


Sonnet III Mindful of you the sodden earth

Mindful of you the sodden earth in spring,
And all the flowers that in the springtime grow,
And dusty roads, and thistles, and the slow
Rising of the round moon, all throats that sing
The summer through, and each departing wing,
And all the nests that the bared branches show,
And all winds that in any weather blow,
And all the storms that the four seasons bring.
You go no more on your exultant feet
Up paths that only mist and morning knew,
Or watch the wind, or listen to the beat


Sonnet III With how sad steps

With how sad steps, O moon, thou climb'st the skies!
How silently, and with how wan a face!
What! may it be that even in heavenly place
That busy archer his sharp arrows tries?
Sure, if that long-with-love-acquainted eyes
Can judge of love, thou feel'st a lover's case:
I read it in thy looks; thy languished grace
To me, that feel the like, thy state descries.
Then, even of fellowship, O Moon, tell me,
Is constant love deemed there but want of wit?
Are beauties there as proud as here they be?


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