music

Oh, may I join the choir invisible
Of those immortal dead who live again
In minds made better by their presence; live
In pulses stirred to generosity,
In deeds of daring rectitude, in scorn
For miserable aims that end with self,
In thoughts sublime that pierce the night like stars,
And with their mild persistence urge men's search
To vaster issues. So to live is heaven:
To make undying music in the world,
Breathing a beauteous order that controls
With growing sway the growing life of man.

Silence is a great blue bell
Swinging and ringing, tinkling and singing,
In measure’s pleasure, and in the supple symmetry
of the soaring of the immense intense wings
glinting against
All the blue radiance above us and within us, hidden
Save for the stars sparking, distant and unheard in their
singing.
And this is the first meaning of the famous saying,
The stars sang. They are the white birds of silence
And the meaning of the difficult famous saying that the

We being so hidden from those who
Have quietly borne and fed us,
How can we answer civilly
Their innocent invitations?

How can we say "we see you
As but-for-God's-grace-ourselves, as
Our caricatures (we yours), with
Time's telescope between us"?

How can we say "you presumed on
The accident of kinship,
Assumed our friendship coatlike,
Not as a badge one fights for"?

How say "and you remembered
The sins of our outlived selves and
Your own forgiveness, buried

A dear old couple my grandparents were,
And kind to all dumb things; they saw in Heaven
The lamb that Jesus petted when a child;
Their faith was never draped by Doubt: to them
Death was a rainbow in Eternity,
That promised everlasting brightness soon.
An old seafaring man was he; a rough
Old man, but kind; and hairy, like the nut
Full of sweet milk. All day on shore he watched
The winds for sailors' wives, and told what ships
Enjoyed fair weather, and what ships had storms;

At intermission I find her backstage
still practicing the piece coming up next.
She calls it the "solo in high dreary."
Her bow niggles at the string like a hand
stroking skin it never wanted to touch.
Probably under her scorn she is sick
that she can't do better by it. As I am,
at the dreary in me, such as the disparity
between all the tenderness I've received
and the amount I've given, and the way
I used to shrug off the imbalance
simply as how things are, as if the male
were constituted like those coffeemakers

Can I, my friend, with thee condole?--
Can I conceive the woes that try men,
When late repentance racks the soul
Ensnared into the toils of hymen?
Can I take part in such distress?--
Poor martyr,--most devoutly, "Yes!"
Thou weep'st because thy spouse has flown
To arms preferred before thine own;--
A faithless wife,--I grant the curse,--
And yet, my friend, it might be worse!
Just hear another's tale of sorrow,
And, in comparing, comfort borrow!

What! dost thou think thyself undone,

Remember that object we saw, dear soul,
In the sweetness of a summer morn:
At a bend of the path a loathsome carrion
On a bed with pebbles strewn,

With legs raised like a lustful woman,
Burning and sweating poisons,
It spread open, nonchalant and scornful,
Its belly, ripe with exhalations.

The sun shone onto the rotting heap,
As if to bring it to the boil,
And tender a hundredfold to vast Nature
All that together she had joined;

And the sky watched that superb carcass

In tattered old slippers that toast at the bars,
And a ragged old jacket perfumed with cigars,
Away from the world, and its toils and its cares,
I've a snug little kingdom up four pair of stairs.

To mount to this realm is a toil, to be sure,
But the fire there is bright and the air rather pure;
And the view I behold on a sunshiny day
Is grand through the chimney-pots over the way.

This snug little chamber is cramm'd in all nooks
With worthless old knicknacks and silly old books,

'Twas in the year of 1896, and on the 30th of September,
Which many people in Aberdeen will long remember;
The burning of the People's Variety Theatre, in Bridge Place
Because the fire spread like lightning at a rapid pace.

The fire broke out on the stage, about eight o'clock,
Which gave to the audience a very fearful shock;
Then a stampede ensued, and a rush was made pell-mell,
And in the crush, trying to get out, many people fell.

The stage flies took fire owing to the gas
Not having room enough by them to pass;

Why do you strike up songs military
Fife-like, o, bullfinch, my friend?
Who'll take the lead in our fight with Hell's forces?
Who will command us? What Hercules?
Where is Suvorov, strong, swift and fearless?
Now Northern thunder lies dead in the grave.

Who will ride fiery, ahead of the legions,
Nag for a steed, and crusts for meal,
Temper his sword in the heat and in ice storms,
Sleep on straw pallets, labor 'til dawn,
Bring down the armies, the walls and the forts
With but a handful of stout Russian men?