The Bells of Malines

AUGUST 17, 1914

The gabled roofs of old Malines
Are russet red and gray and green,
And o'er them in the sunset hour
Looms, dark and huge, St. Rombold's tower.
High in that rugged nest concealed,
The sweetest bells that ever pealed,
The deepest bells that ever rung,
The lightest bells that ever sung,
Are waiting for the master's hand
To fling their music o'er the land.

And shall they ring to-night, Malines?
In nineteen hundred and fourteen,
The frightful year, the year of woe,


The Beauty of Death XIV

Part One - The Calling


Let me sleep, for my soul is intoxicated with love and
Let me rest, for my spirit has had its bounty of days and nights;
Light the candles and burn the incense around my bed, and
Scatter leaves of jasmine and roses over my body;
Embalm my hair with frankincense and sprinkle my feet with perfume,
And read what the hand of Death has written on my forehead.


Let me rest in the arms of Slumber, for my open eyes are tired;
Let the silver-stringed lyre quiver and soothe my spirit;


The Battle

Heavy and solemn,
A cloudy column,
Through the green plain they marching came!
Measure less spread, like a table dread,
For the wild grim dice of the iron game.
The looks are bent on the shaking ground,
And the heart beats loud with a knelling sound;
Swift by the breasts that must bear the brunt,
Gallops the major along the front--
"Halt!"
And fettered they stand at the stark command,
And the warriors, silent, halt!

Proud in the blush of morning glowing,
What on the hill-top shines in flowing,


The Baffled Grumbler

Whene'er I poke
Sarcastic joke
Replete with malice spiteful,
The people vile
Politely smile
And vote me quite delightful!
Now, when a wight
Sits up all night
Ill-natured jokes devising,
And all his wiles
Are met with smiles,
It's hard, there's no disguising!
Oh, don't the days seem lank and long
When all goes right and nothing goes wrong,
And isn't your life extremely flat
With nothing whatever to grumble at!

When German bands,
From music stands
Play Wagner imperFECTly -


The Aeolian Harp

My pensive SARA ! thy soft cheek reclined
Thus on mine arm, most soothing sweet it is
To sit beside our Cot, our Cot o'ergrown
With white-flower'd Jasmin, and the broad-leav'd Myrtle,
(Meet emblems they of Innocence and Love !)
And watch the clouds, that late were rich with light,
Slow saddenning round, and mark the star of eve
Serenely brilliant (such should Wisdom be)
Shine opposite ! How exquisite the scents
Snatch'd from yon bean-field ! and the world so hush'd !
The stilly murmur of the distant Sea


The Awakening

The Soul, of late a lovely sleeping child,
Spreads sudden wings and stands in radiant guise,
Eyed like the morn and bent upon the skies;
Her the blue gulf dismays not, nor the wild
Horizons with the wrecks of thunder piled;
Storm has she known, and how its murmur dies
Starlike through stainless heavens she would rise
And be no more with cloudy dreams beguiled.
Was sleep not sweet?--sweet till on sleeping ears
Earth's voices broke in discord. Now she hears
Far, far away diviner music move;


The Atheist

Nor thou, Habib, nor I are glad,
when rosy limbs and sweat entwine;
But rapture drowns the sense and self,
the wine the drawer of the wine,

And Him that planted first the grape-
o podex, in thy vault there dwells
A charm to make the member mad,
And shake the marrow of the spine.

O member, in thy stubborn strenght
a power avails on podex-sense
To boil the blood in breast and brain;
shudder the nreves incarnadine!

From me thou drawest pearly drink -
and in its pourings both are drunk.


The Assignation

Hear I the creaking gate unclose?
The gleaming latch uplifted?
No--'twas the wind that, whirring, rose,
Amidst the poplars drifted!
Adorn thyself, thou green leaf-bowering roof,
Destined the bright one's presence to receive,
For her, a shadowy palace-hall aloof
With holy night, thy boughs familiar weave.
And ye sweet flatteries of the delicate air,
Awake and sport her rosy cheek around,
When their light weight the tender feet shall bear,
When beauty comes to passion's trysting-ground.


The Art of the Lathe

Leonardo imagined the first one.
The next was a pole lathe with a drive cord,
illustrated in Plumier's L'art de tourner en perfection.
Then Ramsden, Vauconson, the great Maudslay,
his student Roberts, Fox, Clement, Whitworth.

The long line of machinists to my left
lean into their work, ungloved hands adjusting the calipers,
tapping the bit lightly with their fingertips.
Each man withdraws into his house of work:
the rough cut, shearing of iron by tempered steel,
blue-black threads lifting like locks of hair,


The art of alma-tadema

There is no song his colours cannot sing,
For all his art breathes melody, and tunes
The fine, keen beauty that his brushes bring
To murmuring marbles and to golden Junes.

The music of those marbles you can hear
In every crevice, where the deep green stains
Have sunken when the grey days of the year
Spilled leisurely their warm, incessant rains

That, lingering, forget to leave the ledge,
But drenched into the seams, amid the hush
Of ages, leaving but the silent pledge


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