music

Yes, call me by my pet-name! let me hear
The name I used to run at, when a child,
From innocent play, and leave the cowslips piled,
To glance up in some face that proved me dear
With the look of its eyes. I miss the clear
Fond voices which, being drawn and reconciled
Into the music of Heaven's undefiled,
Call me no longer. Silence on the bier,
While I call God--call God!--So let thy mouth
Be heir to those who are now exanimate.
Gather the north flowers to complete the south,

My poet, thou canst touch on all the notes
God set between his After and Before,
And strike up and strike off the general roar
Of the rushing worlds a melody that floats
In a serene air purely. Antidotes
Of medicated music, answering for
Mankind's forlornest uses, thou canst pour
From thence into their ears. God's will devotes
Thine to such ends, and mine to wait on thine.
How, Dearest, wilt thou have me for most use?
A hope, to sing by gladly? or a fine
Sad memory, with thy songs to interfuse?

Muses, which sadly sit about my chair,
Drown'd in the tears extorted by my lines,
With heavy sighs whilst thus I break the air,
Painting my passions in these sad designs,
Since she disdains to bless my happy verse,
The strong-built trophies to her living fame,
Ever henceforth my bosom be your hearse,
Wherein the world shall now entomb her name.
Enclose my music, you poor senseless walls,
Since she is deaf and will not hear my moans,
Soften yourselves with every tear that falls,

The candor of the gods is in thy gaze,
The strength of Diane in thy virgin hand,
Commanding as the goddess might command,
And lead her lovers into higher ways.
Aye, the gods walk among us in these days,
Had we the docile soul to understand;
And me they visit in this joyless land,
To cheer mine exile and receive my praise.

For once, methinks, before the angels fell,
Thou, too, did follow the celestial seven
Threading in file the meads of asphodel.
And when thou comes here, lady, where I dwell,

O then I love and draw this weary breath,
For her the cruel Fair, within whose brow
I written find the sentence of my death
In unkind letters, wrought she cares not how.
O thou that rul'st the confines of the night,
Laughter-loving Goddess, worldly pleasures' Queen,
Intenerate that heart that sets so light
The truest love that ever yet was seen.
And cause her leave to triumph in this wise
Upon the prostrate spoil of that poor heart
That serves a trophy to her conquering eyes

Meek Twilight! soften the declining day,
And bring the hour my pensive spirit loves;
When o'er the mountain slow descends the ray
That gives to silence and to night the groves.
Ah, let the happy court the morning still,
When, in her blooming loveliness arrayed,
She bids fresh beauty light the vale or hill,
And rapture warble in the vocal shade.
Sweet is the odour of the morning's flower,
And rich in melody her accents rise;
Yet dearer to my soul the shadowy hour
At which her blossoms close, her music dies:

XLI

I thank all who have loved me in their hearts,
With thanks and love from mine. Deep thanks to all
Who paused a little near the prison-wall
To hear my music in its louder parts
Ere they went onward, each one to the mart's
Or temple's occupation, beyond call.
But thou, who, in my voice's sink and fall
When the sob took it, thy divinest Art's
Own instrument didst drop down at thy foot
To hearken what I said between my tears, . . .
Instruct me how to thank thee! Oh, to shoot

XXVI


I lived with visions for my company
Instead of men and women, years ago,
And found them gentle mates, nor thought to know
A sweeter music than they played to me.
But soon their trailing purple was not free
Of this world's dust, their lutes did silent grow,
And I myself grew faint and blind below
Their vanishing eyes. Then THOU didst come—to be,
Beloved, what they seemed. Their shining fronts,
Their songs, their splendors (better, yet the same,
As river-water hallowed into fonts),

XI

And therefore if to love can be desert,
I am not all unworthy. Cheeks as pale
As these you see, and trembling knees that fail
To bear the burden of a heavy heart,—
This weary minstrel-life that once was girt
To climb Aornus, and can scarce avail
To pipe now 'gainst the valley nightingale
A melancholy music,—why advert
To these things? O Beloved, it is plain
I am not of thy worth nor for thy place!
And yet, because I love thee, I obtain
From that same love this vindicating grace,

Thou hast thy calling to some palace-floor,
Most gracious singer of high poems! where
The dancers will break footing, from the care
Of watching up thy pregnant lips for more.
And dost thou lift this house's latch too poor
For hand of thine? and canst thou think and bear
To let thy music drip here unaware
In folds of golden fulness at my door?
Look up and see the casement broken in,
The bats and owlets builders in the roof!
My cricket chirps against thy mandolin.
Hush, call no echo up in further proof