music

The uses of sorrow I comprehend
Better and better at each year’s end.

Deeper and deeper I seem to see
Why and wherefore it has to be

Only after the dark, wet days
Do we fully rejoice in the sun’s bright rays.

Sweeter the crust tastes after the fast
Than the sated gourmand’s finest repast.

The faintest cheer sounds never amiss
To the actor who once has heard a hiss.

To one who the sadness of freedom knows,
Light seem the fetters love may impose.

MY love is strengthen'd, though more weak in seeming;
I love not less, though less the show appear:
That love is merchandised whose rich esteeming
The owner's tongue doth publish everywhere.
Our love was new, and then but in the spring,
When I was wont to greet it with my lays;
As Philomel in summer's front doth sing
And stops her pipe in growth of riper days:
Not that the summer is less pleasant now
Than when her mournful hymns did hush the night,
But that wild music burthens every bough,

861

Split the Lark—and you'll find the Music—
Bulb after Bulb, in Silver rolled—
Scantilly dealt to the Summer Morning
Saved for your Ear when Lutes be old.

Loose the Flood—you shall find it patent—
Gush after Gush, reserved for you—
Scarlet Experiment! Sceptic Thomas!
Now, do you doubt that your Bird was true?

the illusion is that you are simply
reading this poem.
the reality is that this is
more than a
poem.
this is a beggar's knife.
this is a tulip.
this is a soldier marching
through Madrid.
this is you on your
death bed.
this is Li Po laughing
underground.
this is not a god-damned
poem.
this is a horse asleep.
a butterfly in
your brain.
this is the devil's
circus.
you are not reading this
on a page.
the page is reading
you.
feel it?

The mirthful gods who ruled o'er Greater Greece
Created this fair land in some high mood
Of frolic joy; the smiling heavens brood
Over a scene soft-whelmed in jocund peace.
Gay clamors, odorous breathings never cease
From basking crag, lime grove, and olive wood;
Swart fishers sing from out the sparkling flood
Where once the syrens sang in luring ease.
The curved beach swarms with brown-skinned boys and girls
Dancing the tarantella on the sands,
Their limbs dive with music's jollity;

I
I MAKE not my division of the hours
By dials, clocks, or waking birds’ acclaim,
Nor measure seasons by the reigning flowers,
The spring’s green glories, or the autumn’s flame.
To me thy absence winter is, and night,
Thy presence spring, and the meridian day.
From thee I draw my darkness and my light,
Now swart eclipse, now more than heavenly ray.
Thy coming warmeth all my soul like fire,
And through my heartstrings melodies do run,

How sweet the tuneful bells' responsive peal!
As when, at opening morn, the fragrant breeze
Breathes on the trembling sense of wan disease,
So piercing to my heart their force I feel!
And hark! with lessening cadence now they fall,
And now, along the white and level tide,
They fling their melancholy music wide,
Bidding me many a tender thought recall
Of summer-days, and those delightful years
When by my native streams, in life's fair prime,
The mournful magic of their mingling chime

I lived with visions for my company
Instead of men and women, years ago,
And found them gentle mates, nor thought to know
A sweeter music than they played to me.
But soon their trailing purple was not free
Of this world's dust, their lutes did silent grow,
And I myself grew faint and blind below
Their vanishing eyes. Then thou didst come--to be,
Belovèd, what they seemed. Their shining fronts,
Their songs, their splendors (better, yet the same,
As river water hallowed into fonts),

I thank all who have loved me in their hearts,
With thanks and love from mine. Deep thanks to all
Who paused a little near the prison-wall
To hear my music in its louder parts
Ere they went onward, each one to the mart's
Or temple's occupation, beyond call.
But thou, who, in my voice's sink and fall
When the sob took it, thy divinest Art's
Own instrument didst drop down at thy foot
To hearken what I said between my tears,...
Instruct me how to thank thee! Oh, to shoot

And therefore if to love can be desert,
I am not all unworthy. Cheeks as pale
As these you see, and trembling knees that fail
To bear the burden of a heavy heart,--
This weary minstrel-life that once was girt
To climb Aornus, and can scarce avail
To pipe now 'gainst the valley nightingale
A melancholy music,--why advert
To these things? O Belovèd, it is plain
I am not of thy worth nor for thy place!
And yet, because I love thee, I obtain
From that same love this vindicating grace,