night

Wreath the bowl
With flowers of soul,
The brightest Wit can find us,
We'll take a flight
Towards heaven to-night,
And leave dull earth behind us.
Should Love amid
The wreaths be hid
That Joy, the enchanter, brings us,
No danger fear,
While wine is near --
We'll drown him if he stings us.
Then, wreath the bowl
With flowers of soul,
The brightest Wit can find us.
We'll take a flight
Towards heaven to-night,
And leave dull earth behind us.

'Twas nectar fed

o



Huge vapours brood above the clifted shore,
Night on the ocean settles dark and mute,
Save where is heard the repercussive roar
Of drowsy billows on the rugged foot
Of rocks remote; or still more distant tone
Of seamen in the anchored bark that tell
The watch relieved; or one deep voice alone
Singing the hour, and bidding "Strike the bell!"

All is black shadow but the lucid line
Marked by the light surf on the level sand,
Or where afar the ship-lights faintly shine

Sweet friend, the world, like some fair infant blessed,
Radiant with sportive grace, around thee plays;
Yet 'tis not as depicted in thy breast--
Not as within thy soul's fair glass, its rays
Are mirrored. The respectful fealty
That my heart's nobleness hath won for thee,
The miracles thou workest everywhere,
The charms thy being to this life first lent,--
To it, mere charms to reckon thou'rt content,
To us, they seem humanity so fair.
The witchery sweet of ne'er-polluted youth,
The talisman of innocence and truth--

'Twas in the year of 1886, and on the 29th of November,
Which the surviving crew of the "Samuel Crawford" will long remember,
She was bound to Baltimore with a cargo of pine lumber;
But, alas! the crew suffered greatly from cold and hunger.

'Twas on December 3rd when about ten miles south-west
Of Currituck light, and scudding at her best;
That a heavy gale struck her a merciless blow,
Which filled the hearts of the crew with fear and woe.

Then the merciless snow came down, hiding everything from view,

They know not the green leaves;
In whose earth-haunting dream
Dimly the forest heaves,
And voiceless goes the stream.
Strangely they seek a place
In love’s night-memoried hall;
Peering from face to face,
Until some heart shall call
And keep them, for a breath,
Half-mortal ... (Hark to the rain!)...
They are dead ... (O hear how death
Gropes on the shutter’d pane!)

"Thin Rain, whom are you haunting,
That you haunt my door?"
—Surely it is not I she's wanting;
Someone living here before—
"Nobody's in the house but me:
You may come in if you like and see."

Thin as thread, with exquisite fingers,—
Have you seen her, any of you?—
Grey shawl, and leaning on the wind,
And the garden showing through?

Glimmering eyes,—and silent, mostly,
Sort of a whisper, sort of a purr,
Asking something, asking it over,
If you get a sound from her.—

A light is on in my father's study.
"Still up?" he says, and we are silent,
looking at the harbor lights,
listening to the surf
and the creak of coconut boughs.

He is working late on cases.
No impassioned speech! He argues from evidence,
actually pacing out and measuring,
while the fans revolving on the ceiling
winnow the true from the false.

Once he passed a brass curtain rod
through a head made out of plaster
and showed the jury the angle of fire--
where the murderer must have stood.

If ever I dreamed of my dead name
High in the heart of London, unsurpassed
By Time for ever, and the Fugitive, Fame,
There seeking a long sanctuary at last,

I better that; and recollect with shame
How once I longed to hide it from life's heats
Under those holy cypresses, the same
That shade always the quiet place of Keats,

Now rather thank I God there is no risk
Of gravers scoring it with florid screed,
But let my death be memoried on this disc.
Wear it, sweet friend. Inscribe no date nor deed.

Whenever the moon and stars are set,
Whenever the wind is high,
All night long in the dark and wet,
A man goes riding by.
Late in the night when the fires are out,
Why does he gallop and gallop about?
Whenever the trees are crying aloud,
And ships are tossed at sea,
By, on the highway, low and loud,
By at the gallop goes he.
By at the gallop he goes, and then
By he comes back at the gallop again.

Night from a railroad car window
Is a great, dark, soft thing
Broken across with slashes of light.