night

Methinks I see your mirror frame,
Ornate with photographs of them.
Place mine therein, for, all the same,
I'll have my little laughs at them.

For girls may come, and girls may go,
I think I have the best of them;
And yet this photograph I know
You'll toss among the rest of them.

I cannot even hope that you
Will put me in your locket, dear;
Nor costly frame will I look through,
Nor bide in your breast pocket, dear.

For none your heart monopolize,

Your looks have touched my soul with bright
Ineffable emotion;
As moonbeams on a stormy night
Illume with transitory light
A seagull on her lonely flight
Across the lonely ocean.

Fluttering from out the gloom and roar,
On fitful wing she flies,
Moon-white above the moon-washed shore;
Then, drowned in darkness as before,
She's lost, as I when lit no more
By your beloved eyes.

Take bread away from me, if you wish,
take air away, but
do not take from me your laughter.

Do not take away the rose,
the lance flower that you pluck,
the water that suddenly
bursts forth in joy,
the sudden wave
of silver born in you.

My struggle is harsh and I come back
with eyes tired
at times from having seen
the unchanging earth,
but when your laughter enters
it rises to the sky seeking me
and it opens for me all
the doors of life.

My love, in the darkest

'Twas on a sunny morning in the month of May,
I met a pretty damsel on the banks o' the Tay;
I said, My charming fair one, come tell to me I pray,
Why do you walk alone on the banks o' the Tay.

She said, Kind sir, pity me, for I am in great woe
About my young sailor lad, whose name is James Munro;
It's he has been long at sea, seven years from this day,
And I come here sometimes to weep for him that's far, far away.

Lovely creature, cease your weeping and consent to marry me,

starving there, sitting around the bars,
and at night walking the streets for
hours,
the moonlight always seemed fake
to me, maybe it was,
and in the French Quarter I watched
the horses and buggies going by,
everybody sitting high in the open
carriages, the black driver, and in
back the man and the woman,
usually young and always white.
and I was always white.
and hardly charmed by the
world.
New Orleans was a place to
hide.
I could piss away my life,
unmolested.

And here face down beneath the sun
And here upon earth's noonward height
To feel the always coming on
The always rising of the night:

To feel creep up the curving east
The earthy chill of dusk and slow
Upon those under lands the vast
And ever climbing shadow grow

And strange at Ecbatan the trees
Take leaf by leaf the evening strange
The flooding dark about their knees
The mountains over Persia change

And now at Kermanshah the gate
Dark empty and the withered grass

You mustn't show weakness
and you've got to have a tan.
But sometimes I feel like the thin veils
of Jewish women who faint
at weddings and on Yom Kippur.

You mustn't show weakness
and you've got to make a list
of all the things you can load
in a baby carriage without a baby.

This is the way things stand now:
if I pull out the stopper
after pampering myself in the bath,
I'm afraid that all of Jerusalem, and with it the whole world,
will drain out into the huge darkness.

You meaner beauties of the night,
That poorly satisfy our eyes
More by your number than your light;
You common people of the skies,
What are you when the sun shall rise?

You curious chanters of the wood,
That warble forth Dame Nature's lays,
Thinking your voices understood
By your weak accents; what's your praise
When Philomel her voice shall raise?

You violets that first appear,
By your pure purple mantles known,
Like the proud virgins of the year,
As if the spring were all your own;

My brother comes home from work
and climbs the stairs to our room.
I can hear the bed groan and his shoes drop
one by one. You can have it, he says.

The moonlight streams in the window
and his unshaven face is whitened
like the face of the moon. He will sleep
long after noon and waken to find me gone.

Thirty years will pass before I remember
that moment when suddenly I knew each man
has one brother who dies when he sleeps
and sleeps when he rises to face this life,

At the end there were straws
in her glove compartment, I'd split them open
to taste the familiar bitter residue, near the end
I ate all her Percodans, hungry to know
how far they could take me.
A bottle of red wine each night moved her along
as she wrote, I feel too much, again and again.

You asked how and I said, Suicide, and you asked
how and I said, An overdose, and then
she shot herself, and your eyes filled
with wonder, so I added, In the chest, so you
wouldn't think