Alexandreis

I Sing the Man that never Equal knew,
Whose Mighty Arms all Asia did subdue,
Whose Conquests through the spacious World do ring,
That City-Raser, King-destroying King,
Who o're the Warlike Macedons did Reign,
And worthily the Name of Great did gain.
This is the Prince (if Fame you will believe,
To ancient Story any credit give.)
Who when the Globe of Earth he had subdu'd,
With Tears the easie Victory pursu'd;
Because that no more Worlds there were to win,
No further Scene to act his Glorys in.


Alas So All Things Now Do Hold Their Peace

Alas! so all things now do hold their peace,
Heaven and earth disturbed in nothing.
The beasts, the air, the birds their song do cease,
The night{:e}s chare the stars about doth bring.
Calm is the sea, the waves work less and less:
So am not I, whom love, alas, doth wring,
Bringing before my face the great increase
Of my desires, whereat I weep and sing
In joy and woe, as in a doubtful ease.
For my sweet thoughts sometime do pleasure bring,
But by and by the cause of my disease
Gives me a pang that inwardly doth sting,


Ah Yet Consider it Again

"Old things need not be therefore true,"
O brother men, nor yet the new;
Ah! still awhile the old thought retain,
And yet consider it again!

The souls of now two thousand years
Have laid up here their toils and tears,
And all the earnings of their pain,--
Ah, yet consider it again!

We! what do we see? each a space
Of some few yards before his face;
Does that the whole wide plan explain?
Ah, yet consider it again!

Alas! the great world goes its way,
And takes its truth from each new day;


After great pain, a formal feeling comes -- 341

After great pain, a formal feeling comes --
The Nerves sit ceremonious, like Tombs
The stiff Heart questions, was it He, that bore,
And Yesterday, or Centuries before?

The Feet, mechanical, go round --
Of Ground, or Air, or Ought --
A Wooden way
Regardless grown,
A Quartz contentment, like a stone --

This is the Hour of Lead --
Remembered, if outlived,
As Freezing persons, recollect the Snow --
First -- Chill -- then Stupor -- then the letting go --


After the Funeral In memory of Ann Jones

After the funeral, mule praises, brays,
Windshake of sailshaped ears, muffle-toed tap
Tap happily of one peg in the thick
Grave's foot, blinds down the lids, the teeth in black,
The spittled eyes, the salt ponds in the sleeves,
Morning smack of the spade that wakes up sleep,
Shakes a desolate boy who slits his throat
In the dark of the coffin and sheds dry leaves,
That breaks one bone to light with a judgment clout'
After the feast of tear-stuffed time and thistles
In a room with a stuffed fox and a stale fern,


After the Earthquake

After the first astounding rush,
after the weeks at the lake,
the crystal, the clouds, the water lapping the rocks,
the snow breaking under our boots like skin,
& the long mornings in bed. . .

After the tangos in the kitchen,
& our eyes fixed on each other at dinner,
as if we would eat with our lids,
as if we would swallow each other. . .

I find you still
here beside me in bed,
(while my pen scratches the pad
& your skin glows as you read)
& my whole life so mellowed & changed


Affliction

When thou didst entice to thee my heart,
I thought the service brave:
So many joys I writ down for my part,
Besides what I might have
Out of my stock of natural delights,
Augmented with thy gracious benefits.

I looked on thy furniture so fine,
And made it fine to me:
Thy glorious household-stuff did me entwine,
And 'tice me unto thee.
Such stars I counted mine: both heav'n and earth
Paid me my wages in a world of mirth.

What pleasures could I want, whose King I served?


A Word for the Hour

The firmament breaks up. In black eclipse
Light after light goes out. One evil star,
Luridly glaring through the smoke of war,
As in the dream of the Apocalypse,
Drags others down. Let us not weakly weep
Nor rashly threaten. Give us grace to keep
Our faith and patience; wherefore should we leap
On one hand into fratricidal fight,
Or, on the other, yield eternal right,
Frame lies of laws, and good and ill confound?
What fear we? Safe on freedom's vantage ground
Our feet are planted; let us there remain


Accordion

I

Some carol of the banjo, to its measure keeping time;
Of viol or of lute some make a song.
My battered old accordion, you're worthy of a rhyme,
You've been my friend and comforter so long.
Round half the world I've trotted you, a dozen years or more;
You've given heaps of people lots of fun;
You've set a host of happy feet a-tapping on the floor . . .
Alas! your dancing days are nearly done.
II
I've played you from the palm-belt to the suburbs of the Pole;
From the silver-tipped sierras to the sea.


Addressed to ------, 1736

With toilsome steps I pass thro' life's dull road
(No pack-horse half so tired of his load);
And when this dirty journey will conclude,
To what new realms is then my way pursued?
Say, then does the unbodied spirit fly
To happier climes and to a better sky?
Or, sinking, mixes with its kindred clay,
And sleeps a whole eternity away?
Or shall this form be once again renew'd,
With all its frailties, all its hopes, endu'd;
Acting once more on this detested stage
Passions of youth, infirmities of age?


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