passion

When you were reading those tormented lines
In which the heart's resonant flame sends out glowing streams
And passion's fatal torrents rear up,-
Didn't you recall a single thing?

I can't believe it! That night on the steppe
When, in the midnight mist a premature dawn,
Transparent, lovely as a miracle,
Broke in the distance before you

And your unwilling eye was to this beauty drawn
To that majestic glow beyond the realm of darkness,-
How could it be that nothing whispered to you then:

When I have passed away and am forgotten,
And no one living can recall my face,
When under alien sod my bones lie rotten
With not a tree or stone to mark the place;

Perchance a pensive youth, with passion burning,
For olden verse that smacks of love and wine,
The musty pages of old volumes turning,
May light upon a little song of mine,

And he may softly hum the tune and wonder
Who wrote the verses in the long ago;
Or he may sit him down awhile to ponder

DANCINDA.

"NO, fair DANCINDA, no; you strive in vain
"To calm my care and mitigate my pain ;
"If all my sighs, my cares, can fail to move,
"Ah! sooth me not with fruitless vows of love."

Thus STREPHON spoke. DANCINDA thus reply'd :
`What must I do to gratify your pride?
`Too well you know (ungrateful as thou art)
`How much you triumph in this tender heart;
`What proof of love remains for me to grant?
Yet still you teize me with some new complaint.
Oh ! would to heav'n ! -- but the fond wish is vain --

When Aurelia first I courted,
She had youth and beauty too,
Killing pleasures when she sported,
And her charms were ever new;
Conquering time doth now deceive her,
Which her glories did uphold,
All her arts can ne'er retrieve her,
Poor Aurelia's growing old.

The airy spirits which invited,
Are retir'd, and move no more,
And those eyes are now benighted,
Which were comets heretofore.
Want of these abate her merits,
Yet I've passion for her name,

We were supposed to do a job in Italy
and, full of our feeling for
ourselves (our sense of being
Poets from America) we went
from Rome to Fano, met
the Mayor, mulled a couple
matters over. The Italian literati seemed
bewildered by the language of America: they asked us
what does "flat drink" mean? and the mysterious
"cheap date" (no explanation lessened
this one's mystery). Among Italian writers we

could recognize our counterparts: the academic,
the apologist, the arrogant, the amorous,

We talk of taxes, and I call you friend;
Well, such you are, -- but well enough we know
How thick about us root, how rankly grow
Those subtle weeds no man has need to tend,
That flourish through neglect, and soon must send
Perfume too sweet upon us and overthrow
Our steady senses; how such matters go
We are aware, and how such matters end.
Yet shall be told no meagre passion here;
With lovers such as we forevermore
Isolde drinks the draught, and Guinevere
Receives the Table's ruin through her door,

We hail thee now, O Jesus,
thy presence here we own,
though sight and touch have failed us,
and faith perceives alone;
thy love has veiled thy glory;
and hid thy power divine,
in mercy to our weakness,
beneath an earthly sign.

We hail thee now, O Jesus,
in silence hast thou come,
for all the hosts of heaven
with wonderment are dumb:
so great the condescension,
so marvelous the love,
which for our sakes, O Savior,
have drawn thee from above.

We hail thee now, O Jesus,

As I rode in the early dawn,
While stars were fading white,
I saw upon a grassy slope
A camp-fire burning bright;
With tent behind and blaze before,
Three loggers in a row
Sang all together joyously—
Pull up the stakes and go!
As I rode on by Eagle Hawk,
The wide blue deep of air,
The wind through the glittering leaves,
The flowers so sweet and fair,
The thunder of the rude salt waves,
The creek’s soft overflow,
All joined in chorus to the words—
Pull up the stakes and go!

I

Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull,
So little trouble had been given of late;
Not that the place by any means was full,
But since the Gallic era 'eight-eight'
The devils had ta'en a longer, stronger pull,
And 'a pull altogether,' as they say
At sea — which drew most souls another way.

II

The angels all were singing out of tune,
And hoarse with having little else to do,
Excepting to wind up the sun and moon,

I love all things that pass: their briefness is
Music that fades on transient silences.
Winds, birds, and glittering leaves that flare and fall—
They fling delight across the world; they call
To rhythmic-flashing limbs that rove and race...
A moment in the dawn for Youth’s lit face;
A moment’s passion, closing on the cry—
‘O Beauty, born of lovely things that die!’