poem

I. A NEGRO SERMON:—SIMON LEGREE

(To be read in your own variety of negro dialect.)


Legree's big house was white and green.
His cotton-fields were the best to be seen.
He had strong horses and opulent cattle,
And bloodhounds bold, with chains that would rattle.
His garret was full of curious things:
Books of magic, bags of gold,
And rabbits' feet on long twine strings.
But he went down to the Devil.

Legree he sported a brass-buttoned coat,
A snake-skin necktie, a blood-red shirt.

Across the millstream below the bridge
Seven blue swallows divide the air
In shapes invisible and evanescent,
Kaleidoscopic beyond the mind’s
Or memory’s power to keep them there.

“History is where tensions were,”
“Form is the diagram of forces.”
Thus, helplessly, there on the bridge,
While gazing down upon those birds—
How strange, to be above the birds!—
Thus helplessly the mind in its brain
Weaves up relation’s spindrift web,
Seeing the swallows’ tails as nibs

You've heard of "Casey at The Bat,"
And "Casey's Tabble Dote";
But now it's time
To write a rhyme
Of "Casey's Billy-goat."

Pat Casey had a billy-goat he gave the name of Shamus,
Because it was (the neighbours said) a national disgrace.
And sure enough that animal was eminently famous
For masticating every rag of laundry round the place.
For shirts to skirts prodigiously it proved its powers of chewing;
The question of digestion seemed to matter not at all;

I go to bed in Los Angeles thinking
about you.

I sing the fortune of a luckless pair,
Whose spotless souls now in one body be;
For beauty still is Prodromus to care,
Crost by the sad stars of nativity:
And of the strange enchantment of a well,
Given by the Gods, my sportive muse doth write,
Which sweet-lipp'd Ovid long ago did tell,
Wherein who bathes, straight turns Hermaphrodite:
I hope my poem is so lively writ,
That thou wilt turn half-mad with reading it.

Who, or why, or which, or what, Is the Akond of SWAT?

Is he tall or short, or dark or fair?
Does he sit on a stool or a sofa or a chair,
      &nb sp; or SQUAT,
    The Akond of Swat?

Is he wise or foolish, young or old?
Does he drink his soup and his coffee cold,
      &nbs p; or HOT,
    The Akond of Swat?

Does he sing or whistle, jabber or talk,
And when riding abroad does he gallop or walk
      &nbsp ; or TROT,
    The Akond of Swat?

I will write a sketch of my early life,
It will be of childhood day,
And all who chance to read it,
No criticism, pray.
My childhood days were happy,
And it fills my heart with woe,
To muse o'er the days that have passed by
And the scenes of long ago.
In the days of my early childhood,
Kent county was quite wild,
Especially the towns I lived in
When I was a little child.
I will not speak of my birthplace,
For if you will only look
O'er the little poem, My Childhood Days,

Some say thronging cavalry, some say foot soldiers,
others call a fleet the most beautiful of
sights the dark earth offers, but I say it's what-
ever you love best.

And it's easy to make this understood by
everyone, for she who surpassed all human
kind in beauty, Helen, abandoning her
husband--that best of

men--went sailing off to the shores of Troy and
never spent a thought on her child or loving
parents: when the goddess seduced her wits and
left her to wander,

You may think it strange, Sam, that I'm writing
a letter in these circumstances. I thought
it strange too--the first time. But there's
a misconception I was laboring under, and you
are too, viz. that the imagination in your
vicinity is free and powerful. After all,
you say, you've been creating yourself all
along imaginatively. You imagine yourself
playing golf or hiking in the Olympics or
writing a poem and then it becomes true.
But you still have to do it, you have to exert

The Poles rode out from Warsaw against the German
Tanks on horses. Rode knowing, in sunlight, with sabers,
A magnitude of beauty that allows me no peace.
And yet this poem would lessen that day. Question
The bravery. Say it's not courage. Call it a passion.
Would say courage isn't that. Not at its best.
It was impossib1e, and with form. They rode in sunlight,
Were mangled. But I say courage is not the abnormal.
Not the marvelous act. Not Macbeth with fine speeches.
The worthless can manage in public, or for the moment.