poem

Yours is the face that the earth turns to me,
Continuous beyond its human features lie
The mountain forms that rest against the sky.
With your eyes, the reflecting rainbow, the sun's light
Sees me; forest and flower, bird and beast
Know and hold me forever in the world's thought,
Creation's deep untroubled retrospect.

When your hand touches mine it is the earth
That takes me--the green grass,
And rocks and rivers; the green graves,
And children still unborn, and ancestors,

It's so nice
to wake up in the morning
all alone
and not have to tell somebody
you love them
when you don't love them
any more.

There is always something to be made of pain.
Your mother knits.
She turns out scarves in every shade of red.
They were for Christmas, and they kept you warm
while she married over and over, taking you
along. How could it work,
when all those years she stored her widowed heart
as though the dead come back.
No wonder you are the way you are,
afraid of blood, your women
like one brick wall after another.

it sits outside my window now
like and old woman going to market;
it sits and watches me,
it sweats nevously
through wire and fog and dog-bark
until suddenly
I slam the screen with a newspaper
like slapping at a fly
and you could hear the scream
over this plain city,
and then it left.

the way to end a poem
like this
is to become suddenly
quiet.


Submitted by .eve.

Long Pont's apparitional
this warm spring morning,
the strand a blur of sandy light,


and the square white
of the lighthouse-separated from us
by the bay's ultramarine


as if it were nowhere
we could ever go-gleams
like a tower's ghost, hazing


into the rinsed blue of March,
our last outpost in the huge
indetermination of sea.


It seems cheerful enough,
in the strengthening sunlight,
fixed point accompanying our walk

Last night in London Airport
I saw a wooden bin
labelled UNWANTED LITERATURE
IS TO BE PLACED HEREIN.
So I wrote a poem
and popped it in.

Light is more important than the lantern,
The poem more important than the notebook,
And the kiss more important than the lips.
My letters to you
Are greater and more important than both of us.
The are the only documents
Where people will discover
Your beauty
And my madness.


Translated by B. Frangieh And C. Brown


Submitted by Noele Aabye

Not while the fever of the blood is strong,
The heart throbs loud, the eyes are veiled, no less
With passion than with tears, the Muse shall bless
The poet-sould to help and soothe with song.
Not then she bids his trembling lips express
The aching gladness, the voluptuous pain.
Life is his poem then; flesh, sense, and brain
One full-stringed lyre attuned to happiness.
But when the dream is done, the pulses fail,
The day's illusion, with the day's sun set,
He, lonely in the twilight, sees the pale

Cruel fair love, I justly do complain
Of too much rigor and thy heart unkind,
That for mine eyes thou hast my body slain,
And would not grant that I should favour find.
I looked, fair love, and you my love looked fair,
I sighed for love and you for sport did smile.
Your smiles were such as did perfume the air,
And this perfuméd did my heart beguile.
Thus I confess the fault was in mine eyes,
Begun with sighs and ended with a flame.
I for your love did all the world despise,

Bright matchless star, the honour of the sky,
From whose clear shine heaven's vault hath all his light,
I send these poems to your graceful eye;
Do you but take them, and they have their right.
I build besides a temple to your name,
Wherein my thoughts shall daily sing your praise;
And will erect an altar for the same,
Which shall your virtues and your honour raise.
But heaven the temple of your honour is,
Whose brasen tops your worthy self made proud;
The ground an altar, base for such a bliss