poem

Before he wrote a poem, he learned the measure
That living in the future gives a farm--
Propinquity of mules and cows, the charmed
Insouciance of hens, the fellowship,
At dawn, of seed-time and of harvest-time.
But when high noon gave way to evening, and
The fences lay, bent shadows, on the crops
And pastures to the yellowing trees, he felt
The presences he felt when, over rocks,
Through pools and where it wears the bank, the stream
Ran bright and dark at once, itself its shadow;

I

I have discovered that most of
the beauties of travel are due to
the strange hours we keep to see them:

the domes of the Church of
the Paulist Fathers in Weehawken
against a smoky dawn -- the heart stirred --
are beautiful as Saint Peters
approached after years of anticipation.

II

Though the operation was postponed
I saw the tall probationers
in their tan uniforms
hurrying to breakfast!

III

-- and from basement entries

Thou hast thy calling to some palace-floor,
Most gracious singer of high poems ! where
The dancers will break footing, from the care
Of watching up thy pregnant lips for more.
And dost thou lift this house's latch too poor
For hand of thine ? and canst thou think and bear
To let thy music drop here unaware
In folds of golden fulness at my door ?
Look up and see the casement broken in,
The bats and owlets builders in the roof !
My cricket chirps against thy mandolin.
Hush, call no echo up in further proof

I walked among the seven woods of Coole:
Shan-walla, where a willow-hordered pond
Gathers the wild duck from the winter dawn;
Shady Kyle-dortha; sunnier Kyle-na-no,
Where many hundred squirrels are as happy
As though they had been hidden by green bough's
Where old age cannot find them; Paire-na-lee,
Where hazel and ash and privet blind the paths:
Dim Paire-na-carraig, where the wild bees fling
Their sudden fragrances on the green air;
Dim Paire-na-tarav, where enchanted eyes
Have seen immortal, mild, proud shadows walk;

How often have I started out
With no thought in my noodle,
And wandered here and there about,
Where fancy bade me toddle;
Till feeling faunlike in my glee
I've voiced some gay distiches,
Returning joyfully to tea,
A poem in my britches.
II
A-squatting on a thymy slope
With vast of sky about me,
I've scribbled on an envelope
The rhymes the hills would shout me;
The couplets that the trees would call,
The lays the breezes proffered . . .
Oh no, I didn't think at all -

Because no one could ever praise me enough,
because I don't mean these poems only
but the unseen
unbelievable effort it takes to live
the life that goes on between them,
I think all the time about invisible work.
About the young mother on Welfare
I interviewed years ago,
who said, "It's hard.
You bring him to the park,
run rings around yourself keeping him safe,
cut hot dogs into bite-sized pieces fro dinner,
and there's no one
to say what a good job you're doing,
how you were patient and loving

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem's room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author's name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose

IN cabin'd ships, at sea,
The boundless blue on every side expanding,
With whistling winds and music of the waves--the large imperious
waves--In such,
Or some lone bark, buoy'd on the dense marine,
Where, joyous, full of faith, spreading white sails,
She cleaves the ether, mid the sparkle and the foam of day, or under
many a star at night,
By sailors young and old, haply will I, a reminiscence of the land,
be read,
In full rapport at last.

1

Searock his tower above the sea,
Searock he built, not ivory.
Searock as well his haunted art
Who gave to plunging hawks his hearts.

2

He loved to stand upon his head
To demonstrate he was not dead.
Ah, if his poems misbehave
'Tis only to defy the grave.

3

This exquisite patrician bird
Grooming a neatly folded wing
Guarded for years the Sacred Word.
A while he sang then ceased to sing.

4

His head carved out of granite O,

WHY do I make no poems? Good my friend
Now is there silence through the summer woods,
In whose green depths and lawny solitudes
The light is dreaming; voicings clear ascend
Now from no hollow where glad rivulets wend,
But murmurings low of inarticulate moods,
Softer than stir of unfledged cushat broods,
Breathe, till o'er drowsed the heavy flower-heads bend.
Now sleep the crystal and heart-charmed waves
Round white, sunstricken rocks the noontide long,
Or 'mid the coolness of dim lighted caves