purple

Sleeping at last, the trouble and tumult over,
Sleeping at last, the struggle and horror past,
Cold and white, out of sight of friend and of lover,
Sleeping at last.

No more a tired heart downcast or overcast,
No more pangs that wring or shifting fears that hover,
Sleeping at last in a dreamless sleep locked fast.

Fast asleep. Singing birds in their leafy cover
Cannot wake her, nor shake her the gusty blast.
Under the purple thyme and the purple clover
Sleeping at last.

When to oft sleep we give ourselves away,
And in a dream as in a fairy bark
Drift on and on through the enchanted dark
To purple daybreak -- little thought we pay
To that sweet bitter world we know by day.
We are clean quit of it, as is a lark
So high in heaven no human eye can mark
The thin swift pinion cleaving through the gray.
Till we awake ill fate can do no ill,
The resting heart shall not take up again
The heavy load that yet must make it bleed;
For this brief space the loud world's voice is still,

[The following little Poems are written after the Model of the Old English Ballads, and are inscribed to those who admire the simplicity of that kind of versification.]


NEAR GLARIS, on a mountain's side,
Beneath a shad'wy wood,
With walls of ivy compass'd round,
An ancient Castle stood.

By all rever'd, by all ador'd,
There dwelt a wealthy dame;
One peerless daughter bless'd her age,
A maid of spotless fame !

While one fair son, a gallant boy,
Whose VIRTUE was his shield,

Lo, find we here when the ripe day is o'er
A kingdom of enchantment by the shore!

Behold the sky with early stars ashine,
A jewelled flagon brimmed with purple wine.

Like a dumb poet's soul the troubled sea
Moans of its joy and sorrow wordlessly;

But the glad winds that utter naught of grief
Make silver speech by headland and by reef.

Saving for such there is no voice or call
To mar the gracious silence over all­

Silence so tender 'tis a sweet caress,

557

She hideth Her the last—
And is the first, to rise—
Her Night doth hardly recompense
The Closing of Her eyes—

She doth Her Purple Work—
And putteth Her away
In low Apartments in the Sod -
As worthily as We.

To imitate her life
As impotent would be
As make of Our imperfect Mints,
The Julep—of the Bee—

144

She bore it till the simple veins
Traced azure on her hand—
Til pleading, round her quiet eyes
The purple Crayons stand.

Till Daffodils had come and gone
I cannot tell the sum,
And then she ceased to bear it—
And with the Saints sat down.

No more her patient figure
At twilight soft to meet—
No more her timid bonnet
Upon the village street—

But Crowns instead, and Courtiers—
And in the midst so fair,
Whose but her shy—immortal face

When daffodils danced in Chuck Hatch, and white clouds
Drew their own shadowy purple across the hills,
Darkening the valley where the small flint church
The Saxon built stood roofless to the sun,
Believe me, Memory, it was not a shadow!
No shadow of a cloud you saw that day
Flowing across the smooth deep-breasted downs,
But something darker, sweeter,--the wild thyme
Of Sussex, flowing like a river of joy
That tossed a hundred skylarks up.

1

I am a house, says Senlin, locked and darkened,
Sealed from the sun with wall and door and blind.
Summon me loudly, and you'll hear slow footsteps
Ring far and faint in the galleries of my mind.
You'll hear soft steps on an old and dusty stairway;
Peer darkly through some corner of a pane,
You'll see me with a faint light coming slowly,
Pausing above some gallery of the brain . . .

I am a city . . . In the blue light of evening
Wind wanders among my streets and makes them fair;

BLEST be thy song, sweet NIGHTINGALE,
Lorn minstrel of the lonely vale !
Where oft I've heard thy dulcet strain
In mournful melody complain;
When in the POPLAR'S trembling shade,
At Evening's purple hour I've stray'd,
While many a silken folded flow'r
Wept on its couch of Gossamer,
And many a time in pensive mood
Upon the upland mead I've stood,
To mark grey twilight's shadows glide
Along the green hill's velvet side;
To watch the perfum'd hand of morn
Hang pearls upon the silver thorn,

A faint, sickening scent of irises
Persists all morning. Here in a jar on the table
A fine proud spike of purple irises
Rising above the class-room litter, makes me unable
To see the class’s lifted and bended faces
Save in a broken pattern, amid purple and gold and sable.

I can smell the gorgeous bog-end, in its breathless
Dazzle of may-blobs, when the marigold glare overcast you
With fire on your cheeks and your brow and your chin as you dipped
Your face in the marigold bunch, to touch and contrast you,