Pr Aeceptor Amat

It is time (it was time long ago) I should sever
This chain -- why I wear it I know not -- forever!
Yet I cling to the bond, e'en while sick of the mask
I must wear, as of one whom his commonplace task
And proof-armor of dullness have steeled to her charms!
Ah! how lovely she looked as she flung from her arms,
In heaps to this table (now starred with the stains
Of her booty yet wet with those yesterday rains),
These roses and lilies, and -- what? let me see!
Then was off in a moment, but turned with a glee,


Poem

This poem is not addressed to you.
You may come into it briefly,
But no one will find you here, no one.
You will have changed before the poem will.

Even while you sit there, unmovable,
You have begun to vanish. And it does not matter.
The poem will go on without you.
It has the spurious glamor of certain voids.

It is not sad, really, only empty.
Once perhaps it was sad, no one knows why.
It prefers to remember nothing.
Nostalgias were peeled from it long ago.


Phoenix Lyrics

I

If nature is life, nature is death:
It is winter as it is spring:
Confusion is variety, variety
And confusion in everything
Make experience the true conclusion
Of all desire and opulence,
All satisfaction and poverty.

II

When a hundred years had passed nature seemed to man
a clock
Another century sank away and nature seemed a jungle
in a rock
And now that nature has become a ticking and hidden
bomb how we must mock


Peter Rugg the Bostonian

I

The mare is pawing by the oak,
The chaise is cool and wide
For Peter Rugg the Bostonian
With his little son beside;
The women loiter at the wheels
In the pleasant summer-tide.

"And when wilt thou be home, Father?"
"And when, good husband, say:
The cloud hangs heavy on the house
What time thou art away."
He answers straight, he answers short,
"At noon of the seventh day."

"Fail not to come, if God so will,
And the weather be kind and clear."


Peruvian Tales Zilia, Tale III

PIZARRO takes possession of Cuzco--The fanaticism of VALVERDA , a
Spanish priest--Its dreadful effects--A Peruvian priest put to the tor-
ture--His Daughter's distress--He is rescued by LAS CASAS , a Spa-
nish ecclesiastic--And led to a place of safety, where he dies--His
Daughter's narration of her sufferings--Her death.


Now stern PIZARRO seeks the distant plains,
Where beauteous Cuzco lifts her golden fanes.
The meek Peruvians gaz'd in wild dismay,
Nor barr'd the dark Oppressor's sanguine way;


Peruvian Tales Cora, Tale IV

ALMAGRO'S expedition to Chili--His troops suffer great hardships from cold, in crossing the Andes--They reach Chili--The Chilians make a brave resistance--The revolt of the Peruvians in Cuzco---They are led on by MANCO CAPAC , the successor of ATALIBA --Parting with CORA , his wife--The Peruvians regain half their city--ALMAGRO leaves Chili--To avoid the Andes, he crosses a vast desert--His troops can find no water--They divide into two bands--ALPHONSO leads the second band, which soon reaches a fertile valley--The Spaniards observe that the natives are employed in searching the streams for


Peruvian Tales Alzira, Tale II

PIZARRO lands with the Forces--His meeting with ATALIBA --Its un-
happy consequences--ZORAI dies--ATALIBA imprisoned, and strangled
--Despair of ALZIRA .


Flush'd with impatient hope, the martial band,
By stern PIZARRO led, approach the land;
No terrors arm his hostile brow, for guile
Seeks to betray with candour's open smile.
Too artless for distrust, the Monarch springs
To meet his latent foe on friendship's wings.
On as he moves, with dazzling splendour crown'd,
His feather'd chiefs the golden throne surround;


Pear Tree

Silver dust
lifted from the earth,
higher than my arms reach,
you have mounted.
O silver,
higher than my arms reach
you front us with great mass;

no flower ever opened
so staunch a white leaf,
no flower ever parted silver
from such rare silver;

O white pear,
your flower-tufts,
thick on the branch,
bring summer and ripe fruits
in their purple hearts.


Peace

After Stuart Merrill

Trembling of purple banners in the fight,
Wild neigh of horses in destruction's path,
Howling of trumpets answering yells of wrath,
Dim eyes where slowly fades the living light;
And on the plains, the ghastly heaped up death
O'er which the guns thunder their dull refrain;
And summer is shamed and autumn grieves in rain,
And carnage breathes abroad a hateful breath.
Back! O thou nightmare of the tired world's rest!
The Spring sees blooming at the mother's breast


Pauline Pavlovna

SCENE: St. Petersburg. Period: the present time. A ballroom in the winter palace of the prince---. The ladies in character costumes and masks. The gentlement in official dress and unmasked, with the exception of six tall figures in scarlet kaftans, who are treated with marked distinction as they move here and there among the promenaders. Quadrille music throughout the dialogue.


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