The Cotter's Saturday Night

Inscribed to Robert Aiken, Esq.

Let not Ambition mock their useful toil,
Their homely joys and destiny obscure;
Nor Grandeur hear with a disdainful smile,
The short and simple annals of the poor.
        (Gray, "Elegy Written in a Country Churchyard")


My lov'd, my honour'd, much respected friend!
No mercenary bard his homage pays;
With honest pride, I scorn each selfish end:
My dearest meed a friend's esteem and praise.
To you I sing, in simple Scottish lays,


The Danish Boy A Fragment

I

Between two sister moorland rills
There is a spot that seems to lie
Sacred to flowerets of the hills,
And sacred to the sky.
And in this smooth and open dell
There is a tempest-stricken tree;
A corner-stone by lightning cut,
The last stone of a lonely hut;
And in this dell you see
A thing no storm can e'er destroy,
The shadow of a Danish Boy.

II

In clouds above, the lark is heard,
But drops not here to earth for rest;
Within this lonesome nook the bird


The Coming By-and-By

Sad is that woman's lot who, year by year,
Sees, one by one, her beauties disappear;
As Time, grown weary of her heart-drawn sighs,
Impatiently begins to "dim her eyes"! -
Herself compelled, in life's uncertain gloamings,
To wreathe her wrinkled brow with well-saved "combings" -
Reduced, with rouge, lipsalve, and pearly grey,
To "make up" for lost time, as best she may!

Silvered is the raven hair,
Spreading is the parting straight,
Mottled the complexion fair,
Halting is the youthful gait,


The Ballad Of The Hanged Men

Men my brothers who after us live,
have your hearts against us not hardened.
For—if of poor us you take pity,
God of you sooner will show mercy.
You see us here, attached.
As for the flesh we too well have fed,
long since it's been devoured or has rotted.
And we the bones are becoming ash and dust.

Of our pain let nobody laugh,
but pray God
would us all absolve.

If you my brothers I call, do not
scoff at us in disdain, though killed
we were by justice. Yet ss you know


The Absinthe Drinkers

He's yonder, on the terrace of the Cafe de la Paix,
The little wizened Spanish man, I see him every day.
He's sitting with his Pernod on his customary chair;
He's staring at the passers with his customary stare.
He never takes his piercing eyes from off that moving throng,
That current cosmopolitan meandering along:
Dark diplomats from Martinique, pale Rastas from Peru,
An Englishman from Bloomsbury, a Yank from Kalamazoo;
A poet from Montmartre's heights, a dapper little Jap,
Exotic citizens of all the countries on the map;


Such, Such Is He Who Pleaseth Me

FLY, dearest, fly! He is not nigh!

He who found thee one fair morn in Spring

In the wood where thou thy flight didst wing.
Fly, dearest, fly! He is not nigh!
Never rests the foot of evil spy.

Hark! flutes' sweet strains and love's refrains

Reach the loved one, borne there by the wind,

In the soft heart open doors they find.
Hark! flutes' sweet strains and love's refrains,
Hark!--yet blissful love their echo pains.

Erect his head, and firm his tread,


Song from Aella

O SING unto my roundelay,
O drop the briny tear with me;
Dance no more at holyday,
Like a running river be:
   My love is dead,
   Gone to his death-bed
All under the willow-tree.

Black his cryne as the winter night,
White his rode as the summer snow,
Red his face as the morning light,
Cold he lies in the grave below:
   My love is dead,
   Gone to his death-bed
All under the willow-tree.

Sweet his tongue as the throstle's note,
Quick in dance as thought can be,


She Walks in Beauty

She walks in beauty like the night
of cloudless climes and starry skies;
And all that's best of dark and bright
meets in her aspect and her eyes:
Thus mellow'd to that tender light
which heaven to gaudy day denies.

One shade the more, one ray the less,
had half impair'd the nameless grace
which waves in every raven tress,
or softly lightens o'er her face -
where thoughts serenely sweet express
how pure, how dear their dwelling - place.

And on that cheek, and o'er that brow,


Seven Strophes

I was but what you'd brush
with your palm, what your leaning
brow would hunch to in evening's
raven-black hush.

I was but what your gaze
in that dark could distinguish:
a dim shape to begin with,
later - features, a face.

It was you, on my right,
on my left, with your heated
sighs, who molded my helix
whispering at my side.

It was you by that black
window's trembling tulle pattern
who laid in my raw cavern
a voice calling you back.


Ruins of Rome, by Bellay

1

Ye heavenly spirits, whose ashy cinders lie
Under deep ruins, with huge walls opprest,
But not your praise, the which shall never die
Through your fair verses, ne in ashes rest;
If so be shrilling voice of wight alive
May reach from hence to depth of darkest hell,
Then let those deep Abysses open rive,
That ye may understand my shreiking yell.
Thrice having seen under the heavens' vail
Your tomb's devoted compass over all,
Thrice unto you with loud voice I appeal,


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