Here lies a most beautiful lady,
Light of step and heart was she;
I think she was the most beautiful lady
That ever was in the West Country.

But beauty vanishes, beauty passes;
However rare -- rare it be;
And when I crumble,who will remember
This lady of the West Country.

As I sate down to breakfast in state,
At my living of Tithing-cum-Boring,
With Betty beside me to wait,
Came a rap that almost beat the door in.
I laid down my basin of tea,
And Betty ceased spreading the toast,
"As sure as a gun, sir," said she,
"That must be the knock of the post."

A letter--and free--bring it here--
I have no correspondent who franks.
No! Yes! Can it be? Why, my dear,
'Tis our glorious, our Protestant Bankes.
"Dear sir, as I know you desire
That the Church should receive due protection,

So how is life with your new bloke?
Simpler, I bet. Just one stroke
of his quivering oar and the skin
of the Thames goes into a spin,

eh? How is life with an oarsman? Better?
More in--out? Athletic? Wetter?
When you hear the moan of the rowlocks,
do you urge him on like a cox?

Tell me, is he bright enough to find
that memo-pad you call a mind?
Or has he contrived to bring you out--
given you an in-tray and an out?

How did I ever fall for a paper-clip?
How could I ever listen to office gossip

You can sigh o'er the sad-eyed Armenian
Who weeps in her desolate home.
You can mourn o'er the exile of Russia
From kindred and friends doomed to roam.

You can pity the men who have woven
From passion and appetite chains
To coil with a terrible tension
Around their heartstrings and brains.

You can sorrow o'er little children
Disinherited from their birth,
The wee waifs and toddlers neglected,
Robbed of sunshine, music and mirth.

For beasts you have gentle compassion;
Your mercy and pity they share.

As he writes, without looking at the sea,
he feels the tip of his pen begin to tremble.
The tide is going out across the shingle.
But it isn't that. No,
it's because at that moment she chooses
to walk into the room without any clothes on.
Drowsy, not even sure where she is
for a moment. She waves the hair from her forehead.
Sits on the toilet with her eyes closed,
head down. Legs sprawled. He sees her
through the doorway. Maybe
she's remembering what happened that morning.
For after a time, she opens one eye and looks at him.

There is a city, upbuilt on the quays of the turbulent Arno,
Under Fiesole's heights,--thither are we to return?
There is a city that fringes the curve of the inflowing waters,
Under the perilous hill fringes the beautiful bay,--
Parthenope, do they call thee?--the Siren, Neapolis, seated
Under Vesevus's hill,--are we receding to thee?--
Sicily, Greece, will invite, and the Orient;--or are we turn to
England, which may after all be for its children the best?



I. Mary Trevellyn, at Lucerne, to Miss Roper, at Florence.

Is it illusion? or does there a spirit from perfecter ages,
Here, even yet, amid loss, change, and corruption abide?
Does there a spirit we know not, though seek, though we find, comprehend not,
Here to entice and confuse, tempt and evade us, abide?
Lives in the exquisite grace of the column disjointed and single,
Haunts the rude masses of brick garlanded gaily with vine,
E'en in the turret fantastic surviving that springs from the ruin,
E'en in the people itself? is it illusion or not?

The irresponsive silence of the land,
   The irresponsive sounding of the sea,
   Speak both one message of one sense to me:--
Aloof, aloof, we stand aloof, so stand
Thou too aloof, bound with the flawless band
   Of inner solitude; we bind not thee;
   But who from thy self-chain shall set thee free?
What heart shall touch thy heart? What hand thy hand?
And I am sometimes proud and sometimes meek,
   And sometimes I remember days of old

All that I owe the fellows of the grave
And all the dead bequeathed from pale estates
Lies in the fortuned bone, the flask of blood,
Like senna stirs along the ravaged roots.
O all I owe is all the flesh inherits,
My fathers' loves that pull upon my nerves,
My sisters tears that sing upon my head
My brothers' blood that salts my open wounds

Heir to the scalding veins that hold love's drop,
My fallen filled, that had the hint of death,
Heir to the telling senses that alone
Acquaint the flesh with a remembered itch,

Call it to mind, O my love.
Dear were your eyes as the day,
Bright as the day and the sky;
Like the stream of gold and the sky above,
Dear were your eyes in the grey.
We have lived, my love, O, we have lived, my love!
Now along the silent river, azure
Through the sky's inverted image,
Softly swam the boat that bore our love,
Swiftly ran the shallow of our love
Through the heaven's inverted image,
In the reedy mazes round the river.
See along the silent river,
II
See of old the lover's shallop steer.