remember

The brow of a horse in that moment when
The horse is drinking water so deeply from a trough
It seems to inhale the water, is holy.

I refuse to explain.

When the horse had gone the water in the trough,
All through the empty summer,

Went on reflecting clouds & stars.

The horse cropping grass in a field,
And the fly buzzing around its eyes, are more real
Than the mist in one corner of the field.

Or the angel hidden in the mist, for that matter.

At the noisy end of the cafe, head bent
over the table, an old man sits alone,
a newspaper in front of him.

And in the miserable banality of old age
he thinks how little he enjoyed the years
when he had strength, eloquence, and looks.

He knows he's aged a lot: he sees it, feels it.
Yet it seems he was young just yesterday.
So brief an interval, so brief.

And he thinks of Prudence, how it fooled him,
how he always believed - what madness -
that cheat who said: "Tomorrow. You have plenty of time."

'Twas in the year of 1888, and on July the 14th day,
That an alarming accident occurred in the River Tay.
Which resulted in the sinking of the Tay Ferries' Steamer "Dundee,"
Which was a most painful and sickening sight to see.

The Steamer was engaged by the Independent Order of Rechabites,
And all were resolved to see some rural sights;
And the place they selected was the village of Newburgh;
While each heart was happy and free from sorrow.

And the weather was sunny, and really very fine,

There is no dusk to be,
There is no dawn that was,
Only there's now, and now,
And the wind in the grass.

Days I remember of
Now in my heart, are now;
Days that I dream will bloom
White the peach bough.

Dying shall never be
Now in the windy grass;
Now under shooken leaves
Death never was.

As I sate down to breakfast in state,
At my living of Tithing-cum-Boring,
With Betty beside me to wait,
Came a rap that almost beat the door in.
I laid down my basin of tea,
And Betty ceased spreading the toast,
"As sure as a gun, sir," said she,
"That must be the knock of the post."

A letter--and free--bring it here--
I have no correspondent who franks.
No! Yes! Can it be? Why, my dear,
'Tis our glorious, our Protestant Bankes.
"Dear sir, as I know you desire

So how is life with your new bloke?
Simpler, I bet. Just one stroke
of his quivering oar and the skin
of the Thames goes into a spin,

eh? How is life with an oarsman? Better?
More in--out? Athletic? Wetter?
When you hear the moan of the rowlocks,
do you urge him on like a cox?

Tell me, is he bright enough to find
that memo-pad you call a mind?
Or has he contrived to bring you out--
given you an in-tray and an out?

How did I ever fall for a paper-clip?

You can sigh o'er the sad-eyed Armenian
Who weeps in her desolate home.
You can mourn o'er the exile of Russia
From kindred and friends doomed to roam.

You can pity the men who have woven
From passion and appetite chains
To coil with a terrible tension
Around their heartstrings and brains.

You can sorrow o'er little children
Disinherited from their birth,
The wee waifs and toddlers neglected,
Robbed of sunshine, music and mirth.

For beasts you have gentle compassion;

As he writes, without looking at the sea,
he feels the tip of his pen begin to tremble.
The tide is going out across the shingle.
But it isn't that. No,
it's because at that moment she chooses
to walk into the room without any clothes on.
Drowsy, not even sure where she is
for a moment. She waves the hair from her forehead.
Sits on the toilet with her eyes closed,
head down. Legs sprawled. He sees her
through the doorway. Maybe
she's remembering what happened that morning.

There is a city, upbuilt on the quays of the turbulent Arno,
Under Fiesole's heights,--thither are we to return?
There is a city that fringes the curve of the inflowing waters,
Under the perilous hill fringes the beautiful bay,--
Parthenope, do they call thee?--the Siren, Neapolis, seated
Under Vesevus's hill,--are we receding to thee?--
Sicily, Greece, will invite, and the Orient;--or are we turn to
England, which may after all be for its children the best?

Is it illusion? or does there a spirit from perfecter ages,
Here, even yet, amid loss, change, and corruption abide?
Does there a spirit we know not, though seek, though we find, comprehend not,
Here to entice and confuse, tempt and evade us, abide?
Lives in the exquisite grace of the column disjointed and single,
Haunts the rude masses of brick garlanded gaily with vine,
E'en in the turret fantastic surviving that springs from the ruin,
E'en in the people itself? is it illusion or not?