river

A man roams the streets with a basket
of freestone peaches hollering, "Peaches,
peaches, yellow freestone peaches for sale."

My grandfather in his prime could outshout
the Tigers of Wrath or the factory whistles
along the river. Hamtramck hungered

for yellow freestone peaches, downriver
wakened from a dream of work, Zug Island danced
into the bright day glad to be alive.

Full-figured women in their negligees
streamed into the streets from the dark doorways
to demand in Polish or Armenian

Strange violin, why do you follow me?
In how many foreign cities did you
speak of your lonely nights and those of mine.
Are you being played by hundreds? Or by one?

Do in all great cities men exist
who tormented and in deep despair
would have sought the river but for you?
And why does your playing always reach me?

Why is it that I am always neighbor
to those lost ones who are forced to sing
and to say: Life is infinitely heavier
than the heaviness of all things.

ROLL forth, my song, like the rushing river,
   That sweeps along to the mighty sea;
God will inspire me while I deliver
   My soul of thee!

Tell thou the world, when my bones lie whitening
   Amid the last homes of youth and eld,
That once there was one whose veins ran lightning
   No eye beheld.

Tell how his boyhood was one drear night-hour,
   How shone for him, through his griefs and gloom,
No star of all heaven sends to light our
   Path to the tomb.

Lord! Oh, hold in Thy hand my child,
Guard by the river its playing!
Send Thou Thy Spirit as comrade mild,
Lest it be lost in its straying!
Deep is the water and false the ground.
Lord, if His arms shall the child surround,
Drowned it shall not be, but living,
Till Thou salvation art giving.

Mother, whom loneliness befalls,
Knowing not where it is faring,
Goes to the door, and its name there calls;
Breezes no answer are bearing.
This is her thought, that everywhere
He and Thou for it always care;

For Grace Bulmer Bowers


From narrow provinces
of fish and bread and tea,
home of the long tides
where the bay leaves the sea
twice a day and takes
the herrings long rides,

where if the river
enters or retreats
in a wall of brown foam
depends on if it meets
the bay coming in,
the bay not at home;

where, silted red,
sometimes the sun sets
facing a red sea,
and others, veins the flats'
lavender, rich mud
in burning rivulets;

The sunset melts upon the Nile,
The stony desert glows,
Beneath heaven's universal smile,
One burning damask rose;
And like a Peri's pearly boat,
No longer than a span,
Look, faint on fiery sky afloat,
The Moon of Ramadân.

Our boat drifts idly with the Stream,
Our boatmen ship the oar;
Vistas of endless temples gleam
On either topaz shore;
And swimming over groves of Palm,
A crescent weak and wan,
There steals into the perfect calm
The Moon of Ramadân.

and the gulf enters the sea and so forth,
none of them emptying anything,
all of them carrying yesterday
forever on their white tipped backs,
all of them dragging forward tomorrow.
it is the great circulation
of the earth's body, like the blood
of the gods, this river in which the past
is always flowing. every water
is the same water coming round.
everyday someone is standing on the edge
of this river, staring into time,
whispering mistakenly:
only here. only now.

Oh the wife she tried to tell me that 'twas nothing but the thrumming
Of a wood-pecker a-rapping on the hollow of a tree;
And she thought that I was fooling when I said it was the drumming
Of the mustering of legions, and 'twas calling unto me;
'Twas calling me to pull my freight and hop across the sea.

And a-mending of my fish-nets sure I started up in wonder,
For I heard a savage roaring and 'twas coming from afar;
Oh the wife she tried to tell me that 'twas only summer thunder,

I long for the streets but the Lord knoweth best,
For there I am never a saint;
There are lovable characters out in the West,
With humour heroic and quaint;
And, be it Up Country, or be it Out Back,
When I shall have gone to my Home,
I trust to be buried 'twixt River and Track
Where my lovable characters roam.

There are lovable characters drag through the scrub,
Where the Optimist ever prevails;
There are lovable characters hang round the pub,
There are lovable jokers at sales

Argument. -- The Indian Government being minded to discover the economic condition of their lands, sent a Committee to inquire into it; and saw that it was good.


Scene. -- The wooded heights of Simla. The Incarnation of the Government of India in the raiment of the Angel of Plenty signs, to pianoforte accompaniment: --

"How sweet is the shepherd's sweet life!
From the dawn to the even he strays --
And his tongue shall be filled with praise.
(adagio dim.) Filled with praise!"