river

I

(AN VERY IDLE IDYLL BY A VERY HUMBLE MEMBER OF THE GREAT AND NOBLE LONDON MOB.)

This is the Heath of Hampstead,
This is the Dome of Saint Paul’s;
Beneath, on the serried house-tops,
A chequered luster falls:

And the might city of London,
Under the clouds and the light,
Seems a low, wet beach, half shingle,
With a few sharp rocks upright.

Here we sit, my darling,
And dream an hour away:
The donkeys are hurried and worried,
But we are not donkeys to-day:

My sleeping children are still flying dreams
in their goose-down heads.
The lush of the river singing morning songs
Fish watch their ceilings turn sun-white.
The grey-green pike lances upstream
Kale, like mermaid's hair
points the water's drift.
All is morning hush
and bird beautiful.

I only,
I didn't have flu.

The calm,
Cool face of the river
Asked me for a kiss.

It's what the kids nowadays call weed. And it drifts
like clouds from his lips. He hopes no one
comes along tonight, or calls to ask for help.
Help is what he's most short on tonight.
A storm thrashes outside. Heavy seas
with gale winds from the west. The table he sits at
is, say, two cubits long and one wide.
The darkness in the room teems with insight.
Could be he'll write an adventure novel. Or else
a children's story. A play for two female characters,
one of whom is blind. Cutthroat should be coming

I knew that James Whistler was part of the Paris scene,
but I was still surprised when I found the painting
of his mother at the Musée d'Orsay
among all the colored dots and mobile brushstrokes
of the French Impressionists.

And I was surprised to notice
after a few minutes of benign staring,
how that woman, stark in profile
and fixed forever in her chair,
began to resemble my own ancient mother
who was now fixed forever in the stars, the air, the earth.

You can understand why he titled the painting

Strings in the earth and air
Make music sweet;
Strings by the river where
The willows meet.

There's music along the river
For Love wanders there,
Pale flowers on his mantle,
Dark leaves on his hair.

All softly playing,
With head to the music bent,
And fingers straying
Upon an instrument.

O Music hast thou only heard
The laughing river, the singing bird,
The murmuring wind in the poplar-trees,--
Nothing but Nature's melodies?
Nay, thou hearest all her tones,
As a Queen must hear!
Sounds of wrath and fear,
Mutterings, shouts, and moans,
Madness, tumult, and despair,
All she has that shakes the air
With voices fierce and wild!
Thou art a Queen and not a dreaming child,--
Put on thy crown and let us hear thee reign
Triumphant in a world of storm and strain!

Out of the gray northwest, where many a day gone by
Ye tugged and howled in your tempestuous grot,
And evermore the huge frost giants lie,
Your wizard guards in vigilance unforgot,
Out of the gray northwest, for now the bonds are riven,
On wide white wings your thongless flight is driven,
That lulls but resteth not.
And all the gray day long, and all the dense wild night,
Ye wheel and hurry with the sheeted snow,
By cedared waste and many a pine-dark height,

River, that rollest by the ancient walls,
Where dwells the Lady of my love, when she
Walks by thy brink, and there perchance recalls
A faint and fleeting memory of me:

What if thy deep and ample stream should be
A mirror of my heart, where she may read
The thousand thoughts I now betray to thee,
Wild as thy wave, and headlong as thy speed!

What do I say---a mirror of my heart?
Are not thy waters sweeping, dark, and strong?
Such as my feelings were and are, thou art;

WHO remains in London,
In the streets with me,
Now that Spring is blowing
Warm winds from the sea;
Now that trees grow green and tall,
Now the sun shines mellow,
And with moist primroses all
English lanes are yellow?

Little barefoot maiden,
Selling violets blue,
Hast thou ever pictur’d
Where the sweetlings grew?
Oh, the warm wild woodland ways,
Deep in dewy grasses,
Where the windblown shadow strays,
Scented as it passes!