FLOW soft RIVER, gently stray,
Still a silent waving tide
O'er thy glitt'ring carpet glide,
While I chaunt my ROUNDELAY,
As I gather from thy bank,
Shelter'd by the poplar dank,
King-cups, deck'd in golden pride,
Harebells sweet, and daisies pied;
While beneath the evening sky,
Soft the western breezes fly.
Gentle RIVER, should'st thou be
Touch'd with mournful sympathy,
When reflection tells my soul,
Winter's icy breath shall quell
Thy sweet bosom's graceful swell,
And thy dimpling course controul;

WHERE on the bosom of the foamy RHINE,
In curling waves the rapid waters shine;
Where tow'ring cliffs in awful grandeur rise,
And midst the blue expanse embrace the skies;
The wond'ring eye beholds yon craggy height,
Ting'd with the glow of Evening's fading light:
Where the fierce cataract swelling o'er its bound,
Bursts from its source, and dares the depth profound.
On ev'ry side the headlong currents flow,
Scatt'ring their foam like silv'ry sands below:
From hill to hill responsive echoes sound,
Loud torrents roar, and dashing waves rebound:

Light, my light, the world-filling light,
the eye-kissing light,
heart-sweetening light!

Ah, the light dances, my darling, at the center of my life;
the light strikes, my darling, the chords of my love;
the sky opens, the wind runs wild, laughter passes over the earth.

The butterflies spread their sails on the sea of light.
Lilies and jasmines surge up on the crest of the waves of light.

The light is shattered into gold on every cloud, my darling,
and it scatters gems in profusion.

I went down to the river,
I set down on the bank.
I tried to think but couldn't,
So I jumped in and sank.

I came up once and hollered!
I came up twice and cried!
If that water hadn't a-been so cold
I might've sunk and died.

But it was Cold in that water! It was cold!

I took the elevator
Sixteen floors above the ground.
I thought about my baby
And thought I would jump down.

I stood there and I hollered!
I stood there and I cried!
If it hadn't a-been so high
I might've jumped and died.

In time the strong and stately turrets fall,
In time the rose and silver lilies die,
In time the monarchs captive are and thrall,
In time the sea and rivers are made dry;
The hardest flint in time doth melt asunder;
Still living fame in time doth fade away;
The mountains proud we see in time come under;
And earth for age we see in time decay;
The sun in time forgets for to retire
From out the east where he was wont to rise;
The basest thoughts we see in time aspire,
And greedy minds in time do wealth despise.

(New South Wales Contingent)


Smells are surer than sounds or sights
To make your heart-strings crack--
They start those awful voices o' nights
That whisper, " Old man, come back! "
That must be why the big things pass
And the little things remain,
Like the smell of the wattle by Lichtenberg,
Riding in, in the rain.


There was some silly fire on the flank
And the small wet drizzling down--
There were the sold-out shops and the bank
And the wet, wide-open town;
And we were doing escort-duty

Toward even when the day leans down,
To kiss the upturned face of night,
Out just beyond the loud-voiced town
I know a spot of calm delight.
Like crimson arrows from a quiver
The red rays pierce the water flowing,
While we go dreaming, singing, rowing,
To Leudeman's-on-the-River.

The hills, like some glad mocking-bird,
Send back our laughter and our singing,
While faint--and yet more faint is heard
The steeple bells all sweetly ringing.
Some message did the winds deliver
To each glad heart that August night,

You can see it already: chalks and ochers;
Country crossed with a thousand furrow-lines;
Ground-level rooftops hidden by the shrubbery;
Sporadic haystacks standing on the grass;
Smoky old rooftops tarnishing the landscape;
A river (not Cayster or Ganges, though:
A feeble Norman salt-infested watercourse);
On the right, to the north, bizarre terrain
All angular--you'd think a shovel did it.
So that's the foreground. An old chapel adds
Its antique spire, and gathers alongside it
A few gnarled elms with grumpy silhouettes;

You can see it already: chalks and ochers;
Country crossed with a thousand furrow-lines;
Ground-level rooftops hidden by the shrubbery;
Sporadic haystacks standing on the grass;
Smoky old rooftops tarnishing the landscape;
A river (not Cayster or Ganges, though:
A feeble Norman salt-infested watercourse);
On the right, to the north, bizarre terrain
All angular--you'd think a shovel did it.
So that's the foreground. An old chapel adds
Its antique spire, and gathers alongside it
A few gnarled elms with grumpy silhouettes;

Through the noiseless doors of Death
Three passed out, as with one breath.

Two had faces stern as Fate,
Stamped with unrelenting hate.

One upon her lips of guile
Wore a cold, mysterious smile.

Each of each unseen, the pale
Shades went down the hollow vale

Till they came unto the deep
River of Eternal Sleep.

Breath of wind, or wing of bird,
Never that dark stream hath stirred;

Still it seems as is the shore,
But it flows for evermore

Softly, through the meadows wan
To the Sea Oblivion.