river

Kabul town's by Kabul river --
Blow the bugle, draw the sword --
There I lef' my mate for ever,
Wet an' drippin' by the ford.
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
There's the river up and brimmin', an' there's 'arf a squadron swimmin'
'Cross the ford o' Kabul river in the dark.

Kabul town's a blasted place --
Blow the bugle, draw the sword --
'Strewth I sha'n't forget 'is face
Wet an' drippin' by the ford!
Ford, ford, ford o' Kabul river,

Pigeons shake their wings on the copper church roof
out my window across the street, a bird perched on the cross
surveys the city's blue-grey clouds. Larry Rivers
'll come at 10 AM and take my picture. I'm taking
your picture, pigeons. I'm writing you down, Dawn.
I'm immortalizing your exhaust, Avenue A bus.
O Thought, now you'll have to think the same thing forever!

A gallant knight and his betroth'd bride,
Were walking one day by a river side,
They talk'd of love, and they talk'd of war,
And how very foolish lovers are.

At length the bride to the knight did say,
'There have been many young ladies led astray
By believing in all their lovers said,
And you are false to me I am afraid.'

'No, Ellen, I was never false to thee,
I never gave thee cause to doubt me;
I have always lov'd thee and do still,
And no other woman your place shall fill.'

The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read,
never even heard of,

as if, one by one, the memories you used to harbor
decided to retire to the southern hemisphere of the brain,
to a little fishing village where there are no phones.

Long ago you kissed the names of the nine Muses goodbye
and watched the quadratic equation pack its bag,

Forget the suffering
You caused others.
Forget the suffering
Others caused you.
The waters run and run,
Springs sparkle and are done,
You walk the earth you are forgetting.

Sometimes you hear a distant refrain.
What does it mean, you ask, who is singing?
A childlike sun grows warm.
A grandson and a great-grandson are born.
You are led by the hand once again.

The names of the rivers remain with you.
How endless those rivers seem!
Your fields lie fallow,

The last leaves fell like notes from a piano
and left their ovals echoing in the ear;
with gawky music stands, the winter forest
looks like an empty orchestra, its lines
ruled on these scattered manuscripts of snow.

The inlaid copper laurel of an oak
shines though the brown-bricked glass above your head
as bright as whisky, while the wintry breath
of lines from Mandelstam, which you recite,
uncoils as visibly as cigarette smoke.

'The rustling of ruble notes by the lemon Neva.'

For I must sing of all I feel and know,
Waiting with Memnon passive near the palms,
Until the heavenly light doth dawn and grow
And thrill my silence into mystic psalms;
From unknown realms the wind streams sad or gay,
The trees give voice responsive to its sway.

For I must sing: of mountains, deserts, seas,
Of rivers ever flowing, ever flowing;
Of beasts and birds, of grass and flowers and trees
Forever fading and forever growing;
Of calm and storm, of night and eve and noon,

I drank musty ale at the Illinois Athletic Club with
the millionaire manufacturer of Green River butter
one night
And his face had the shining light of an old-time Quaker,
he spoke of a beautiful daughter, and I knew he had
a peace and a happiness up his sleeve somewhere.
Then I heard Jim Kirch make a speech to the Advertising
Association on the trade resources of South America.
And the way he lighted a three-for-a-nickel stogie and
cocked it at an angle regardless of the manners of
our best people,

The earth keeps some vibration going
There in your heart, and that is you.
And if the people find you can fiddle,
Why, fiddle you must, for all your life.
What do you see, a harvest of clover?
Or a meadow to walk through to the river?
The wind's in the corn; you rub your hands
For beeves hereafter ready for market;
Or else you hear the rustle of skirts
Like the girls when dancing at Little Grove.
To Cooney Potter a pillar of dust
Or whirling leaves meant ruinous drouth;

I like to look at fishermen
And oftentimes I wish
One would be lucky now and then
And catch a little fish.
I watch them statuesquely stand,
And at the water look;
But if they pull their float to land
It's just to bait a hook.
II
I ponder the psychology
That roots them in their place;
And wonder at the calm I see
In ever angler's face.
There is such patience in their eyes,
Beside the river's brink;
And waiting for a bite or rise