So it is eighteen years,
Helena, since we met!
A season so endears,
Nor you nor I forget
The fresh young faces that once clove
In that most fiery dawn of love.

We wandered to and fro,
Who knew not how to woo,
Those eighteen years ago,
Sweetheart, when I and you
Exchanged high vows in heaven's sight
That scarce survived a summer's night.

What scourge smote from the stars
What madness from the moon?
That night we broke the bars
Was quintessential June,
When you and I beneath the trees

MOVING-PICTURE ACTRESS

(After seeing the reel called "Oil and Water.")


Beauty has a throne-room
In our humorous town,
Spoiling its hob-goblins,
Laughing shadows down.
Rank musicians torture
Ragtime ballads vile,
But we walk serenely
Down the odorous aisle.
We forgive the squalor
And the boom and squeal
For the Great Queen flashes
From the moving reel.

Just a prim blonde stranger
In her early day,
Hiding brilliant weapons,
Too averse to play,
Then she burst upon us

When I was brash and gallant-gay
Just fifty years ago,
I hit the ties and beat my way
From Maine to Mexico;
For though to Glasgow gutter bred
A hobo heart had I,
And followed where adventure led,
Beneath a brazen sky.
II
And as I tramped the railway track
I owned a single shirt;
Like canny Scot I bought it black
So's not to show the dirt;
A handkerchief held all my gear,
My razor and my comb;
I was a freckless lad, I fear,
With all the world for home.
III
Yet oh I thought the life was grand

Your name with ev'ry pleasure here I place,
The last effusions of my muse to grace.
O charming Phillis! may the same extend
Through time's dark night: our praise together blend;
To this we surely may pretend to aim
Your acting and my rhymes attention claim.
Long, long in mem'ry's page your fame shall live;
You, who such ecstacy so often give;
O'er minds, o'er hearts triumphantly you reign:
In Berenice, in Phaedra, and Chimene,
Your tears and plaintive accents all engage:
Beyond compare in proud Camilla's rage;
Your voice and manner auditors delight;

About me leagues of houses lie,
Above me, grim and straight and high,
They climb; the terraces lean up
Like long grey reefs against the sky.

Packed tier on tier the people dwell;
Each narrow, hollow wall is full;
And in that hive of honeycomb,
Remote and high, I have one cell.

And when I turn into my street
I hear in murmurous retreat
A tide of noises flowing out --
The city ebbing from my feet!

And lo! two long straight walls between,
There dwells a little park serene,

The Mountains
A land of sombre, silent hills, where mountain cattle go
By twisted tracks, on sidelings deep, where giant gum trees grow
And the wind replies, in the river oaks, to the song of the stream below.
A land where the hills keep watch and ward, silent and wide awake
As those who sit by a dead campfire, and wait for the dawn to break,
Or those who watched by the Holy Cross for the dead Redeemer's sake.

A land where silence lies so deep that sound itself is dead
And a gaunt grey bird, like a homeless soul, drifts, noiseless, overhead

Her maiden dreams were redolent of love,
Warm-bosomed as she breathed the passionate air
Of old romance, and did in fancy move
'Mong the gay knights who died for ladies fair;
Until she heard the thunder of the press,
And so became a lover; her heart rang
The note of love's alarm, his tenderness,
When in the onset all the tourney sang.
And she was one of the dead ladies who,
In beauty's blazon, to his misty bower
With Launcelot, when the Queen was gone, withdrew
Under the shadow of the tourney tower;

OH! listen to the tale of little ANNIE PROTHEROE.
She kept a small post-office in the neighbourhood of BOW;
She loved a skilled mechanic, who was famous in his day -
A gentle executioner whose name was GILBERT CLAY.

I think I hear you say, "A dreadful subject for your rhymes!"
O reader, do not shrink - he didn't live in modern times!
He lived so long ago (the sketch will show it at a glance)
That all his actions glitter with the lime-light of Romance.

In busy times he laboured at his gentle craft all day -

All work is over at the farm
And men and maids are ripe for glee;
Love slips among them sly and warm
Or calls them to the chestnut-tree.
As Colin looks askance at Jane
He draws his hand across his mouth;
She understands the rustic pain,
And something of the tender south
About her milkmaid beauty flits.
Her dress of lilac print for guide
Draws shepherd Colin where she sits,
Who, faring to her lovely side
To snatch his evening pension tries,
But skimming like a bird from clutch
The maid escapes his Cupid touch,

At dusk, when lowlands where dark waters glide
Robe in gray mist, and through the greening hills
The hoot-owl calls his mate, and whippoorwills
Clamor from every copse and orchard-side,
I watched the red star rising in the East,
And while his fellows of the flaming sign
From prisoning daylight more and more released,
Lift their pale lamps, and, climbing higher, higher,
Out of their locks the waters of the Line
Shaking in clouds of phosphorescent fire,
Rose in the splendor of their curving flight,