Fifty-Fifty

For something like eleven summers
I've written things that aimed to teach
Our careless mealy-mouthéd mummers
To be more sedulous of speech.

So sloppy of articulation
So limping and so careless they,
About distinct enunciation,
Often I don't know what they say.

The other night an able actor,
Declaiming of some lines I heard,
I hailed a public benefactor,
As I distinguished every word.

But, oh! the subtle disappointment!
Thorn on the celebrated rose


Fifth Sunday After Epiphany

"Wake, arm Divine! awake,
Eye of the only Wise!
Now for Thy glory's sake,
Saviour and God, arise,
And may Thine ear, that sealed seems,
In pity mark our mournful themes!"

Thus in her lonely hour
Thy Church is fain to cry,
As if Thy love and power
Were vanished from her sky;
Yet God is there, and at His side
He triumphs, who for sinners died.

Ah! 'tis the world enthralls
The Heaven-betrothed breast:
The traitor Sense recalls


Fern Hill

Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb
Golden in the heydays of his eyes,
And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves
Trail with daisies and barley
Down the rivers of the windfall light.

And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,


Felitsa

God-like Tsarevna
Of the Kirgiz-Kaisatskii horde!
Whose wisdom matchless
Opened the true path
To young Prince Khlor
To go up on that high peak
Where the rose without thorns grows,
Where virtue dwells:
It takes my spirit and mind prisoner,
Tell me how to find it.

Tell me, Felitsa:
How to live opulently yet justly,
How to subdue the storm of passions
And be happy in the world.
Your voice wakes me,
Your son sends me;
But to follow them I am too weak.


Fall, leaves, fall

Fall, leaves, fall; die, flowers, away;
Lengthen night and shorten day;
Every leaf speaks bliss to me
Fluttering from the autumn tree.

I shall smile when wreaths of snow
Blossom where the rose should grow;
I shall sing when night's decay
Ushers in a drearier day.


Farewell and adieu...

Farewell and adieu to you, Harwich Ladies,
Farewell and adieu to you, ladies ashore!
For we've received orders to work to the eastward
Where we hope in a short time to strafe 'em some more.

We'll duck and we'll dive like little tin turtles,
We'll duck and we'll dive underneath the North Seas,
Until we strike something that doesn't expect us.
From here to Cuxhaven it's go as you please!

The first thing we did was to dock in a minefield,


Farewell -- But Whenever You Welcome the Hour

I

Farewell! but whenever you welcome the hour
That awakens the night-song of mirth in your bower,
Then think of the friend who once welcomed it too,
And forgot his own griefs to be happy with you.
His griefs may return, not a hope may remain
Of the few that have brighten'd his pathway of pain,
But he ne'er will forget the short vision, that threw
Its enchantment around him, while lingering with you.

II


Fair Helen

I wish I were where Helen lies;
Night and day on me she cries;
Oh that I were where Helen lies
On fair Kirconnell lea!

Curst be the heart that thought the thought,
And curst the hand that fired the shot,
When in my arms burd Helen dropt,
And died to succour me!

O think na but my heart was sair
When my Love dropt down and spak nae mair!
I laid her down wi' meikle care
On fair Kirconnell lea.

As I went down the water-side,
None but my foe to be my guide,


Fawnia

AH! were she pitiful as she is fair,
Or but as mild as she is seeming so,
Then were my hopes greater than my despair,
Then all the world were heaven, nothing woe.
Ah! were her heart relenting as her hand,
That seems to melt even with the mildest touch,
Then knew I where to seat me in a land
Under wide heavens, but yet there is not such.
So as she shows she seems the budding rose,
Yet sweeter far than is an earthly flower;
Sovran of beauty, like the spray she grows;


Favrile

Glassmakers,
at century's end,
compounded metallic lusters

in reference
to natural sheens (dragonfly
and beetle wings,

marbled light on kerosene)
and invented names
as coolly lustrous

as their products'
scarab-gleam: Quetzal,
Aurene, Favrile
.

Suggesting,
respectively, the glaze
of feathers,

that sun-shot fog
of which halos
are composed,

and -- what?
What to make of Favrile,
Tiffany's term


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