silence

Hers was a lonely, shadowed lot;
Or so the unperceiving thought,
Who looked no deeper than her face,
Devoid of chiselled lines of grace –
No farther than her humble grate,
And wondered how she bore her fate.

Yet she was neither lone nor sad;
So much of love her spirit had,
She found an ever-flowing spring
Of happiness in everything.

So near to her was Nature’s heart
It seemed a very living part
Of her own self; and bud and blade,
And heat and cold, and sun and shade,

Summer pleasures they are gone like to visions every one
And the cloudy days of autumn and of winter cometh on
I tried to call them back but unbidden they are gone
Far away from heart and eye and for ever far away
Dear heart and can it be that such raptures meet decay
I thought them all eternal when by Langley Bush I lay
I thought them joys eternal when I used to shout and play
On its bank at 'clink and bandy' 'chock' and 'taw' and
ducking stone
Where silence sitteth now on the wild heath as her own

Now light the candles; one; two; there’s a moth;
What silly beggars they are to blunder in
And scorch their wings with glory, liquid flame—
No, no, not that,—it’s bad to think of war,
When thoughts you’ve gagged all day come back to scare you;
And it’s been proved that soldiers don’t go mad
Unless they lose control of ugly thoughts
That drive them out to jabber among the trees.

Now light your pipe; look, what a steady hand.
Draw a deep breath; stop thinking; count fifteen,
And you’re as right as rain...

Renowned Champion full of wrestling Art,
And made for victory in every part,
Whose active Limbes, oyl'd Tongue, and vertuous Mind,
Subdu'd both Foe and Friend, the Rough and Kind,
Yea, ev'n Thy-selfe, and thy Diseases too,
And all but Death (which won with much adoe
And shall at last be vanquish'd,) where are now
Those brawny Armes that crush'd the Dane? and how
Doe all thy Languages to Silence turne?
Babel's undifferenc'd by the speechlesse Urne.
What use of Wisedome now to mold the state

When the loud day for men who sow and reap
Grows still, and on the silence of the town
The unsubstantial veils of night and sleep,
The meed of the day's labour, settle down,
Then for me in the stillness of the night
The wasting, watchful hours drag on their course,
And in the idle darkness comes the bite
Of all the burning serpents of remorse;
Dreams seethe; and fretful infelicities
Are swarming in my over-burdened soul,
And Memory before my wakeful eyes
With noiseless hand unwinds her lengthy scroll.

(AMSTERDAM, 1645)


And there you are again, now as you are.
Observe yourself as you discern yourself
In your discredited ascendency;
Without your velvet or your feathers now,
Commend your new condition to your fate,
And your conviction to the sieves of time.
Meanwhile appraise yourself, Rembrandt van Ryn,
Now as you are—formerly more or less
Distinguished in the civil scenery,
And once a painter. There you are again,
Where you may see that you have on your shoulders

As I lay at your feet that afternoon,
Little we spoke, you sat and mused,
Humming a sweet old-fashioned tune,

And I worshipped you, with a sense confused
Of the good time gone and the bad on the way,
While my hungry eyes your face perused

To catch and brand on my soul for aye
The subtle smile which had grown my doom.
Drinking sweet poison hushed I lay

Till the sunset shimmered athwart the room.
I rose to go. You stood so fair
And dim in the dead day's tender gloom:

And the priestess spoke again and said: "Speak to us of Reason and Passion."

And he answered saying:

Your soul is oftentimes a battlefield, upon which your reason and your judgment wage war against passion and your appetite.

Would that I could be the peacemaker in your soul, that I might turn the discord and the rivalry of your elements into oneness and melody.

But how shall I, unless you yourselves be also the peacemakers, nay, the lovers of all your elements?

I smiled with skeptic mocking where they told me you were dead,
You of the airy laughter and lightly twinkling feet;
"They tell a dream that haunted a chill gray dawn," I said,
"Death could not touch or claim a thing so vivid and so sweet!"

I looked upon you coffined amid your virgin flowers,
But even that white silence could bring me no belief:
"She lies in maiden sleep," I said. "and in the youngling hours
Her sealed dark eyes will open to scorn our foolish grief."

Here at the roots of the mountains,
Between the sombre legions of cedars and tamaracks,
The rapids charge the ravine:
A little light, cast by foam under starlight,
Wavers about the shimmering stems of the birches:
Here rise up the clangorous sounds of battle,
Immense and mournful.
Far above curves the great dome of darkness
Drawn with the limitless lines of the stars and the planets.
Deep at the core of the tumult,
Deeper than all the voices that cry at the surface,
Dwells one fathomless sound,