Lord, who hast suffer'd all for me,
My peace and pardon to procure,
The lighter cross I bear for Thee,
Help me with patience to endure.

The storm of loud repining hush;
I would in humble silence mourn;
Why should the unburnt, though burning bush,
Be angry as the crackling thorn?

Man should not faint at Thy rebuke,
Like Joshua falling on his face,
When the cursed thing that Achan took
Brought Israel into just disgrace.

Perhaps some golden wedge suppress'd,
Some secret sin offends my God;

Stupendous love of God most high!
He comes to meet us from the sky
In mildest majesty;
Full of unutterable grace,
He calls the weary burdened race,
"Come all for help to me."

Tired with the greatness of my way,
From him I would no longer stray,
But rest in Jesus have;
Weary of sin, from sin would cease,
Weary of mine own righteousness,
And stoop, myself to save.

Weary of passions unsubdued,
Weary of vows in vain renewed,
Of forms without the power,
Of prayers, and hopes, complaints, and groans,

Vicisti, Galilæe
I have lived long enough, having seen one thing, that love hath an end;
Goddess and maiden and queen, be near me now and befriend.
Thou art more than the day or the morrow, the seasons that laugh or that weep;
For these give joy and sorrow; but thou, Proserpina, sleep.
Sweet is the treading of wine, and sweet the feet of the dove;
But a goodlier gift is thine than foam of the grapes or love.
Yea, is not even Apollo, with hair and harpstring of gold,
A bitter God to follow, a beautiful God to behold?

It is time (it was time long ago) I should sever
This chain -- why I wear it I know not -- forever!
Yet I cling to the bond, e'en while sick of the mask
I must wear, as of one whom his commonplace task
And proof-armor of dullness have steeled to her charms!
Ah! how lovely she looked as she flung from her arms,
In heaps to this table (now starred with the stains
Of her booty yet wet with those yesterday rains),
These roses and lilies, and -- what? let me see!
Then was off in a moment, but turned with a glee,

By a black wharf I stood lately,
When the night was at its noon;
Keen, malicious stars were shining,
And a wicked, white-faced moon.

And I saw a stately vessel,
Built in fashion quaint and old;
From her masthead, in the moonlight,
Hung a flag of faded gold.

Black with age her masts and spars were,
Black with age her ropes and rails;
Like a ghost through cere-cloths gazing
Shone the white moon through her sails.

Not a movement stirred the stillness,
Not a sound the silence broke,

A gaunt built woman and her son-in-law—
A broad-faced fellow, with such flesh as shows
Nothing but easy nature—and his wife,
The woman’s daughter, who spills all her talk
Out of a wide mouth, but who has eyes as gray
As Connemara, where the mountain-ash
Shows berries red indeed: they enter now—
Our country singers!
“Sing, my good woman, sing us some romance
That has been round your chimney-nooks so long
’Tis nearly native; something blown here
And since made racy—like yon tree, I might say,

In the same way that the mindless diamond keeps
one spark of the planet's early fires
trapped forever in its net of ice,
it's not love's later heat that poetry holds,
but the atom of the love that drew it forth
from the silence: so if the bright coal of his love
begins to smoulder, the poet hears his voice
suddenly forced, like a bar-room singer's -- boastful
with his own huge feeling, or drowned by violins;
but if it yields a steadier light, he knows
the pure verse, when it finally comes, will sound

And it was at that age ... Poetry arrived
in search of me. I don't know, I don't know where
it came from, from winter or a river.
I don't know how or when,
no they were not voices, they were not
words, nor silence,
but from a street I was summoned,
from the branches of night,
abruptly from the others,
among violent fires
or returning alone,
there I was without a face
and it touched me.

I did not know what to say, my mouth
had no way
with names,
my eyes were blind,
and something started in my soul,

In the mustardseed sun,
By full tilt river and switchback sea
Where the cormorants scud,
In his house on stilts high among beaks
And palavers of birds
This sandgrain day in the bent bay's grave
He celebrates and spurns
His driftwood thirty-fifth wind turned age;
Herons spire and spear.

Under and round him go
Flounders, gulls, on their cold, dying trails,
Doing what they are told,
Curlews aloud in the congered waves
Work at their ways to death,
And the rhymer in the long tongued room,
Who tolls his birthday bell,

This poem is not addressed to you.
You may come into it briefly,
But no one will find you here, no one.
You will have changed before the poem will.

Even while you sit there, unmovable,
You have begun to vanish. And it does not matter.
The poem will go on without you.
It has the spurious glamor of certain voids.

It is not sad, really, only empty.
Once perhaps it was sad, no one knows why.
It prefers to remember nothing.
Nostalgias were peeled from it long ago.

Your type of beauty has no place here.