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The Choir Invisible

Oh, may I join the choir invisible
Of those immortal dead who live again
In minds made better by their presence; live
In pulses stirred to generosity,
In deeds of daring rectitude, in scorn
For miserable aims that end with self,
In thoughts sublime that pierce the night like stars,
And with their mild persistence urge men's search
To vaster issues. So to live is heaven:
To make undying music in the world,
Breathing a beauteous order that controls
With growing sway the growing life of man.
So we inherit that sweet purity

The Child on the Curbstone

The headlights raced; the moon, death-faced,
Stared down on that golden river.
I saw through the smoke the scarlet cloak
Of a boy who could not shiver.

His father's hand forced him to stand,
The traffic thundered slaughter;
One foot he thrust in the whirling dust
As it were running water.

As in a dream I saw the stream
Scatter in drops that glistened;
They flamed, they flashed, his brow they splashed,
And danger's son was christened.

The portent passed; his fate was cast,
Sea-farer, desert-ranger.

The Charm Of 530

It's too nice a day to read a novel set in England.

We're within inches of the perfect distance from the sun,
the sky is blueberries and cream,
and the wind is as warm as air from a tire.
Even the headstones in the graveyard
Seem to stand up and say "Hello! My name is..."

It's enough to be sitting here on my porch,
thinking about Kermit Roosevelt,
following the course of an ant,
or walking out into the yard with a cordless phone
to find out she is going to be there tonight

The Chapel in Lyonesse

SIR OZANA.

All day long and every day,
From Christmas-Eve to Whit-Sunday,
Within that Chapel-aisle I lay,
And no man came a-near.

Naked to the waist was I,
And deep within my breast did lie,
Though no man any blood could spy,
The truncheon of a spear.

No meat did ever pass my lips
Those days. Alas! the sunlight slips
From off the gilded parclose, dips,
And night comes on apace.

My arms lay back behind my head;
Over my raised-up knees was spread
A samite cloth of white and red;
A rose lay on my face.

The Change

POOR River, now thou'rt almost dry,
What Nymph, or Swain, will near thee lie?
Since brought, alas! to sad Decay,
What Flocks, or Herds, will near thee stay?
The Swans, that sought thee in thy Pride,
Now on new Streams forgetful ride:
And Fish, that in thy Bosom lay,
Chuse in more prosp'rous Floods to play.
All leave thee, now thy Ebb appears,
To waste thy sad Remains in Tears;
Nor will thy mournful Murmurs heed.
Fly, wretched Stream, with all thy speed,
Amongst those solid Rocks thy Griefs bestow;

The Centerarian's Story


GIVE me your hand, old Revolutionary;
The hill-top is nigh--but a few steps, (make room, gentlemen;)
Up the path you have follow'd me well, spite of your hundred and
extra years;
You can walk, old man, though your eyes are almost done;
Your faculties serve you, and presently I must have them serve me.

Rest, while I tell what the crowd around us means;
On the plain below, recruits are drilling and exercising;
There is the camp--one regiment departs to-morrow;
Do you hear the officers giving the orders?

The Cavalier's March to London

To horse! to horse! brave Cavaliers!
To horse for Church and Crown!
Strike, strike your tents! snatch up your spears!
And ho for London town!
The imperial harlot, doom'd a prey
To our avenging fires,
Sends up the voice of her dismay
From all her hundred spires.

The Strand resounds with maidens' shrieks,
The 'Change with merchants' sighs,
And blushes stand on brazen cheeks,
And tears in iron eyes;
And, pale with fasting and with fright,
Each Puritan Committee
Hath summon'd forth to prayer and fight

The Cautious Lovers

Silvia, let's from the Crowd retire;
For, What to you and me
(Who but each other do desire)
Is all that here we see?

Apart we'll live, tho' not alone;
For, who alone can call
Those, who in Desarts live with One,
If in that One they've All?

The World a vast Meander is,
Where Hearts confus'dly stray;
Where Few do hit, whilst Thousands miss
The happy mutual Way:

Where Hands are by stern Parents ty'd,
Who oft, in Cupid's Scorn,
Do for the widow'd State provide,
Before that Love is born:

The Case Of Conscience

THOSE who in fables deal, bestow at ease
Both names and titles, freely as they please.
It costs them scarcely any thing, we find.
And each is nymph or shepherdess designed;
Some e'en are goddesses, that move below,
From whom celestial bliss of course must flow.

THIS Horace followed, with superior art:--
If, to the trav'ller's bed, with throbbing heart,
The chambermaid approached, 'twas Ilia found,
Or fair Egeria, or some nymph renowned.

GOD, in his goodness, made, one lovely day,
Apollo, who directs the lyrick lay,

The Carver

See, as the carver carves a rose,
A wing, a toad, a serpent's eye,
In cruel granite, to disclose
The soft things that in hardness lie,
So this one, taking up his heart,
Which time and change had made a stone,
Carved out of it with dolorous art,
Laboring yearlong and alone,
The thing there hidden—rose, toad, wing?
A frog's hand on a lily pad?
Bees in a cobweb?—no such thing!
A girl's head was the thing he had,
Small, shapely, richly crowned with hair,
Drowsy, with eyes half closed, as they
Looked through you and beyond you, clear