sometimes

Sometimes a lantern moves along the night,
That interests our eyes. And who goes there?
I think; where from and bound, I wonder, where,
With, all down darkness wide, his wading light?

Men go by me whom either beauty bright
In mould or mind or what not else makes rare:
They rain against our much-thick and marsh air
Rich beams, till death or distance buys them quite.

Death or distance soon consumes them: wind
What most I may eye after, be in at the end
I cannot, and out of sight is out of mind.

PART I
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.

Willows whiten, aspens quiver,
Little breezes dusk and shiver
Thro' the wave that runs for ever
By the island in the river
Flowing down to Camelot.

PART I
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot;
The yellow-leaved waterlily
The green-sheathed daffodilly
Tremble in the water chilly
Round about Shalott.

Willows whiten, aspens shiver.
The sunbeam showers break and quiver
In the stream that runneth ever
By the island in the river
Flowing down to Camelot.

Dearest Evelyn, I often think of you
Out with the guns in the jungle stew
Yesterday I hittapotamus
I put the measurements down for you but they got lost in the fuss
It's not a good thing to drink out here
You know, I've practically given it up dear.
Tomorrow I am going alone a long way
Into the jungle. It is all grey
But green on top
Only sometimes when a tree has fallen
The sun comes down plop, it is quite appalling.
You never want to go in a jungle pool
In the hot sun, it would be the act of a fool

Sometimes she is a child within mine arms,
Cowering beneath dark wings that love must chase,--
With still tears showering and averted face,
Inexplicably fill'd with faint alarms:
And oft from mine own spirit's hurtling harms
I crave the refuge of her deep embrace,--
Against all ills the fortified strong place
And sweet reserve of sovereign counter-charms.

And Love, our light at night and shade at noon,
Lulls us to rest with songs, and turns away

After the burial-parties leave
And the baffled kites have fled;
The wise hyaenas come out at eve
To take account of our dead.

How he died and why he died
Troubles them not a whit.
They snout the bushes and stones aside
And dig till they come to it.

They are only resolute they shall eat
That they and their mates may thrive,
And they know that the dead are safer meat
Than the weakest thing alive.

(For a goat may butt, and a worm may sting,
And a child will sometimes stand;

I was spawned from the glacier,
A thousand miles due north
Beyond Cape Chidley;
And the spawning,
When my vast, wallowing bulk went under,
Emerged and heaved aloft,
Shaking down cataracts from its rocking sides,
With mountainous surge and thunder
Outraged the silence of the Arctic sea.

Before I was thrust forth
A thousand years I crept,
Crawling, crawling, crawling irresistibly,
Hid in the blue womb of the eternal ice,
While under me the tortured rock

A man once read with mind surprised
Of the way that people were "hypnotised";
By waving hands you produced, forsooth,
A kind of trance where men told the truth!
His mind was filled with wond'ring doubt;
He grabbed his hat and he started out,
He walked the street and he made a "set"
At the first half-dozen folk he met.
He "tranced" them all, and without a joke
'Twas much as follows the subjects spoke:

First Man
"I am a doctor, London-made,
Listen to me and you'll hear displayed

No, I shall not say why it is that I love you—
Why do you ask me, save for vanity?
Surely you would not have me, like a mirror,
Say 'yes,—your hair curls darkly back from the temples,
Your mouth has a humorous, tremulous, half-shy sweetness,
Your eyes are April grey. . . .with jonquils in them?'
No, if I tell at all, I shall tell in silence . . .
I'll say—my childhood broke through chords of music
—Or were they chords of sun?—wherein fell shadows,
Or silences; I rose through seas of sunlight;

What shall we talk of? Li Po? Hokusai?
You narrow your long dark eyes to fascinate me;
You smile a little. . . .Outside, the night goes by.
I walk alone in a forest of ghostly trees . . .
Your pale hands rest palm downwards on your knees.

'These lines—converging, they suggest such distance!
The soul is drawn away, beyond horizons.
Lured out to what? One dares not think.
Sometimes, I glimpse these infinite perspectives
In intimate talk (with such as you) and shrink . . .