sometimes

Yasoda lulling Hari to sleep,
Shaking the cradle, cuddling and fondling,
Singing to Him a song.
My darling is sleepy
Why doesn't sleep come along?
Come sleep, come quickly
Kanha for you does long.
Sometimes He closes His eyes
Sometimes His lips are aflutter.
Thinking He has fallen asleep
Yasoda stops her singing.
Awake still, He's up suddenly
Enjoying Yasoda's song.
Such joy as Yasoda feels
Is unattainable to the gods.

'T is when the lark goes soaring
And the bee is at the bud,
When lightly dancing zephyrs
Sing over field and flood;
When all sweet things in nature
Seem joyfully achime -
'T is then I wake my darling,
For it is kissing time!

Go, pretty lark, a-soaring,
And suck your sweets, 0 bee;
Sing, 0 ye winds of summer,
Your songs to mine and me;
For with your song and rapture
Cometh the moment when
It's half-past kissing time
And time to kiss again!

So - so the days go fleeting

The fishermen on Lake Michigan, sometimes,
For kicks, they spit two hunks of bait on hooks
At either end of a single length of line
And toss that up among the scavenging gulls,

Who go for it so fast that often two of them
Make the connection before it hits the water.
Hooked and hung up like that, they do a dance
That lasts only so long. The fishermen

Do that for kicks, on Lake Michigan, sometimes.


Anonymous submission.

Sometimes a light surprises
The Christian while he sings;
It is the Lord who rises
With healing on His wings;
When comforts are declining,
He grants the soul again
A season of clear shining,
To cheer it after rain.

In holy contemplation
We sweetly then pursue
The theme of God's salvation,
And find it ever new;
Set free from present sorrow,
We cheerfully can say,
E'en let the unknown to-morrow
Bring with it what it may!

It can bring with it nothing,

Sometimes a light surprises
The Christian while he sings;
It is the Lord who rises
With healing in his wings:
When comforts are declining,
He grants the soul again
A season of clear shining,
To cheer it after rain.

In holy contemplation,
We sweetly then pursue
The theme of God's salvation,
And find it ever new:
Set free from present sorrow,
We cheerfully can say,
E'en let th' unknown to-morrow
Bring with it what it may.

It can bring with it nothing

Margaret Simpson was the daughter of humble parents in the county of Ayr,
With a comely figure, and face of beauty rare,
And just in the full bloom of her womanhood,
Was united to John Rouat, a fisherman good.

John's fortune consisted of his coble, three oars, and his fishing-gear,
Besides his two stout boys, John and James, he loved most dear.
And no matter how the wind might blow, or the rain pelt,
Or scarcity of fish, John little sorrow felt.

While sitting by the clear blazing hearth of his home,

There's a soldier that's been doing of his share
In the fighting up and down and round about.
He's continually marching here and there,
And he's fighting, morning in and morning out.
The Boer, you see, he generally runs;
But sometimes, when he hides behind a rock,
And we can't make no impression with the guns,
Oh, then you'll hear the order, "Send for Jock!"
Yes -- it's Jock -- Scotch Jock.
He's the fellow that can give or take a knock.
For he's hairy and he's hard,
And his feet are by the yard,

Releas'd from the noise of the butcher and baker
Who, my old friends be thanked, did seldom forsake her,
And from the soft duns of my landlord the Quaker,

From chiding the footmen and watching the lasses,
From Nell that burn'd milk, and Tom that broke glasses
(Sad mischiefs thro' which a good housekeeper passes!)

From some real care but more fancied vexation,
From a life parti-colour'd half reason half passion,
Here lies after all the best wench in the nation.

Yes, there it hangs upon the wall
And never gives a sound,
The hand that trimmed its greenhide fall
Is hidden underground,
There, in that patch of sallee shade,
Beneath that grassy mound.



I never take it from the wall,
That whip belonged to him,
The man I singled from them all,
He was my husband, Jim;
I see him now, so straight and tall,
So long and lithe of limb.



That whip was with him night and day
When he was on the track;

There's a dashin' sort of boy
Which they call his Party's Joy,
And his smile-that-won't-come-off would quite disarm ye;
And he played the leadin' hand
In the Helter-Skelter Band,
Known as Jimmy Dooley's Circulating Army.
When the rank and file they found,
They were marchin' round and round,
They one and all began to act unruly;
And the letter that he wrote,
Sure it got the Labor goat,
So we set ourselves to deal with Captain Dooley.

Chorus
Whill-il-loo. High Ho!