I

We chose the faint chill morning, friend and friend,
Pacing the twilight out beneath an oak,
Soul calling soul to judgement; and we spoke
Strange things and deep as any poet penned,
Such truth as never truth again can mend,
Whatever arts we win, what gods invoke;
It was not wrath, it made nor strife nor smoke:
Be what it may, it had a solemn end.
Farewell, in peace. We of the selfsame throne
Are foeman vassals; pale astrologers,
Each a wise sceptic of the other's star.
Silently, as we went our ways alone,

LYDIA.

Now twenty springs had cloth'd the Park with green,
Since Lydia knew the blossom of fifteen;
No lovers now her morning hours molest,
And catch her at her toilet half undrest.
The thund'ring knocker wakes the street no more,
Nor chairs, nor coaches, crowd the silent door;
Now at the window all her mornings pass,
Or at the dumb devotion of her glass:
Reclin'd upon her arm she pensive sate,
And curs'd th' inconstancy of man too late.
"O youth! O spring of life, for ever lost!

(Translated from the French by Edouard Rodti)

My wife with the hair of a wood fire
With the thoughts of heat lightning
With the waist of an hourglass
With the waist of an otter in the teeth of a tiger
My wife with the lips of a cockade and of a bunch of stars of the last magnitude
With the teeth of tracks of white mice on the white earth
With the tongue of rubbed amber and glass
My wife with the tongue of a stabbed host
With the tongue of a doll that opens and closes its eyes
With the tongue of an unbelievable stone

Siwashing It Out Once in Suislaw Forest

I slept under rhododendron
All nightblossoms fell
Shivering on a sheet of cardboard
Feet stuck in my pack
Hands deepin my pockets
Barelyableto sleep.
I rememberedwhen we were in school
Sleeping together in a big warm bed
We were the youngest lovers
When we broke up we were still nineteen
Now our friends are married
You teachschool back east
I dont mind living this way
Green hills the long blue beach
But sometimes sleeping in the open
I think backwhen I had you.

Spring:
A hill without a name
Veiled in morning mist.

The beginning of autumn:
Sea and emerald paddy
Both the same green.

The winds of autumn
Blow: yet still green
The chestnut husks.

A flash of lightning:
Into the gloom
Goes the heron's cry.


Translated by Geoffrey Bownas And Anthony Thwaite

Foster the light nor veil the manshaped moon,
Nor weather winds that blow not down the bone,
But strip the twelve-winded marrow from his circle;
Master the night nor serve the snowman's brain
That shapes each bushy item of the air
Into a polestar pointed on an icicle.

Murmur of spring nor crush the cockerel's eggs,
Nor hammer back a season in the figs,
But graft these four-fruited ridings on your country;
Farmer in time of frost the burning leagues,
By red-eyed orchards sow the seeds of snow,
In your young years the vegetable century.

The shower of moonlight falls as still and clear
Upon this desert main
As where sweet flowers some pastoral garden cheer
With fragrance after rain:
The wild winds rustle in piping shrouds,
As in the quivering trees:
Like summer fields, beneath the shadowy clouds
The yielding waters darken in the breeze.

Thou too art here with thy soft inland tones,
Mother of our new birth;
The lonely ocean learns thy orisons,
And loves thy sacred mirth:
When storms are high, or when the fires of war

Forget the suffering
You caused others.
Forget the suffering
Others caused you.
The waters run and run,
Springs sparkle and are done,
You walk the earth you are forgetting.

Sometimes you hear a distant refrain.
What does it mean, you ask, who is singing?
A childlike sun grows warm.
A grandson and a great-grandson are born.
You are led by the hand once again.

The names of the rivers remain with you.
How endless those rivers seem!
Your fields lie fallow,
The city towers are not as they were.

The last leaves fell like notes from a piano
and left their ovals echoing in the ear;
with gawky music stands, the winter forest
looks like an empty orchestra, its lines
ruled on these scattered manuscripts of snow.

The inlaid copper laurel of an oak
shines though the brown-bricked glass above your head
as bright as whisky, while the wintry breath
of lines from Mandelstam, which you recite,
uncoils as visibly as cigarette smoke.

'The rustling of ruble notes by the lemon Neva.'
Under your exile's tongue, crisp under heel,

That is work of waste and ruin--
Do as Charles and I are doing!
Strawberry-blossoms, one and all,
We must spare them--here are many:
Look at it--the flower is small,
Small and low, though fair as any:
Do not touch it! summers two
I am older, Anne, than you.

Pull the primrose, sister Anne!
Pull as many as you can.
--Here are daisies, take your fill;
Pansies, and the cuckoo-flower:
Of the lofty daffodil
Make your bed, or make your bower;
Fill your lap, and fill your bosom;
Only spare the strawberry-blossom!