summer

Beautiful Hill o' Balgay,
With your green frees and flowers fair,
'Tis health for the old and young
For to be walking there,
To breathe the fragrant air
Emanating from the green bushes
And beautiful flowers there,
Then they can through the burying-ground roam,
And read the epitaphs on the tombstones
Before they go home.
There the lovers can wander safe arm in arm,
For policemen are there to protect them from harm
And to watch there all day,
So that no accident can befall them
In the Hill o' Balgay.

She sang beyond the genius of the sea.
The water never formed to mind or voice,
Like a body wholly body, fluttering
Its empty sleeves; and yet its mimic motion
Made constant cry, caused constantly a cry,
That was not ours although we understood,
Inhuman, of the veritable ocean.

The sea was not a mask. No more was she.
The song and water were not medleyed sound
Even if what she sang was what she heard,
Since what she sang was uttered word by word.
It may be that in all her phrases stirred

Would'st thou be happy, would'st thou be free,

Come to our woody islands with me!

Come, while the summer sun is high,

Beneath the peach tree's shade to lie;

Or thy hunter will shield thee the live-long day

In his hut of reeds from the scorching ray.

There countless birds with wings of light

Shall flit and glitter before thy sight,

And their songs from the stately palm trees nigh

Shall charm thee with ceaseless melody.

The house was quiet and the world was calm.
The reader became the book; and summer night

Was like the conscious being of the book.
The house was quiet and the world was calm.

The words were spoken as if there was no book,
Except that the reader leaned above the page,

Wanted to lean, wanted much to be
The scholar to whom his book is true, to whom

The summer night is like a perfection of thought.
The house was quiet because it had to be.

The quiet was part of the meaning, part of the mind:

I would build a cloudy House
For my thoughts to live in;
When for earth too fancy-loose
And too low for Heaven!
Hush! I talk my dream aloud---
I build it bright to see,---
I build it on the moonlit cloud,
To which I looked with thee.

Cloud-walls of the morning's grey,
Faced with amber column,---
Crowned with crimson cupola
From a sunset solemn!
May mists, for the casements, fetch,
Pale and glimmering;
With a sunbeam hid in each,
And a smell of spring.

Who thinks how desolate and strange
To me must seem the autumn's change,
When housed in attic or in chest,
A lonely and unwilling guest,
I lie through nights of bleak December,
And think in silence, and remember.

I think of hempen fields, where I
Once played with insects floating by,
And joyed alike in sun and rain,
Unconscious of approaching pain.
I dwell upon my later lot,
Where, swung in some secluded spot
Between two tried and trusted trees,
All summer long I wooed the breeze.

694

The Heaven vests for Each
In that small Deity
It craved the grace to worship
Some bashful Summer's Day—

Half shrinking from the Glory
It importuned to see
Till these faint Tabernacles drop
In full Eternity—

How imminent the Venture—
As one should sue a Star—
For His mean sake to leave the Row
And entertain Despair—

A Clemency so common—
We almost cease to fear—
Enabling the minutest—
And furthest—to adore—

Come, Sons of Summer, by whose toil
We are the lords of wine and oil:
By whose tough labours, and rough hands,
We rip up first, then reap our lands.
Crown'd with the ears of corn, now come,
And, to the pipe, sing Harvest Home.

Come forth, my lord, and see the cart
Drest up with all the country art.
See, here a maukin, there a sheet,
As spotless pure, as it is sweet:
The horses, mares, and frisking fillies,
Clad, all, in linen white as lilies.
The harvest swains and wenches bound

To the Right Honourable Mildmay, Earl of Westmoreland

Come, sons of summer, by whose toil
We are the lords of wine and oil;
By whose tough labours, and rough hands,
We rip up first, then reap our lands.
Crown'd with the ears of corn, now come,
And to the pipe sing Harvest Home.
Come forth, my lord, and see the cart
Dress'd up with all the country art.
See, here a malkin, there a sheet,
As spotless pure, as it is sweet;
The horses, mares, and frisking fillies,

At the back of the houses there is the wood.
While there is a leaf of summer left, the wood

Makes sounds I can put somewhere in my song,
Has paths I can walk, when I wake, to good

Or evil: to the cage, to the oven, to the House
In the Wood. It is a part of life, or of the story

We make of life. But after the last leaf,
The last light--for each year is leafless,

Each day lightless, at the last--the wood begins
Its serious existence: it has no path,

No house, no story; it resists comparison...