Come we to the summer, to the summer we will come,
For the woods are full of bluebells and the hedges full of bloom,
And the crow is on the oak a-building of her nest,
And love is burning diamonds in my true lover's breast;
She sits beneath the whitethorn a-plaiting of her hair,
And I will to my true lover with a fond request repair;
I will look upon her face, I will in her beauty rest,
And lay my aching weariness upon her lovely breast.

The clock-a-clay is creeping on the open bloom of May,
The merry bee is trampling the pinky threads all day,

Some men there are who find in nature all
Their inspiration, hers the sympathy
Which spurs them on to any great endeavor,
To them the fields and woods are closest friends,
And they hold dear communion with the hills;
The voice of waters soothes them with its fall,
And the great winds bring healing in their sound.
To them a city is a prison house
Where pent up human forces labour and strive,
Where beauty dwells not, driven forth by man;
But where in winter they must live until
Summer gives back the spaces of the hills.

And sleeps thy heart when flower and tree
Adorn the summer stillness?
And did young Spring pass over thee
In chillness?

Their scent delights and pleases,
On petalled breezes blown,
But in their beauty freezes
Thine own.

The flower awakes, the tree is leafed,
Yet love in thee is dumb,—
Flowers fall, fruits ripen, corn is sheafed,
Ho! Winter’s cold will come.

When wakens some November morn
Dew-soft, around thee brightly,

Remember the days of our first happiness,
how strong we were, how dazed by passion,
lying all day, then all night in the narrow bed,
sleeping there, eating there too: it was summer,
it seemed everything had ripened
at once. And so hot we lay completely uncovered.
Sometimes the wind rose; a willow brushed the window.

But we were lost in a way, didn't you feel that?
The bed was like a raft; I felt us drifting
far from our natures, toward a place where we'd discover nothing.
First the sun, then the moon, in fragments,

See what delights in sylvan scenes appear!
Descending Gods have found Elysium here.
In woods bright Venus with Adonis stray'd,
And chaste Diana haunts the forest shade.
Come lovely nymph, and bless the silent hours,
When swains from shearing seek their nightly bow'rs;
When weary reapers quit the sultry field,
And crown'd with corn, their thanks to Ceres yield.
This harmless grove no lurking viper hides,
But in my breast the serpent Love abides.
Here bees from blossoms sip the rosy dew,
But your Alexis knows no sweets but you.

This poem, which, properly speaking, is a continuation of the last, opens with an address to Sul-malla, the daughter of the king of Inis-huna, whom Ossian met at the chase, as he returned from the battle of Rath-col. Sul-malla invites Ossian and Oscar to a feast, at the residence of her father, who was then absent on the wars. Upon hearing their names and family, she relates an expedition of Fingal into Inis-huna.

Far down, down through the city's great, gaunt gut,
The gray train rushing bears the weary wind;
In the packed cars the fans the crowd's breath cut,
Leaving the sick and heavy air behind.
And pale-cheeked children seek the upper door
To give their summer jackets to the breeze;
Their laugh is swallowed in the deafening roar
Of captive wind that moans for fields and seas;
Seas cooling warm where native schooners drift
Through sleepy waters, while gulls wheel and sweep,
Waiting for windy waves the keels to lift

I knew that James Whistler was part of the Paris scene,
but I was still surprised when I found the painting
of his mother at the Musée d'Orsay
among all the colored dots and mobile brushstrokes
of the French Impressionists.

And I was surprised to notice
after a few minutes of benign staring,
how that woman, stark in profile
and fixed forever in her chair,
began to resemble my own ancient mother
who was now fixed forever in the stars, the air, the earth.

You can understand why he titled the painting
"Arrangement in Gray and Black"

When Youth's warm heart beats high, my friend,
And Youth's blue sky is bright,
And shines in Youth's clear eye, my friend,
Love's early dawning light,
Let the free soul spurn care's control,
And while the glad days shine,
We'll use their beams for Youth's gay dreams
Of Love and Song and Wine.

Let not the bigot's frown, my friend,
O'ercast thy brow with gloom,
For Autumn's sober brown, my friend,
Shall follow Summer's bloom.
Let smiles and sighs and loving eyes
In changeful beauty shine,

The literate are ill-prepared for this
snap in the line of life:
the day turns a trick
of twisted tongues and is
untiable, the month by no mere root
moon-ridden, and the yearly eloquences yielding more
than summer's part of speech times four. We better learn

the buried meaning in the grave: here
all we see of its alphabet is tracks
of predators, all we know of its tense
the slow seconds and quick centuries
of sex. Unletter the past and then
the future comes to terms. One late fall day
I stumbled from the study and I found