summer

See what delights in sylvan scenes appear!
Descending Gods have found Elysium here.
In woods bright Venus with Adonis stray'd,
And chaste Diana haunts the forest shade.
Come lovely nymph, and bless the silent hours,
When swains from shearing seek their nightly bow'rs;
When weary reapers quit the sultry field,
And crown'd with corn, their thanks to Ceres yield.
This harmless grove no lurking viper hides,
But in my breast the serpent Love abides.
Here bees from blossoms sip the rosy dew,

This poem, which, properly speaking, is a continuation of the last, opens with an address to Sul-malla, the daughter of the king of Inis-huna, whom Ossian met at the chase, as he returned from the battle of Rath-col. Sul-malla invites Ossian and Oscar to a feast, at the residence of her father, who was then absent on the wars. Upon hearing their names and family, she relates an expedition of Fingal into Inis-huna.

Far down, down through the city's great, gaunt gut,
The gray train rushing bears the weary wind;
In the packed cars the fans the crowd's breath cut,
Leaving the sick and heavy air behind.
And pale-cheeked children seek the upper door
To give their summer jackets to the breeze;
Their laugh is swallowed in the deafening roar
Of captive wind that moans for fields and seas;
Seas cooling warm where native schooners drift
Through sleepy waters, while gulls wheel and sweep,
Waiting for windy waves the keels to lift

I knew that James Whistler was part of the Paris scene,
but I was still surprised when I found the painting
of his mother at the Musée d'Orsay
among all the colored dots and mobile brushstrokes
of the French Impressionists.

And I was surprised to notice
after a few minutes of benign staring,
how that woman, stark in profile
and fixed forever in her chair,
began to resemble my own ancient mother
who was now fixed forever in the stars, the air, the earth.

You can understand why he titled the painting

When Youth's warm heart beats high, my friend,
And Youth's blue sky is bright,
And shines in Youth's clear eye, my friend,
Love's early dawning light,
Let the free soul spurn care's control,
And while the glad days shine,
We'll use their beams for Youth's gay dreams
Of Love and Song and Wine.

Let not the bigot's frown, my friend,
O'ercast thy brow with gloom,
For Autumn's sober brown, my friend,
Shall follow Summer's bloom.
Let smiles and sighs and loving eyes
In changeful beauty shine,

The literate are ill-prepared for this
snap in the line of life:
the day turns a trick
of twisted tongues and is
untiable, the month by no mere root
moon-ridden, and the yearly eloquences yielding more
than summer's part of speech times four. We better learn

the buried meaning in the grave: here
all we see of its alphabet is tracks
of predators, all we know of its tense
the slow seconds and quick centuries
of sex. Unletter the past and then
the future comes to terms. One late fall day

Strike, churl; hurl, cheerless wind, then; heltering hail
May’s beauty massacre and wispèd wild clouds grow
Out on the giant air; tell Summer No,
Bid joy back, have at the harvest, keep Hope pale.

AS swallows turning backward
When half-way o'er the sea,
At one word's trumpet summons
They came again to me -
The hopes I had forgotten
Came back again to me.

I know not which to credit,
O lady of my heart!
Your eyes that bade me linger,
Your words that bade us part -
I know not which to credit,
My reason or my heart.

But be my hopes rewarded,
Or be they but in vain,
I have dreamed a golden vision,
I have gathered in the grain -
I have dreamed a golden vision,

WHEN daisies pied and violets blue,
   And lady-smocks all silver-white,
And cuckoo-buds of yellow hue
   Do paint the meadows with delight,
The cuckoo then, on every tree,
Mocks married men; for thus sings he,
   Cuckoo!
Cuckoo, cuckoo!--O word of fear,
Unpleasing to a married ear!

When shepherds pipe on oaten straws,
   And merry larks are ploughmen's clocks,
When turtles tread, and rooks, and daws,
   And maidens bleach their summer smocks
The cuckoo then, on every tree,

CAPRICIOUS foe to human joy,
Still varying with the fleeting day;
With thee the purest raptures cloy,
The fairest prospects fade away;
Nor worth, nor pow'r thy wings can bind,
All earthly pleasures fly with THEE;
Inconstant as the wav'ring wind
That plays upon the summer sea.

I court thee not, ungentle guest,
For I have e'er been doom'd to find
Life's gayest hours but idly drest,
With sweets that pall the sick'ning mind:
When smiling HOPE with placid mien,
Around my couch did fondly play;