The seas are quiet when the winds give o'er;
So calm are we when passions are no more.
For then we know how vain it was to boast
Of fleeting things, so certain to be lost.
Clouds of affection from our younger eyes
Conceal that emptiness which age descries.

The soul's dark cottage, batter'd and decay'd,
Lets in new light through chinks that Time hath made:
Stronger by weakness, wiser men become
As they draw near to their eternal home.
Leaving the old, both worlds at once they view
That stand upon the threshold of the new.

Oh, the sight entrancing,
When morning's beam is glancing
O'er files array'd
With helm and blade,
And plumes in the gay wind dancing!
When hearts are all high beating
And the trumpet's voice repeating
That song, whose breath
May lead to death,
But never to entreating.
Oh, the sight entrancing,
When morning's beam is glancing
O'er files array'd
With helm and blade,
And plumes in the gay wind dancing!

Yet, tis not helm or feather --
For ask yon despot, whether
His plumed bands

Oh, my belovèd, have you thought of this:
How in the years to come unscrupulous Time,
More cruel than Death, will tear you from my kiss,
And make you old, and leave me in my prime?
How you and I, who scale together yet
A little while the sweet, immortal height
No pilgrim may remember or forget,
As sure as the world turns, some granite night
Shall lie awake and know the gracious flame
Gone out forever on the mutual stone;
And call to mind that on the day you came
I was a child, and you a hero grown ?

Oh! had we some bright little isle of our own,
In a blue summer ocean, far off and alone,
Where a leaf never dies in the still blooming bowers,
And the bee banquets on through a whole year of flowers;
Where the sun loves to pause
With so fond a delay,
That the night only draws
A thin veil o'er the day;
Where simply to feel that we breathe, that we live,
Is worth the best joy that life elsewhere can give.

There with souls ever ardent and pure as the clime,
We should love, as they loved in the first golden time;

Oh who is that young sinner with the handcuffs on his wrists?
And what has he been after that they groan and shake their fists?
And wherefore is he wearing such a conscience-stricken air?
Oh they're taking him to prison for the color of his hair.

'Tis a shame to human nature, such a head of hair as his;
In the good old time 'twas hanging for the color that it is;
Though hanging isn't bad enough and flaying would be fair
For the nameless and abominable color of his hair.

Oh a deal of pains he's taken and a pretty price he's paid

Oh for the swords of former time!
Oh for the men who bore them,
When, arm'd for Right, they stood sublime,
And tyrants crouch'd before them:
When free yet, ere courts began
With honours to enslave him,
The best honours worn by Man
Were those which Virtue gave him.
Oh for the swords, etc., etc.

Oh for the Kings who flourish'd then!
Oh for the pomp that crown'd them,
When hearts and hands of freeborn men
Were all the ramparts round them.
When, safe built on bosoms true,
The throne was but the centre,

When we for age could neither read nor write,
The subject made us able to indite.
The soul, with nobler resolutions deckt,
The body stooping, does herself erect:
No mortal parts are requisite to raise
Her, that unbodied can her Maker praise.

The seas are quiet, when the winds give o'er,
So calm are we, when passions are no more:
For then we know how vain it was to boast
Of fleeting things, so certain to be lost.
Clouds of affection from our younger eyes
Conceal that emptiness, which age descries.

The poem of the mind in the act of finding
What will suffice. It has not always had
To find: the scene was set; it repeated what
Was in the script.
Then the theatre was changed
To something else. Its past was a souvenir.

It has to be living, to learn the speech of the place.
It has to face the men of the time and to meet
The women of the time. It has to think about war
And it has to find what will suffice. It has
To construct a new stage. It has to be on that stage,
And, like an insatiable actor, slowly and

The great man turns his back on the island.
Now he will not die in paradise
nor hear again
the lutes of paradise among the olive trees,
by the clear pools under the cypresses. Time
begins now, in which he hears again
that pulse which is the narrative
sea, at dawn when its pull is strongest.
What has brought us here
will lead us away; our ship
sways in the tinted harbor water.
Now the spell is ended.
Give him back his life,
sea that can only move forward.

Come melancholy Moralizer--come!
Gather with me the dark and wintry wreath;
With me engarland now
The SEPULCHRE OF TIME!

Come Moralizer to the funeral song!
I pour the dirge of the Departed Days,
For well the funeral song
Befits this solemn hour.

But hark! even now the merry bells ring round
With clamorous joy to welcome in this day,
This consecrated day,
To Mirth and Indolence.

Mortal! whilst Fortune with benignant hand
Fills to the brim thy cup of happiness,
Whilst her unclouded sun