time

Just think! some night the stars will gleam
Upon a cold, grey stone,
And trace a name with silver beam,
And lo! 'twill be your own.
II
That night is speeding on to greet
Your epitaphic rhyme.
Your life is but a little beat
Within the heart of Time.
III
A little gain, a little pain,
A laugh, lest you may moan;
A little blame, a little fame,
A star-gleam on a stone.

160

Just lost, when I was saved!
Just felt the world go by!
Just girt me for the onset with Eternity,
When breath blew back,
And on the other side
I heard recede the disappointed tide!

Therefore, as One returned, I feel
Odd secrets of the line to tell!
Some Sailor, skirting foreign shores—
Some pale Reporter, from the awful doors
Before the Seal!

Next time, to stay!
Next time, the things to see
By Ear unheard,
Unscrutinized by Eye—

Next time, to tarry,

There is one thing that ought to be taught in all the colleges,
Which is that people ought to be taught not to go around always making apologies.
I don't mean the kind of apologies people make when they run over you or borrow five dollars or step on your feet,
Because I think that is sort of sweet;
No, I object to one kind of apology alone,
Which is when people spend their time and yours apologizing for everything they own.
You go to their house for a meal,
And they apologize because the anchovies aren't caviar or the partridge is veal;

No two are identical though
they begin from the same
point in time the same point in
the dream when the radio shuts
itself off in the middle of
"Just in Time" (Sinatra version)
the curtains are blowing in
and the driver of the hearse
outside looks up and says "Room
for one more" and now you
know what kind of hospital you're in
and you must escape from it
by acting "normal" pretending there isn't
a conspiracy against you as Dead of Night
shifts into Shock Corridor

The time that my journey takes is long and the way of it long.

I came out on the chariot of the first gleam of light, and pursued my
voyage through the wildernesses of worlds leaving my track on many a star and planet.

It is the most distant course that comes nearest to thyself,
and that training is the most intricate which leads to the utter simplicity of a tune.

The traveler has to knock at every alien door to come to his own,
and one has to wander through all the outer worlds to reach the innermost shrine at the end.

Should Switzerland’s rude rocks be held the throne
Of freedom (sanctioned there by God to quell
All proud invaders, Gessler-like o’erthrown!)
Because the echoes in their caves that dwell
Once leaped exultant at the shout of Tell?
And thine, New Zealand, yet be left unknown
To glory, now that thy dark chief hath sown
Broad over them a like memorial spell?
Should Wallace be a word time ne’er may lose?
And Hofer (he who for his mountains died
Rather than see the spoiler there abuse

Before he wrote a poem, he learned the measure
That living in the future gives a farm--
Propinquity of mules and cows, the charmed
Insouciance of hens, the fellowship,
At dawn, of seed-time and of harvest-time.
But when high noon gave way to evening, and
The fences lay, bent shadows, on the crops
And pastures to the yellowing trees, he felt
The presences he felt when, over rocks,
Through pools and where it wears the bank, the stream
Ran bright and dark at once, itself its shadow;

There came a lonely Briton to the town,
A solitary Briton with a mission,
He’d vowed a vow to put all “shouting” down,
To relegate it to a low position.
Transcendently Britannic in his dress,
His manners were polite, and slightly formal;
And—this I mention with extreme distress—
His “put away” for liquid was abnormal.

He viewed this “shouting” mania with disgust,
As being generosity perverted,
When any of the “boys” went on the bust

Jenny kissed me when we met,
Jumping from the chair she sat in;
Time, you thief, who love to get
Sweets into your list, put that in!
Say I'm weary, say I'm sad,
Say that health and wealth have missed me,
Say I'm growing old, but add,
Jenny kissed me.

Today I pass the time reading
a favorite haiku,
saying the few words over and over.

It feels like eating
the same small, perfect grape
again and again.

I walk through the house reciting it
and leave its letters falling
through the air of every room.

I stand by the big silence of the piano and say it.
I say it in front of a painting of the sea.
I tap out its rhythm on an empty shelf.

I listen to myself saying it,
then I say it without listening,
then I hear it without saying it.