When Thomas set this tablet here,
Time laughed at the vain chanticleer;
And ere the moss had dimmed the stone,
Time had defaced that garrison.
Now I in turn keep watch and ward
In my red house, in my walled yard
Of sunflowers, sitting here at ease
With friends and my bright canvases.
But hark, and you may hear quite plain
Time's chuckled laughter in the lane.

Kind of empty in the way it sees everything, the earth gets to its feet andsalutes the sky. More of a success at it this time than most others it is. The feeling that the sky might be in the back of someone's mind. Then there is no telling how many there are. They grace everything--bush and tree--to take the roisterer's mind off his caroling--so it's like a smooth switch back. To what was aired in their previous conniption fit. There is so much to be seen everywhere that it's like not getting used to it, only there is so much it never feels new, never any different.

"Every time we get a big gale around here
some people just refuse to batten down."

we estimate that

ice skating into a sixty
mile an hour wind, fully exerting
the legs and swinging arms

you will be pushed backward
an inch every twenty minutes.

in a few days, depending on
the size of the lake,
the backs of your skates
will touch land.

you will then fall on your ass
and be blown into the forest.

if you gather enough speed
by flapping your arms
and keeping your skates pointed

You Eyes, you large and all-inquiring Eyes.
That look so dubiously into me,
And are not satisfied with what you see,
Tell me the worst and let us have no lies:
Tell me the meaning of your scrutinies.
And of myself. Am I a Mystery?
Am I a Boojum--or just Company?
What do you say? What do you think, You Eyes?

You say not; but you think, without a doubt;
And you have the whole world to think about,
With very little time for little things.
So let it be; and let it all be fair--
For you, and for the rest who cannot share

No more with overflowing light
Shall fill the eyes that now are faded,
Nor shall another's fringe with night
Their woman-hidden world as they did.

No more shall quiver down the days
The flowing wonder of her ways,
Whereof no language may requite
The shifting and the many-shaded.

The grace, divine, definitive,
Clings only as a faint forestalling;
The laugh that love could not forgive
Is hushed, and answers to no calling;
The forehead and the little ears
Have gone where Saturn keeps the years;

Pluck this little flower and take it, delay not! I fear lest it
droop and drop into the dust.

I may not find a place in thy garland, but honour it with a touch of
pain from thy hand and pluck it. I fear lest the day end before I am
aware, and the time of offering go by.

Though its colour be not deep and its smell be faint, use this flower
in thy service and pluck it while there is time.

Flanders, the name of a place, a country of people,
Spells itself with letters, is written in books.

"Where is Flanders?" was asked one time,
Flanders known only to those who lived there
And milked cows and made cheese and spoke the home language.

"Where is Flanders?" was asked.
And the slang adepts shot the reply: Search me.

A few thousand people milking cows, raising radishes,
On a land of salt grass and dunes, sand-swept with a sea-breath on it:
This was Flanders, the unknown, the quiet,

So much have I forgotten in ten years,
So much in ten brief years! I have forgot
What time the purple apples come to juice,
And what month brings the shy forget-me-not.
I have forgot the special, startling season
Of the pimento's flowering and fruiting;
What time of year the ground doves brown the fields
And fill the noonday with their curious fluting.
I have forgotten much, but still remember
The poinsettia's red, blood-red in warm December.
I still recall the honey-fever grass,
But cannot recollect the high days when

Time that is moved by little fidget wheels
Is not my time, the flood that does not flow.
Between the double and the single bell
Of a ship's hour, between a round of bells
From the dark warship riding there below,
I have lived many lives, and this one life
Of Joe, long dead, who lives between five bells.

Deep and dissolving verticals of light
Ferry the falls of moonshine down. Five bells
Coldly rung out in a machine's voice. Night and water
Pour to one rip of darkness, the Harbour floats

Elan that lifts me above the clouds
into pure space, timeless, yea eternal
Breath transmuted into words
Transmuted back to breath
in one hundred two hundred years
nearly Immortal, Sappho's 26 centuries
of cadenced breathing -- beyond time, clocks, empires, bodies, cars,
chariots, rocket ships skyscrapers, Nation empires
brass walls, polished marble, Inca Artwork
of the mind -- but where's it come from?
Inspiration? The muses drawing breath for you? God?
Nah, don't believe it, you'll get entangled in Heaven or Hell --