time

The breaths of kissing night and day
Were mingled in the eastern Heaven,
Throbbing with unheard melody,
Shook Lyra all its star-cloud seven.
When dusk shrank cold, and light trod shy,
And dawn's grey eyes were troubled grey;
And souls went palely up to the sky,
And mine to Lucidè,
There was no change in her sweet eyes
Since last I saw those sweet eyes shine;
There was no change in her deep heart
Since last that deep heart knocked at mine.
Her eyes were clear, her eyes were Hope's,

Samuel is forever talking of his elm --
But I did not need to die to learn about roots:
I, who dug all the ditches about Spoon River.
Look at my elm!
Sprung from as good a seed as his,
Sown at the same time,
It is dying at the top:
Not from lack of life, nor fungus,
Nor destroying insect, as the sexton thinks.
Look, Samuel, where the roots have struck rock,
And can no further spread.
And all the while the top of the tree
Is tiring itself out, and dying,
Trying to grow.

When Reuben Pantier ran away and threw me
I went to Springfield. There I met a lush,
Whose father just deceased left him a fortune.
He married me when drunk. My life was wretched.
A year passed and one day they found him dead.
That made me rich. I moved on to Chicago.
After a time met Tyler Rountree, villain.
I moved on to New York. A gray-haired magnate
Went mad about me -- so another fortune.
He died one night right in my arms, you know.
(I saw his purple face for years thereafter.)

Drake he's in his hammock an' a thousand miles away,
(Capten, art tha sleepin' there below?)
Slung atween the round shot in Nombre Dios Bay,
An' dreamin' arl the time O' Plymouth Hoe.
Yarnder lumes the Island, yarnder lie the ships,
Wi' sailor lads a-dancing' heel-an'-toe,
An' the shore-lights flashin', an' the night-tide dashin',
He sees et arl so plainly as he saw et long ago.

Drake he was a Devon man, an' ruled the Devon seas,
(Capten, art tha' sleepin' there below?)

Doth then the world go thus? doth all thus move?
Is this the justice which on earth we find?
Is this that firm decree which all doth bind?
Are these your influences, Powers above?
Those souls, which vice's moody mists most blind,
Blind Fortune, blindly, most their friend doth prove;
And they who thee, poor idol Virtue! love,
Ply like a feather tossed by storm and wind.
Ah! if a Providence doth sway this all,
Why should best minds groan under most distress?
Or why should pride humility make thrall,

It was, I well remember, the merry springtime when
Young Dora in the eventide came singing up the glen,
And the song came up the glen, till one oft-repeated part
In a subtle stream of melody ran glowing through my heart.
A fond desire, long cherished, till then I might control,
Till then—but oh! That witching strain swift drew it from my soul;
Swift drew it from my soul, and she did not say me nay,
And the world of love was all the world to us that happy day.

I’m happy now in thinking how happy I was then,

THREE summers have gone since the first time we met, love,
And still 'tis in vain that I ask thee to wed ;
I hear no reply but a gentle " Not yet, love,"
With a smile of your lip, and a shake of your head.
Ah ! how oft have I whispered, how oft have I sued thee,
And breathed my soul's question of " When shall it be ?"
You know, dear, how long and how truly I've wooed thee,
So don't tell the world that you're waiting for me.

I have fashioned a home, where the fairies might dwell, love,

Forsaken, fucking in the cold,
eating each other, lost
runny noses,
complaining all the time
like so many
people
that we know

My own dream is lofty, simple thing:
To seize the oar, put feet into the stirrups,
And to deceive the time, that slow tries to stir us,
By kissing lips, forever new and pink;

When getting old, to keep the law of Christ,
Cast down looks, put on sackcloth and ashes,
Put on the chest, as heavy obligations,
The iron Cross, that He died on for us.

And only when, amidst the orgy’s madness,
I get my senses – a sleepwalker aimless,
Just frightened in the silence of his ways –

All week she's cleaned
someone else's house,
stared down her own face
in the shine of copper--
bottomed pots, polished
wood, toilets she'd pull
the lid to--that look saying

Let's make a change, girl.

But Sunday mornings are hers--
church clothes starched
and hanging, a record spinning
on the console, the whole house
dancing. She raises the shades,
washes the rooms in light,
buckets of water, Octagon soap.

Cleanliness is next to godliness ...