time

When my devotions could not pierce
Thy silent ears;
Then was my heart broken, as was my verse:
My breast was full of fears
And disorder:

My bent thoughts, like a brittle bow,
Did fly asunder:
Each took his way; some would to pleasures go,
Some to the wars and thunder
Of alarms.

As good go any where, they say,
As to benumb
Both knees and heart, in crying night and day,
Come, come, my God, O come,
But no hearing.

O that thou shouldst give dust a tongue

For Diana Gould

On charts they fall like lace,
Islands consuming in a sea
Born dense with its own blue:
And like repairing mirrors holding up
Small towns and trees and rivers
To the still air, the lovely air:
From the clear side of springing Time,
In clement places where the windmills ride,
Turning over grey springs in Mykonos,
In shadows with a gesture of content.

The statues of the dead here
Embark on sunlight, sealed
Each in her model with the sightless eyes:

XXXI (



version)
Look, Delia, how we 'steem the half-blown rose,
The image of thy blush and summer's honour,
Whilst in her tender green she doth enclose
That pure sweet beauty time bestows upon her.
No sooner spreads her glory in the air
But straight her full-blown pride is in declining;
She then is scorn'd that late adorn'd the fair:
So clouds thy beauty after fairest shining.
No April can revive thy wither'd flowers,
Whose blooming grace adorns thy beauty now;

XLVI
Let others sing of knights and paladines
In aged accents and untimely words;
Paint shadows in imaginary lines
Which well the reach of their high wits records:
But I must sing of thee, and those fair eyes
Authentic shall my verse in time to come,
When yet th' unborn shall say, "Lo where she lies
Whose beauty made him speak that else was dumb."
These are the arks, the trophies I erect,
That fortify thy name against old age;
And these thy sacred virtues must protect

XLV
Care-charmer Sleep, son of the sable Night,
Brother to Death, in silent darkness born:
Relieve my languish, and restore the light,
With dark forgetting of my cares, return;
And let the day be time enough to mourn
The shipwreck of my ill-adventur'd youth:
Let waking eyes suffice to wail their scorn,
Without the torment of the night's untruth.
Cease dreams, th' imagery of our day-desires,
To model forth the passions of the morrow;
Never let rising sun approve you liars,

Death! that struck when I was most confiding
In my certain faith of joy to be -
Strike again, Time's withered branch dividing
From the fresh root of Eternity!

Leaves, upon Time's branch, were growing brightly,
Full of sap, and full of silver dew;
Birds beneath its shelter gathered nightly;
Daily round its flowers the wild bees flew.

Sorrow passed, and plucked the golden blossom;
Guilt stripped off the foliage in its pride;
But, within its parent's kindly bosom,
Flowed for ever Life's restoring-tide.

DEATH is stronger than all the governments because
the governments are men and men die and then
death laughs: Now you see 'em, now you don't.
Death is stronger than all proud men and so death
snips proud men on the nose, throws a pair of
dice and says: Read 'em and weep.
Death sends a radiogram every day: When I want
you I'll drop in--and then one day he comes with a
master-key and lets himself in and says: We'll
go now.
Death is a nurse mother with big arms: 'Twon't hurt

Thou shalt no God but me adore:
'Twere too expensive to have more.

No images nor idols make
For Roger Ingersoll to break.

Take not God's name in vain: select
A time when it will have effect.

Work not on Sabbath days at all,
But go to see the teams play ball.

Honor thy parents. That creates
For life insurance lower rates.

Kill not, abet not those who kill;
Thou shalt not pay thy butcher's bill.

Kiss not thy neighbor's wife, unless

Christmas defeated Chanukah
once again last night
by a margin of three billion dollars
or so, but every time I hear
a Yiddish word like bupkes
in a movie (L.A. Confidential)
or when Oleg Cassini in that new play Jackie
calls a garment a shmatta, it's "good
for the Jews," as our parents used to say.
Meanwhile some things have
stayed the same; the drunken lout
in the street is still somebody's father.
Hey, kid, how does it feel to have a pop
that's a flop? And we had such good ideas

Laid now on his smooth bed
For the last time, watching dully
Through heavy eyelids the day's colour
Widow the sky, what can he say
Worthy of record, the books all open,
Pens ready, the faces, sad,
Waiting gravely for the tired lips
To move once -- what can he say?

His tongue wrestles to force one word
Past the thick phlegm; no speech, no phrases
For the day's news, just the one word ‘sorry';
Sorry for the lies, for the long failure
In the poet's war; that he preferred
The easier rhythms of the heart