To Posterity

1.

Indeed I live in the dark ages!
A guileless word is an absurdity. A smooth forehead betokens
A hard heart. He who laughs
Has not yet heard
The terrible tidings.

Ah, what an age it is
When to speak of trees is almost a crime
For it is a kind of silence about injustice!
And he who walks calmly across the street,
Is he not out of reach of his friends
In trouble?

It is true: I earn my living
But, believe me, it is only an accident.
Nothing that I do entitles me to eat my fill.


To Phyllis

Phyllis! why should we delay
Pleasures shorter than the day?
Can we (which we never can)
Stretch our lives beyond their span,
Beauty like a shadow flies,
And our youth before us dies.
Or, would youth and beauty stay,
Love has wings, and will away.
Love has swifter wings than Time;
Change in love to heaven doth climb.
Gods, that never change their state,
Vary oft their love and hate.
Phyllis! to this truth we owe
All the love betwixt us two.
Let not you and I inquire


To Night

So thou art come again, old black-winged night,
Like an huge bird, between us and the sun,
Hiding, with out-stretched form, the genial light;
And still, beneath thine icy bosom's dun
And cloudy plumage, hatching fog-breathed blight
And embryo storms, and crabbéd frosts, that shun
Day's warm caress. The owls from ivied loop
Are shrieking homage, as thou cowerest high;
Like sable crow pausing in eager stoop
On the dim world thou gluttest thy clouded eye,
Silently waiting latest time's fell whoop,


To My Excellent Lucasia, On Our Friendship

I did not live until this time
Crown'd my felicity,
When I could say without a crime,
I am not thine, but thee.

This carcass breath'd, and walkt, and slept,
So that the world believe'd
There was a soul the motions kept;
But they were all deceiv'd.

For as a watch by art is wound
To motion, such was mine:
But never had Orinda found
A soul till she found thine;

Which now inspires, cures and supplies,
And guides my darkened breast:
For thou art all that I can prize,


To Music

Music: breathing of statues. Perhaps:
silence of paintings. You language where all language
ends. You time
standing vertically on the motion of mortal hearts.

Feelings for whom? O you the transformation
of feelings into what?--: into audible landscape.
You stranger: music. You heart-space
grown out of us. The deepest space in us,
which, rising above us, forces its way out,--
holy departure:
when the innermost point in us stands
outside, as the most practiced distance, as the other
side of the air:


To Mother

In the old Strauss waltz for the first time
We had listened to your quiet call,
Since then all the living things are alien
And the knocking of the clock consoles.

We, like you, are gladly greeting sunsets,
And are drunk on nearness of the end.
All, with which on better nights we're wealthy
Is put in the hearts by your own hand.

Bowing to a child's dreams with no tire.
(Only crescent looked in them indeed
Without you)! You have led your kids past


To Mary, On Receiving Her Picture

This faint resemblance of thy charms,
(Though strong as mortal art could give,)
My constant heart of fear disarms,
Revives my hopes, and bids me live.

Here, I can trace the locks of gold
Which round thy snowy forehead wave;
The cheeks which sprung from Beauty's mould,
The lips, which made me Beauty's slave.

Here I can trace---ah, no! that eye,
Whose azure floats in liquid fire,
Must all the painter's art defy,
And bid him from the task retire.

Here, I behold its beauteous hue;


To M

IF in the summer of thy bright regard
For one brief season these poor Rhymes shall live
I ask no more, nor think my fate too hard
If other eyes but wintry looks should give;
Nor will I grieve though what I here have writ
O’er burdened Time should drop among the ways,
And to the unremembering dust commit
Beyond the praise and blame of other days:
The song doth pass, but I who sing, remain,
I pluck from Death’s own heart a life more deep,
And as the Spring, that dies not, in her train


To Lucasta, Going Beyond the Seas

If to be absent were to be
Away from thee;
Or that when I am gone,
You or I were alone, -
Then, my Lucasta, might I crave
Pity from blust'ring wind or swallowing wave.

But I'll not sigh one blast or gale
To swell my sail,
Or pay a tear to 'suage
The foaming blue god's rage;
For whether he will let me pass
Or no, I'm still as happy as I was.

Though seas and land betwixt us both,
Our faith and troth,
Like separated souls,
All time and space controls:


To Lucasta on Going to the War - For the Fourth Time

It doesn’t matter what’s the cause,
What wrong they say we’re righting,
A curse for treaties, bonds and laws,
When we’re to do the fighting!
And since we lads are proud and true,
What else remains to do?
Lucasta, when to France your man
Returns his fourth time, hating war,
Yet laughs as calmly as he can
And flings an oath, but says no more,
That is not courage, that’s not fear—
Lucasta he’s a Fusilier,
And his pride sends him here.

Let statesmen bluster, bark and bray,


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