together

Then a woman said, "Speak to us of Joy and Sorrow."

And he answered:

Your joy is your sorrow unmasked.

And the selfsame well from which your laughter rises was oftentimes filled with your tears.

And how else can it be?

The deeper that sorrow carves into your being, the more joy you can contain.

Is not the cup that hold your wine the very cup that was burned in the potter's oven?

And is not the lute that soothes your spirit, the very wood that was hollowed with knives?

Wounded I sing, tormented I indite,
Thrown down I fall into a bed, and rest:
Sorrow hath chang'd its note: such is his will
Who changeth all things, as him pleaseth best.
For well he knows, if but one grief and smart
Among my many had his full career,
Sure it would carry with it ev'n my heart,
And both would run until they found a bier
To fetch the body; both being due to grief.
But he hath spoil'd the race; and giv'n to anguish
One of Joy's coats, 'ticing it with relief

Before he wrote a poem, he learned the measure
That living in the future gives a farm--
Propinquity of mules and cows, the charmed
Insouciance of hens, the fellowship,
At dawn, of seed-time and of harvest-time.
But when high noon gave way to evening, and
The fences lay, bent shadows, on the crops
And pastures to the yellowing trees, he felt
The presences he felt when, over rocks,
Through pools and where it wears the bank, the stream
Ran bright and dark at once, itself its shadow;

Passer-by, sin beyond any sin
Is the sin of blindness of souls to other souls.
And joy beyond any joy is the joy
Of having the good in you seen, and seeing the good
At the miraculous moment!
Here I confess to a lofty scorn,
And an acrid skepticism.
But do you remember the liquid that Penniwit
Poured on tintypes making them blue
With a mist like hickory smoke?
Then how the picture began to clear
Till the face came forth like life?
So you appeared to me, neglected ones,
And enemies too, as I went along

LXXXVI
"But if our sins us of his help deprive,
Of his high justice let no mercy fall;
Yet should our deaths us some contentment give,
To die, where Christ received his burial,
So might we die, not envying them that live;
So would we die, not unrevenged all:
Nor Turks, nor Christians, if we perish such,
Have cause to joy, or to complain too much.

LXXXVII
"Think not that wars we love, and strife affect,
Or that we hate sweet peace, or rest denay,
Think not your sovereign's friendship we reject,

LXXI
Aurora bright her crystal gates unbarred,
And bridegroom-like forth stept the glorious sun,
When trumpets loud and clarions shrill were heard,
And every one to rouse him fierce begun,
Sweet music to each heart for war prepared,
The soldiers glad by heaps to harness run;
So if with drought endangered be their grain,
Poor ploughmen joy when thunders promise rain.

LXXII
Some shirts of mail, some coats of plate put on,
Some donned a cuirass, some a corslet bright,
And halbert some, and some a habergeon,

LVI
Guascher and Raiphe in valor like there was.
The one and other Guido, famous both,
Germer and Eberard to overpass,
In foul oblivion would my Muse be loth,
With his Gildippes dear, Edward alas,
A loving pair, to war among them go'th
In bond of virtuous love together tied,
Together served they, and together died.

LVII
In school of love are all things taught we see,
There learned this maid of arms the ireful guise,
Still by his side a faithful guard went she,

Each day brings its toad, each night its dragon.
Der heilige Hieronymus--his lion is at the zoo--
Listens, listens. All the long, soft, summer day
Dreams affright his couch, the deep boils like a pot.
As the sun sets, the last patient rises,
Says to him, Father, trembles, turns away.

Often, to the lion, the saint said, Son.
To the man the saint says--but the man is gone.
Under a plaque of Gradiva, at gloaming.
The old man boils an egg. When he has eaten
He listens a while. The patients have not stopped.

There would be a knock at the door
And I would arise at midnight and go to the shop,
Where belated travelers would hear me hammering
Sepulchral boards and tacking satin.
And often I wondered who would go with me
To the distant land, our names the theme
For talk, in the same week, for I've observed
Two always go together.
Chase Henry was paired with Edith Conant;
And Jonathan Somers with Willie Metcalf;
And Editor Hamblin with Francis Turner,
When he prayed to live longer than Editor Whedon;

I was about to be mugged by a man
with a chain so angry he growled
at the Lincoln Center subway station
when out of nowhere appeared a tall
chubby-faced Hasidic Jew with peyot
and a black hat a black coat white shirt
with prayer-shawl fringes showing
we walked together out of the station
and when we got outside and shook hands
I noticed he was blind. Goodbye,
I said, as giddy as a man waking
from an anesthetic in the recovery room,
happy, with a hard-on. The cabs were
on strike on Broadway so beautiful