tree

TO her, for I must still regard her
As feminine in her degree,
Who has been my unkind bombarder
Year after year, in grief and glee,
Year after year, with oaken tree;
And yet betweenwhiles my laudator
In terms astonishing to me -
To the Right Reverend The Spectator
I here, a humble dedicator,
Bring the last apples from my tree.

In tones of love, in tones of warning,
She hailed me through my brief career;
And kiss and buffet, night and morning,
Told me my grandmamma was near;

You whom I could not save
Listen to me.
Try to understand this simple speech as I would be ashamed of another.
I swear, there is in me no wizardry of words.
I speak to you with silence like a cloud or a tree.

What strengthened me, for you was lethal.
You mixed up farewell to an epoch with the beginning of a new one,
Inspiration of hatred with lyrical beauty,
Blind force with accomplished shape.

Here is the valley of shallow Polish rivers. And an immense bridge
Going into white fog. Here is a broken city,

Why do I sigh to find
Life's evening shadows gathering round my way?
The keen eye dimming, and the buoyant mind
Unhinging day by day?

Is it the natural dread
Of that stern lot, which all who live must see?
The worm, the clay, the dark and narrow bed, --
Have these such awe for me?

Can I not summon pride
To fold, my decent mantle round my breast;
And lay me down at Nature's eventide,
Calm to my dreamless rest?

As nears my soul the verge
Of this dim continent of woe and crime,

The cold slope is standing in darkness
But the south of the trees is dry to the touch

The heavy limbs climb into the moonlight bearing feathers
I came to watch these
White plants older at night
The oldest
Come first to the ruins

And I hear magpies kept awake by the moon
The water flows through its
Own fingers without end

Tonight once more
I find a single prayer and it is not for men

Baudelaire considers you his brother,
and Fielding calls out to you every few paragraphs
as if to make sure you have not closed the book,
and now I am summoning you up again,
attentive ghost, dark silent figure standing
in the doorway of these words.

Pope welcomes you into the glow of his study,
takes down a leather-bound Ovid to show you.
Tennyson lifts the latch to a moated garden,
and with Yeats you lean against a broken pear tree,
the day hooded by low clouds.

But now you are here with me,

They tell me that your heart
has been found in Iowa,
pumping along Interstate 35.
Do you want it back?

When the cold comes on
this fast, it's Iowa again--
where pollen disperses
evenly on the dented Fords,

where white houses sag
by the town's corn silos,
where people in the houses
sicken on corn dust.

Auctions sell entire farms.
It's not the auctions that's upsetting
but what they sell, the ragged towel
or the armless doll, for a dollar.

They say that dead men tell no tales!

Except of barges with red sails
And sailors mad for nightingales;

Except of jongleurs stretched at ease
Beside old highways through the trees;

Except of dying moons that break
The hearts of lads who lie awake;

Except of fortresses in shade,
And heroes crumbled and betrayed.

But dead men tell no tales, they say!

Except old tales that burn away
The stifling tapestries of day:

Old tales of life, of love and hate,

The little cousin is dead, by foul subtraction,
A green bough from Virginia's aged tree,
And none of the county kin like the transaction,
Nor some of the world of outer dark, like me.

A boy not beautiful, nor good, nor clever,
A black cloud full of storms too hot for keeping,
A sword beneath his mother's heart—yet never
Woman bewept her babe as this is weeping.

A pig with a pasty face, so I had said,
Squealing for cookies, kinned by poor pretense
With a noble house. But the little man quite dead,

There is a stubble field on which a black rain falls.
There is a tree which, brown, stands lonely here.
There is a hissing wind which haunts deserted huts---
How sad this evening.

Past the village pond
The gentle orphan still gathers scanty ears of corn.
Golden and round her eyes are gazing in the dusk
And her lap awaits the heavenly bridegroom.

Returning home
Shepherds found the sweet body
Decayed in the bramble bush.

A shade I am remote from sombre hamlets.
The silence of God

When I get to be a composer
I'm gonna write me some music about
Daybreak in Alabama
And I'm gonna put the purtiest songs in it
Rising out of the ground like a swamp mist
And falling out of heaven like soft dew.
I'm gonna put some tall tall trees in it
And the scent of pine needles
And the smell of red clay after rain
And long red necks
And poppy colored faces
And big brown arms
And the field daisy eyes
Of black and white black white black people
And I'm gonna put white hands