truth

I am twenty-four
led to slaughter
I survived.

The following are empty synonyms:
man and beast
love and hate
friend and foe
darkness and light.

The way of killing men and beasts is the same
I've seen it:
truckfuls of chopped-up men
who will not be saved.

Ideas are mere words:
virtue and crime
truth and lies
beauty and ugliness
courage and cowardice.

Virtue and crime weigh the same
I've seen it:
in a man who was both
criminal and virtuous.

Well-nigh two thousand years hath Israel
Suffered the scorn of man for love of God;
Endured the outlaw's ban, the yoke, the rod,
With perfect patience. Empires rose and fell,
Around him Nebo was adored and Bel;
Edom was drunk with victory, and trod
On his high places, while the sacred sod
Was desecrated by the infidel.
His faith proved steadfast, without breach or flaw,
But now the last renouncement is required.
His truth prevails, his God is God, his Law
Is found the wisdom most to be desired.

The Spacious Firmament on high,
With all the blue Ethereal Sky,
And spangled Heav'ns, a Shining Frame,
Their great Original proclaim:
Th' unwearied Sun, from day to day,
Does his Creator's Pow'r display,
And publishes to every Land
The Work of an Almighty Hand.

Soon as the Evening Shades prevail,
The Moon takes up the wondrous Tale,
And nightly to the list'ning Earth
Repeats the Story of her Birth:
Whilst all the Stars that round her burn,
And all the Planets, in their turn,

NUNS fret not at their convent's narrow room,
   And hermits are contented with their cells,
   And students with their pensive citadels;
Maids at the wheel, the weaver at his loom,
Sit blithe and happy; bees that soar for bloom,
   High as the highest peak of Furness fells,
   Will murmur by the hour in foxglove bells:
In truth the prison unto which we doom
Ourselves no prison is: and hence for me,
   In sundry moods, 'twas pastime to be bound
   Within the Sonnet's scanty plot of ground;

The restaurants on hot spring evenings
Lie under a dense and savage air.
Foul drafts and hoots from dunken revelers
Contaminate the thoroughfare.
Above the dusty lanes of suburbia
Above the tedium of bungalows
A pretzel sign begilds a bakery
And children screech fortissimo.

And every evening beyond the barriers
Gentlemen of practiced wit and charm
Go strolling beside the drainage ditches --
A tilted derby and a lady at the arm.

The squeak of oarlocks comes over the lake water

STRIKE the concertina's melancholy string!
Blow the spirit-stirring harp like anything!
Let the piano's martial blast
Rouse the Echoes of the Past,
For of AGIB, PRINCE OF TARTARY, I sing!

Of AGIB, who, amid Tartaric scenes,
Wrote a lot of ballet music in his teens:
His gentle spirit rolls
In the melody of souls -
Which is pretty, but I don't know what it means.

Of AGIB, who could readily, at sight,
Strum a march upon the loud Theodolite.
He would diligently play
On the Zoetrope all day,

Oh prophetic bird so bright,
Blossom-songster, cuckoo bight!
In the fairest time of year,
Dearest bird, oh! deign to hear
What a youthful pair would pray,
Do thou call, if hope they may:
Thy cuck-oo, thy cuck-oo.
Ever more cuck-oo, cuck-oo!

Hearest thou? A loving pair
Fain would to the altar fare;
Yes! a pair in happy youth,
Full of virtue, full of truth.
Is the hour not fix'd by fate?
Say, how long must they still wait?
Hark! cuck-oo! hark! cuck-oo!
Silent yet! for shame, cuck-oo!

There lived in Munich a poor, weakly youth,
But for the exact date, I cannot vouch for the truth,
And of seven of a family he was the elder,
Who was named, by his parents, Alois Senefelder.

But, poor fellow, at home his father was lying dead,
And his little brothers and sisters were depending upon him for bread,
And one evening he was dismissed from his employment,
Which put an end to all his peace and enjoyment.

The poor lad was almost mad, and the next day
His parent's remains to the cemetery were taken away;

I LATELY vowed to leave the nuns alone,
So oft their freaks have in my page been shown.
The subject may at length fatigue the mind;
My Muse the veil howe'er is still inclined,
Conspicuously to hold to publick view,
And, 'mong the sisters, scene and scene pursue.
Is this too much?--the nicest tricks they play;
Through soft amours oft artfully they stray,
And these in full I'd readily detail,
If I were sure the subject would not fail;
And that's impossible I must admit,
'Twould endless be, the tales appear so fit;

What do they matter, our headlong hates, when we take the toll of our Dead?
Think ye our glory and gain will pay for the torrent of blood we have shed?
By the cheers of our Victory will the heart of the mother be comforted?

If by the Victory all we mean is a broken and brooding foe;
Is the pomp and power of a glitt'ring hour, and a truce for an age or so:
By the clay-cold hand on the broken blade we have smitten a bootless blow!

If by the Triumph we only prove that the sword we sheathe is bright;