This war's dead heroes, who has seen them?
They rise in smoke above the burning city,
Faint clouds, dissolving into sky —

And who sifting the Libyan sand can find
The tracery of a human hand,
The faint impression of an absent mind,
The fade-out of a soldier's day dream?

You'll know your love no more, nor his sweet kisses —
He's forgotten you, girl, and in the idle sun
In long green grass that the east wind caresses
The seed of man is ravished by the corn.

"What's that that hirples at my side?"
The foe that you must fight, my lord.
"That rides as fast as I can ride?"
The shadow of your might, my lord.

"Then wheel my horse against the foe!"
He's down and overpast, my lord.
You war against the sunset-glow,
The judgment follows fast, my lord!

"Oh, who will stay the sun's descent?"
King Joshua he is dead, my lord.
"I need an hour to repent!"
'Tis what our sister said, my lord.

"Oh, do not slay me in my sins!"

There's many a schoolboy's bat and ball that are gathering dust at home,
For he hears a voice in the future call, and he trains for the war to come;
A serious light in his eyes is seen as he comes from the schoolhouse gate;
He keeps his kit and his rifle clean, and he sees that his back is straight.

But straight or crooked, or round, or lame – you may let these words take root;
As the time draws near for the sterner game, all boys should learn to shoot,
From the beardless youth to the grim grey-beard, let Australians ne'er forget,

They never crowned him, never dreamed his worth,
And let him go unlaurelled to the grave:
Hereafter there are guerdons for the brave,
Roses for martyrs who wear thorns on earth,
Balms for bruised hearts that languish in the dearth
Of human love. So let the grasses wave
Above him nameless. Little did he crave
Men's praises: modestly, with kindly mirth,
Not sad nor bitter, he accepted fate --
Drank deep of life, knew books, and hearts of men,
Cities and camps, and war's immortal woe,
Yet bore through all (such virtue in him sate

The world is full of women
who'd tell me I should be ashamed of myself
if they had the chance. Quit dancing.
Get some self-respect
and a day job.
Right. And minimum wage,
and varicose veins, just standing
in one place for eight hours
behind a glass counter
bundled up to the neck, instead of
naked as a meat sandwich.
Selling gloves, or something.
Instead of what I do sell.
You have to have talent
to peddle a thing so nebulous
and without material form.
Exploited, they'd say. Yes, any way
you cut it, but I've a choice

If you were twenty-seven
and had done time for beating
our ex-wife and had
no dreams you remembered
in the morning, you might
lie on your bed and listen
to a mad canary sing
and think it all right to be
there every Saturday
ignoring your neighbors, the streets,
the signs that said join,
and the need to be helping.
You might build, as he did,
a network of golden ladders
so that the bird could roam
on all levels of the room;
you might paint the ceiling blue,
the floor green, and shade

For Cynthia

He, who was born in stagnant year
Does not remember own way.
We, kids of Russia's years of fear,
Remember every night and day.

Years that burned everything to ashes!
Do you bring madness or grace?
The war's and freedom's fire flashes
Left bloody light on every face.

We are struck dumb: the toxsin's pressure
Has made us tightly close lips.
In living hearts, once full of pleasure,
The fateful desert now sleeps.

And let the crying ravens soar
Right over our death-bed,
May those who were striving more,

I was just turned twenty-one,
And Henry Phipps, the Sunday-school superintendent,
Made a speech in Bindle's Opera House.
"The honor of the flag must be upheld," he said,
"Whether it be assailed by a barbarous tribe of Tagalogs
Or the greatest power in Europe."
And we cheered and cheered the speech and the flag he waved
As he spoke.
And I went to the war in spite of my father,
And followed the flag till I saw it raised
By our camp in a rice field near Manila,
And all of us cheered and cheered it.
But there were flies and poisonous things;

Sosehr sein Ende mich bewegt,
Ich durft' es anders nicht vermelden. -
Er stirbt - denn tragisch angelegt
War der Charakter dieses Helden.

His ending moves me; only, mind,
A diff'rent one I can't envision.
He dies - for tragically designed
Was our hero's disposition.


Gar manches ist vorherbestimmt;
Das Schicksal führt ihn in Bedrängnis;
Doch wie er sich dabei benimmt,
Ist seine Schuld und nicht Verhängnis.

There is a predetermined fate,
And fortune seems to be essential;
But how to act, how to relate