Unfinished Landscape With A Dog

Not much of a dog yet,
that smudge in the distance, beyond the reach

of focus. It's just an impressionist
gesture, a guess. From the edge of the clearing, the farmhouse
materializes, settles

into wall & stone. The water,
making the surface

of the stream, makes
reflections. So why shouldn't the dog

accept limits, become

a figure? Is it like the girl who sits
in the hall closet and says she's not
hiding? She's inside—

listening without the burden


Uncontrolled

The mighty forces of mysterious space
Are one by one subdued by lordly man.
The awful lightning that for eons ran
Their devastating and untrammeled race,
Now bear his messages from place to place
Like carrier doves. The winds lead on his van;
The lawless elements no longer can
Resist his strength, but yield with sullen grace.

His bold feet scaling heights before untrod,
Light, darkness, air and water, heat and cold
He bids go forth and bring him power and pelf.


Under the Waterfall

'Whenever I plunge my arm, like this,
In a basin of water, I never miss
The sweet sharp sense of a fugitive day
Fetched back from its thickening shroud of gray.
Hence the only prime
And real love-rhyme
That I know by heart,
And that leaves no smart,
Is the purl of a little valley fall
About three spans wide and two spans tall
Over a table of solid rock,
And into a scoop of the self-same block;
The purl of a runlet that never ceases
In stir of kingdoms, in wars, in peaces;


Under One Small Star

My apologies to chance for calling it necessity.
My apologies to necessity if I'm mistaken, after all.
Please, don't be angry, happiness, that I take you as my due.
May my dead be patient with the way my memories fade.
My apologies to time for all the world I overlook each second.
My apologies to past loves for thinking that the latest is the first.
Forgive me, distant wars, for bringing flowers home.
Forgive me, open wounds, for pricking my finger.
I apologize for my record of minuets to those who cry from the depths.


Under canvas

IN MUSKOKA

Lichens of green and grey on every side;
And green and grey the rocks beneath our feet;
Above our heads the canvas stretching wide;
And over all, enchantment rare and sweet.

Fair Rosseau slumbers in an atmosphere
That kisses her to passionless soft dreams.
O! joy of living we have found thee here,
And life lacks nothing, so complete it seems.

The velvet air, stirred by some elfin wings,
Comes swinging up the waters and then stills
Its voice so low that floating by it sings


Unbreakable

Unbreakable, O Lord,
Is the love
That binds me to You:
Like a diamond,
It breaks the hammer that strikes it.

My heart goes into You
As the polish goes into the gold.
As the lotus lives in its water,
I live in You.

Like the bird
That gazes all night
At the passing moon,
I have lost myself dwelling in You.

O my Beloved - Return.


Two Lyrics From Kilroy's Carnival A Masque

I Aria

"--Kiss me there where pride is glittering
Kiss me where I am ripened and round fruit
Kiss me wherever, however, I am supple, bare and flare
(Let the bell be rung as long as I am young:
let ring and fly like a great bronze wing!)

"--I'll kiss you wherever you think you are poor,
Wherever you shudder, feeling striped or barred,
Because you think you are bloodless, skinny or marred:
Until, until
your gaze has been stilled--


Tower Of Light

O tower of light, sad beauty
that magnified necklaces and statues in the sea,
calcareous eye, insignia of the vast waters, cry
of the mourning petrel, tooth of the sea, wife
of the Oceanian wind, O separate rose
from the long stem of the trampled bush
that the depths, converted into archipelago,
O natural star, green diadem,
alone in your lonesome dynasty,
still unattainable, elusive, desolate
like one drop, like one grape, like the sea.


To Minnie

The red room with the giant bed
Where none but elders laid their head;
The little room where you and I
Did for awhile together lie
And, simple, suitor, I your hand
In decent marriage did demand;
The great day nursery, best of all,
With pictures pasted on the wall
And leaves upon the blind--
A pleasant room wherein to wake
And hear the leafy garden shake
And rustle in the wind--
And pleasant there to lie in bed
And see the pictures overhead--
The wars about Sebastopol,


To One denied the drink

490

To One denied the drink
To tell what Water is
Would be acuter, would it not
Than letting Him surmise?

To lead Him to the Well
And let Him hear it drip
Remind Him, would it not, somewhat
Of His condemned lip?


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