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Come down, O Maid

Come down, O maid, from yonder mountain height:
What pleasure lives in height (the shepherd sang),
In height and cold, the splendour of the hills?
But cease to move so near the Heavens, and cease
To glide a sunbeam by the blasted Pine,
To sit a star upon the sparkling spire;
And come, for Love is of the valley, come,
For Love is of the valley, come thou down
And find him; by the happy threshold, he,
Or hand in hand with Plenty in the maize,
Or red with spirted purple of the vats,
Or foxlike in the vine; nor cares to walk

Come Back to St Andrews

Come back to St. Andrews! Before you went away
You said you would be wretched where you could not see the Bay,
The East sands and the West sands and the castle in the sea
Come back to St. Andrews--St. Andrews and me.

Oh, it's dreary along South Street when the rain is coming down,
And the east wind makes the student draw more close his warm red gown,
As I often saw you do, when I watched you going by
On the stormy days to College, from my window up on high.

I wander on the Lade Braes, where I used to walk with you,

Colors Passing Through Us

Purple as tulips in May, mauve
into lush velvet, purple
as the stain blackberries leave
on the lips, on the hands,
the purple of ripe grapes
sunlit and warm as flesh.
Every day I will give you a color,
like a new flower in a bud vase
on your desk. Every day
I will paint you, as women
color each other with henna
on hands and on feet.

Red as henna, as cinnamon,
as coals after the fire is banked,
the cardinal in the feeder,
the roses tumbling on the arbor
their weight bending the wood

Colored Toys

When I bring to you colored toys, my child,
I understand why there is such a play of colors on clouds, on water,
and why flowers are painted in tints
---when I give colored toys to you, my child.

When I sing to make you dance
I truly now why there is music in leaves,
and why waves send their chorus of voices to the heart of the listening earth
---when I sing to make you dance.

When I bring sweet things to your greedy hands
I know why there is honey in the cup of the flowers
and why fruits are secretly filled with sweet juice

Colonus' Praise

Chorus. Come praise Colonus' horses, and come praise
The wine-dark of the wood's intricacies,
The nightingale that deafens daylight there,
If daylight ever visit where,
Unvisited by tempest or by sun,
Immortal ladies tread the ground
Dizzy with harmonious sound,
Semele's lad a gay companion.
And yonder in the gymnasts' garden thrives
The self-sown, self-begotten shape that gives
Athenian intellect its mastery,
Even the grey-leaved olive-tree
Miracle-bred out of the living stone;
Nor accident of peace nor war

Coleur de Rose

I want more lives in which to love
This world so full of beauty,
I want more days to use the ways
I know of doing duty;
I ask no greater joy than this
(So much I am life's lover,)
When I reach age to turn the page
And read the story over,
(Oh love stay near!)

Oh rapturous promise of the Spring!
Oh June fulfilling after!
If Autumns sigh, when Summers die,
'Tis drowned in Winter's laughter.
Oh maiden dawns, oh wifely noons,
Oh siren sweet, sweet nights,
I'd want no heaven could earth be given

Cold Morning

Through an accidental crack in the curtain
I can see the eight o'clock light change from
charcoal to a faint gassy blue, inventing things

in the morning that has a thick skin of ice on it
as the water tank has, so nothing flows, all is bone,
telling its tale of how hard the night had to be

for any heart caught out in it, just flesh and blood
no match for the mindless chill that's settled in,
a great stone bird, its wings stretched stiff

from the tip of Letter Hill to the cobbled bay, its gaze

Coda

There's little in taking or giving,
There's little in water or wine;
This living, this living, this living
Was never a project of mine.
Oh, hard is the struggle, and sparse is
The gain of the one at the top,
For art is a form of catharsis,
And love is a permanent flop,
And work is the province of cattle,
And rest's for a clam in a shell,
So I'm thinking of throwing the battle-
Would you kindly direct me to hell?

Cocotte

I

When a girl's sixteen, and as poor as she's pretty,
And she hasn't a friend and she hasn't a home,
Heigh-ho! She's as safe in Paris city
As a lamb night-strayed where the wild wolves roam;
And that was I; oh, it's seven years now
(Some water's run down the Seine since then),
And I've almost forgotten the pangs and the tears now,
And I've almost taken the measure of men.
II
Oh, I found me a lover who loved me only,
Artist and poet, and almost a boy.
And my heart was bruised, and my life was lonely,

Cockspur Bush

I am lived. I am died.
I was two-leafed three times, and grazed,
but then I was stemmed and multiplied,
sharp-thorned and caned, nested and raised,
earth-salt by sun-sugar. I was innerly sung
by thrushes who need fear no eyed skin thing.
Finched, ant-run, flowered, I am given the years
in now fewer berries, now more of sling
out over directions of luscious dung.
Of water crankshaft, of gases the gears
my shape is cattle-pruned to a crown spread sprung
above the starve-gut instinct to make prairies