The buzzards wheel slowly
In wide circles, in a sky
Faintly hazed as from dust from the road.
And a wind sweeps through the pasture where I lie
Beating the grass into long waves.
My kite is above the wind,
Though now and then it wobbles,
Like a man shaking his shoulders;
And the tail streams out momentarily,
Then sinks to rest.
And the buzzards wheel and wheel,
Sweeping the zenith with wide circles
Above my kite. And the hills sleep.
And a farm house, white as snow,
Peeps from green trees -- far away.
And I watch my kite,

ANTONIA What did you see? Tell me, please!

Four bright steel crosses,
universal joints, plucked
out of the burlap sack --
"the heart of the drive train,"
the book says. Stars
on Lemon's wooden palm,
stars that must be capped,
rolled, and anointed,
that have their orders
and their commands as he
has his.

Under the blue
hesitant light another day
at Automotive
in the city of dreams.
We're all here to count
and be counted, Lemon,
Rosie, Eugene, Luis,
and me, too young to know
this is for keeps, pinning
on my apron, rolling up

I have seen it...
I have seen it with my very eyes...
Yes. I have seen it.

Beware; it takes many shapes...
In fact, it's shapeless and also colourless.

Yes, I can testify that I have seen it.

How did I see it?
I closed my eyes. I talked to the Trees.
Even Water and Fire showed me all...

It comes under many forms...
One might only see its' effect.
I don't care how one choose to call it...
I call it Destruction.

Destruction of the Earth.
Destruction of Animals.

I love too much; I am a river
Surging with spring that seeks the sea,
I am too generous a giver,
Love will not stoop to drink of me.

His feet will turn to desert places
Shadowless, reft of rain and dew,
Where stars stare down with sharpened faces
From heavens pitilessly blue.

And there at midnight sick with faring,
He will stoop down in his desire
To slake the thirst grown past all bearing
In stagnant water keen as fire.

As I stood upon London Bridge and viewed the mighty throng
Of thousands of people in cabs and 'busses rapidly whirling along,
All furiously driving to and fro,
Up one street and down another as quick as they could go:

Then I was struck with the discordant sound of human voices there,
Which seemed to me like wild geese cackling in the air:
And the river Thames is a most beautiful sight,
To see the steamers sailing upon it by day and by night.

And the Tower of London is most gloomy to behold,

My salt marsh
-mine, I call it, because
these day-hammered fields

of dazzled horizontals
undulate, summers,
inside me and out-

how can I say what it is?
Sea lavender shivers
over the tidewater steel.

A million minnows ally
with their million shadows
(lucky we'll never need

to know whose is whose).
The bud of storm loosens:
watered paint poured

dark blue onto the edge
of the page. Haloed grasses,
gilt shadow-edged body of dune…

I could go on like this.
I love the language

To keep the lamp alive,
With oil we fill the bowl;
'Tis water makes the willow thrive,
And grace that feeds the soul.

The Lord's unsparing hand
Supplies the living stream;
It is not at our own command,
But still derived from Him.

Beware of Peter's word,
Nor confidently say,
"I never will deny Thee, Lord," --
But, -- "Grant I never may."

Man's wisdom is to seek
His strength in God alone;
And e'en an angel would be weak,
Who trusted in his own.

Retreat beneath his wings,

Thousands of tiny
fists tamping the surface of the lake
flowing like a wide
river gone crazy, southeast, westnorth
letting the wind push
it around in its bed and the boat
hull hugging the shore.
What else can she do? Even the trees
agree, shaking
their crowns, throwing down their leaves as if
she were their only
child. Caught cold-footed in Magnuson
grass, trying to cut
free of the creosote-soaked pilings sunk
deep in the shallow
mud holding the water, holding her
wake for a moment,

For Diana Gould

On charts they fall like lace,
Islands consuming in a sea
Born dense with its own blue:
And like repairing mirrors holding up
Small towns and trees and rivers
To the still air, the lovely air:
From the clear side of springing Time,
In clement places where the windmills ride,
Turning over grey springs in Mykonos,
In shadows with a gesture of content.

The statues of the dead here
Embark on sunlight, sealed
Each in her model with the sightless eyes:
The modest stones of Greeks,