I am like a flag in the center of open space.
I sense ahead the wind which is coming, and must live
it through.
while the things of the world still do not move:
the doors still close softly, and the chimneys are full
of silence,
the windows do not rattle yet, and the dust still lies down.

I already know the storm, and I am troubled as the sea.
I leap out, and fall back,
and throw myself out, and am absolutely alone
in the great storm.


Translated by Robert Bly

1

I am a house, says Senlin, locked and darkened,
Sealed from the sun with wall and door and blind.
Summon me loudly, and you'll hear slow footsteps
Ring far and faint in the galleries of my mind.
You'll hear soft steps on an old and dusty stairway;
Peer darkly through some corner of a pane,
You'll see me with a faint light coming slowly,
Pausing above some gallery of the brain . . .

I am a city . . . In the blue light of evening
Wind wanders among my streets and makes them fair;
I am a room of rock . . . a maiden dances

1

Senlin sits before us, and we see him.
He smokes his pipe before us, and we hear him.
Is he small, with reddish hair,
Does he light his pipe with meditative stare,
And a pointed flame reflected in both eyes?
Is he sad and happy and foolish and wise?
Did no one see him enter the doors of the city,
Looking above him at the roofs and trees and skies?
'I stepped from a cloud', he says, 'as evening fell;
I walked on the sound of a bell;
I ran with winged heels along a gust;

Senlin sat before us and we heard him.
He smoked his pipe before us and we saw him.
Was he small, with reddish hair,
Did he light his pipe with a meditative stare
And a twinkling flame reflected in blue eyes?
'I am alone': said Senlin; 'in a forest of leaves
The single leaf that creeps and falls.
The single blade of grass in a desert of grass
That none foresaw and none recalls.
The single shell that a green wave shatters
In tiny specks of whiteness on brown sands . . .
How shall you understand me with your hearts,

As Parmigianino did it, the right hand
Bigger than the head, thrust at the viewer
And swerving easily away, as though to protect
What it advertises. A few leaded panes, old beams,
Fur, pleated muslin, a coral ring run together
In a movement supporting the face, which swims
Toward and away like the hand
Except that it is in repose. It is what is
Sequestered. Vasari says, "Francesco one day set himself
To take his own portrait, looking at himself from that purpose
In a convex mirror, such as is used by barbers . . .

Cold winds can never freeze, nor thunder sour
The cup of cheer that Beauty draws for me
Out of those Azure heavens and this green earth --
I drink and drink, and thirst the more I see.

To see the dewdrops thrill the blades of grass,
Makes my whole body shake; for here's my choice
Of either sun or shade, and both are green --
A Chaffinch laughs in his melodious voice.

The banks are stormed by Speedwell, that blue flower
So like a little heaven with one star out;
I see an amber lake of buttercups,

FEAR not, dear love, that I'll reveal
Those hours of pleasure we two steal ;
No eye shall see, nor yet the sun
Descry, what thou and I have done.
No ear shall hear our love, but we
Silent as the night will be ;
The god of love himself (whose dart
Did first wound mine and then thy heart),
Shall never know that we can tell
What sweets in stol'n embraces dwell.
This only means may find it out ;
If, when I die, physicians doubt
What caused my death, and there to view
Of all their judgements which was true,

There dwells a wife by the Northern Gate,
And a wealthy wife is she;
She breeds a breed o' rovin' men
And casts them over sea.

And some are drowned in deep water,
And some in sight o' shore,
And word goes back to the weary wife
And ever she sends more.

For since that wife had gate or gear,
Or hearth or garth or bield,
She willed her sons to the white harvest,
And that is a bitter yield.

She wills her sons to the wet ploughing,
To ride the horse of tree,
And syne her sons come back again

When descends on the Atlantic
The gigantic
Storm-wind of the equinox,
Landword in his wrath he scourges
The toiling surges,
Laden with seaweed from the rocks:

From Bermuda's reefs; from edges
Of sunken ledges,
In some far-off, bright Azore;
From Bahama, and the dashing
Silver-flashing
Surges of San Salvador;

From the tumbling surf, that buries
The Orkneyan skerries,
Answering the hoarse Hebrides;
And from wrecks of ships, and drifting
Spars, uplifting
On the desolate, rainy seas; -

"On the departure of rainy season bechanced is autumn with a heart-pleasingly bloomed lotus as her face, betokening the heart-pleasing face of a new bride, and the autumnal fields of white grass with whitish flowers as her apparel, which betoken the whitish bridal apparel of a new bride, and the amorously clucking clucks of swans that have just returned from Lake Maanasa as rains have gone, are the jingling anklets of autumn, which betoken the delightful jingles of anklets of new bride, and now the rice is ready to ripe and thus the tenuous stalks of rice, which have their necks a little be